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|   | The Edge Of The World Cornelius CARDEW (1936-1981) Mountains (1977)* Christopher HOBBS (b.1950) Seventeen One-minute Pieces for Bass Clarinet and Casio MT750 (1992); Why Not? (1994) Dave SMITH (b.1949) Off-peak Single from Symi (1998) John WHITE (b.1936) A Little Souvenir from Costa Mijas (1989) Barney CHILDS (1926-2000) The Edge of the World (1981)  Ian Mitchell, bass 
      clarinet Christopher Hobbs, keyboards Recorded in Leicester, England (St. Mary de Castro Church, 1999 except * De Montfort University 1995).  BLACK BOX BBM1052 
      [59.03] | 
| CD available for post-free online mail-order or you may download individual tracks. For some labels you can download the entire CD with a single click and make HUGE savings. The price you see is the price you pay! The full booklet notes are available on-line. |  | 
| NOTE  Click on the button and you can buy the disc or read the booklet details  You can also access each track which you may then sample or down load.  Further Information. | |
| Ian Mitchell's record of "cutting edge contemporary works for bass clarinet" represents a crucial release for this repertoire, featuring five world premieres and reminding me in many places of my introduction to the instrument through the recordings of the great John Surman and other luminaries of the ECM label, as well as the formative influences of, say, Marion Brown's sax playing on Harold Budd's beatific Eno-produced Pavilion of Dreams. None of this music is incredibly immediate or particularly easy to listen to but concentration will reward the determined with some revelatory passages. The fact that two pieces feature the sounds of, on the face of it, rather dated Casio keyboards, detracts little from an overall listening experience that compares with the very best that recent intersections of the European jazz, minimalism and improv traditions (ECM, Andriessen, Fitkin, Turnage(?) etc.) has to offer. Cardew's Bach-inspired Mountains is an immense 
        set of variations which tends to dwarf some of the other music included 
        and can be readily appreciated without necessarily sharing any enthusiasm 
        for (or even knowing about?) its secondary origins in revolutionary political 
        thought (the mountains of the title come from Mao Tse Tung!) However, 
        Christopher Hobbs (who also accompanies Mitchell on the disc), Dave Smith 
        and that incomparable veteran of the British avant-garde, John White, 
        despite much more modest intentions, manage to turn up some gem-like miniatures, 
        in two cases inspired by Mediterranean locations. The last word is left, 
        appropriately enough, to the piece that gives the disc its title. Barney 
        Childs’ Edge of the World proves to be the most jazz related and, 
        unsurprisingly, most left-field work included here, yet emerges as an 
        apt and moving tribute to its late composer. For those who might have 
        some apprehension about purchasing a release like this, rest assured that 
        the (excellent) booklet notes’ references to the aforementioned Bach and 
        to Percy Grainger, alongside jazz great Eric Dolphy, are totally in keeping 
        with the spirit at work here, at one with the great musical traditions 
        while displaying a positive, if iconoclastic, attitude to their transformation 
        and renewal.  
 
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 C. HOBBS D. SMITH J. WHITE C. HOBBS B. CHILDS Get a free QuickTime download here | 
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