This disc is enormous fun, as well as being instructive. 
          It is a celebration of the dance, and the only niggle I might possibly 
          have is my own fault  it is a bit much to listen all the way through 
          in one sitting. Each of the dances is only a couple of minutes long 
           indeed the longest is a huge 2:35, most of them being under 2 minutes. 
          Aural indigestion sets in after ten or so dances, and I would recommend 
          any listener who is not a period dance music fanatic, to restrict listening 
          to 15 minutes or so of these wonderful dances. 
        
 
        
Czech musicians have always been first rate at dances 
          of this kind, remember the Czech Philharmonic in Dvořák 
          Slavonic Dances et al. In these performances by Musica Bohemica there 
          is the same lilt to the rhythms as in the earlier example. What we have 
          here however is a totally different sound, a result of the early instruments 
          being employed to recreate the atmosphere of the salon, pub or 
          open air where these dances were originally performed. 
        
 
        
The booklet supplied with this issue is very informative, 
          telling how dance has been defined over the ages, and the problems we 
          humans have had in getting the dance form accepted. Defined earlier 
          by the poet Lamartine as "poetry of movement of the human body, 
          rhythm, and harmony between music and movement". In Czech terms 
          the dance was defined by the type of movement, and in the 17th 
          Century these approximated to ritual, calendar and family dances, guild 
          dances, dances related to various annual festivals and folk customs, 
          dance plays, competitive and imitative dances, social dances of the 
          noble, urban and rural environments, dances of the individual professions, 
          estates and social groups. You can see that there is a huge variation 
          in classification of the dance, and quite frankly, these jolly pieces 
          do not give up their source of provenance very easily. 
        
 
        
A much more salutary factor is that no matter what 
          category the dance belonged to, both the Church and / or the civil authorities 
          did not like these activities, seeing them as pagan and causing the 
          participants to lose control and end up doing things that the po-faced 
          leaders of the Church and state did not approve of. Given their influence 
          over the general population, it is not hard to understand that this 
          subversive material remained hidden for ages, and has started to appear 
          as music historians start to uncover sources for this material. 
        
 
        
As with many areas like this, the activities will out, 
          and here, on this disc we have sheer ebullience played with extreme 
          gusto for our enjoyment. Provided you play this a little at a time you 
          will get enormous enjoyment from this issue. All the dances are apparently 
          World premieres, the recording quality is superb, catching the artists 
          obviously enjoying themselves enormously, so if the repertoire attracts 
          you, there is no need to hesitate. 
 
          John Phillips