DORA BRIGHT (1863-1951): COMPOSER
Can anyone help trace the music and papers of the composer Dora Bright?
Dora Bright made quite a reputation in the 1890s and appeared as soloist
in several of her own works for piano and orchestra. She was the first
woman composer to have a work played by the (Royal) Philharmonic Society
when she was the soloist in her own Fantasia in G in 1892. Mann’s
conducted her Piano Concerto No 1 in A minor at Crystal Palace when
it was fresh from triumphs in Cologne, Dresden and Leipzig. Even George
Bernard Shaw was almost admiring when he wrote: ‘her concerto is remarkable
– apart from its undeniable prettiness – for its terse, business-like
construction and its sustained animation’.
From the Women’s Grove one can see that she produced quite a
catalogue of works, but all that can now be traced are the ten items
now in the library of the Royal Academy of Music, thought this does
include the manuscripts of two of the pieces for piano and orchestra,
including one of her concertos. She became Mrs Knatchbull in the 1890s,
but although she was long a very active composer and musician, her will
makes no mention of her music, her copyrights or her professional name
(as Dora Bright). The National Register of Archives does not know her,
and very few libraries have even one published item by her. If any reader
has any ideas about finding her music, her papers or her family, I would
be please to hear from them.
Also another successful woman composer born in the nineteenth century,
Katharine Eggar, who did not die until 1961 – in particular can anyone
locate her Piano Quintet which had a number of successful performances
during the First World War? If you can help, please e-mail via the editor,
Rob Barnett.rob.barnett1@btinternet.com
LEWIS FOREMAN
Information received: 6-10-22
Hello
I'm responding to a request by Lewis Foreman on this page:
DORA BRIGHT (1863-1951): COMPOSER Appeal for information (musicweb-international.com)
In 2002, my partner and I somehow got involved in transporting two
presumably unique Columbia 78 test pressings of Dora Bright (playing
one of her own arrangements) from Mrs Jacqueline Knatchbull to the musicologist
Valerie Langfield, who then digitally transferred them. I still have
the detailed letter of thanks which Ms. Langfield sent us, together
with a CD-R copy of the Bright recording.
I suggest you contact Valerie Langfield, who has her own website. She
may still possess the original test pressings (or at least copies) and
perhaps has also retained the address of Mrs Jacqueline Knatchbull,
who I think probably lived near Bath, as we did at the time. I hope
this is of some help, if you haven't already contacted her.
Kind regards
Jonathan Sanders
