Paris 1937 is a bold and blisteringly 
          volcanic piece sounding like an Ornstein-type eruption for the pianola. 
          It is brief, at almost nine minutes, and comes across as a dissonant 
          nephew of Milhaud's Scaramouche. The work is based on a failed 
          ballet Fièvre du Temps and conjures the mood which Lopes-Graça 
          knew firsthand and the gathering stormclouds of the time in the French 
          capital. 
        
 
        
The Elegia is tougher; dissonant in the 
          manner of Rawsthorne and Gerhard. The notes draw attention to its message 
          of anti-fascist protest. I find it far more impressive than the notewriter 
          did. It has the uncompromising character of the Bridge Piano Sonata. 
          Contrary to what the sleeve-note tells you the next work is the Toccata, 
          Andante and Fugato which is from the composer's eighty-fifth 
          year - he died at age 88. It is relentlessly stark and stony. 
        
 
        
The four movement Fourth Sonata was premiered 
          on Radio Geneva. It remains uncompromising but there is reflection (especially 
          in the wonderful Andante con moto) and humour alongside the body-blows 
          and severity. The veloce pays its tactful tribute to Bartok's 
          Allegro Barbaro and to the wartime sonatas of Prokofiev. 
        
 
        
Both Valente and Henriques are Oporto-born and both 
          teach at the Lisbon Conservatory. Notes are in Portuguese and English 
          with excellent translations (typos still not completely purged - resistence 
          instead of resistance) by composer Christopher Bochmann. 
        
 
        
This is a fine series and long may it continue. Strauss 
          SA are doing valiant and valuable advocacy work to make the treasury 
          of Portuguese music not merely a national legacy but a world heritage. 
        
 
        
In a nutshell: Lopes-Graça as the percussively 
          stark Stravinskian of the piano. A rather intriguing collection 
          of piano music which is well worth hearing. Stand-out tracks are the 
          Elegia and the Andante and Allegro con brio from the Sonata. 
        
 
          Rob Barnett  
        
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