Aureole etc.

Golden Age singers

Nimbus on-line

Faure songs
Charlotte de Rothschild (soprano);

  Founder: Len Mullenger
Classical Editor: Rob Barnett

Jazz Hymns:
What a friend we have in Jesus, Hold to God's unchanging hand, Sweet by and by, Lift Him up, Jesus paid it all, Nearer my God to thee, No, not one, It is well with my soul, I surrender all, Jesus loves the little children, The solid rock, Glory to His name, Blessed Assurance, We are climbing Jacob's ladder, Calvary, Sweet hour of prayer, Old time religion.
Kevin Maynor (bass), Brandt Fredriksen (pianoforte), Eric Olsen (pianoforte).
Recorded in New York and Washington, 2000 and 2001
GUILD GMCD 7224 [52.43]
Guild records

If a record called "Jazz Hymns" and containing some well-known titles leads you to expect extempore busking up of granny's favourite hymns, this is something much more serious.

The composer writes: "The music is more than just jazz and hymns. It is also the coming together of all the musical influences of my musical life. One can hear the influence of spirituals, pop, blues, ragtime and boogie. With all these musical influences, the music should be approached like German lieder or Italian art song - a sort of American lieder, if you will, using a classical vocal technique."

To tell the truth, I found this basically mainstream contemporary music of a melodic kind, not more influenced by the above influences than any recent music is likely to be. The themes are strong, of a spirituals-revivalist-gospel cut (some are the original hymn-tunes, some newly-composed) and the accompaniments very inventive. It is typical of a whole modern school of American church music, where the practical, up-front, get-up-and-pray-brother aspect is to the fore. If you expect church music to sound like Sir John Stainer this won't be for you, but having been involved myself in performances of music of this kind in the Milan Methodist Church (where musical tastes tend toward the American) I can say that it is often involving both for the performers and the congregation, beyond its apparent musical worth. It's a type of music which is not afraid to be banal by stating the obvious, but then religious truths are obvious truths, except that they need nonetheless to be said over and over again. It's also a type of music which wears its religious heart on its sleeve, which tends not to be to English taste or are things changing? In the case of these songs the musical worth is high and there is a lot of variety of treatment, from the mournful "Calvary" to the mystical "We are climbing Jacob's ladder" and the joyfully dancing "Old time religion". Ideally I think this is music to be experienced in the flesh, and in a church, for it needs to be shared as a religious experience, and I would like to think that those who buy the disc and are able to perform it will order the music too and pass the message on. The scores can be obtained directly from Guild Music.

They will, however, be lucky if they have voices to match Kevin Maynor's splendid deep bass. Not for nothing has he been hailed as a new Paul Robeson. The two splendid pianists alternate for some reason; they don't play together. This is all to be enjoyed in a clear but warm recording.

Not long ago I was recommending a disc of (mostly) non-religious American songs sung by Nathan Gunn ("The American Anthem"). If you took my advice and don't regret it, then get this, too. It shows another side of American song and one which could appeal widely.

Christopher Howell

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