Hans Christian LUMBYE (1810-1874) 
	Complete Orchestral Works, Volume 4: 
	
	  
	    Happy New Year! Galop  
	      Adolphine Polka  
	      March in C major  
	      Chrétien Polka  
	      Dagmar Waltz  
	      Laura Polka  
	      Mein Lebewohl an Berlin: Waltz | 
	    Constitution Celebration Galop  
	      Cora Polka  
	      Alice Polka  
	      The Battle at Isted  
	      La Constance: Polka  
	      Helga Polka  
	      Congratulations Galop | 
	  
	
	
	
   Tivoli Symphony
	Orchestra/Giordano Bellincampi 
	Rec Sept 1997-August 1998, Tivoli Concert Hall and Freemason Hall, Copenhagen
	
	
 MARCO POLO 8.225170
	[56.10] 
	Crotchet
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	'The Johann Strauss of the North' would be a good description of Lumbye,
	nor would it stress his claim too strongly. For this continuing series on
	Marco Polo confirms his worth as a composer of attractive, skilfully constructed
	and thoroughly entertaining orchestral music. No wonder he gained a following
	during his lifetime, and he deserves a wider currency today.
	
	To capture the essential ingredients of the Lumbye style just play the first
	track on the disc. The Happy New Year! Galop was written for the New
	Year Ball in 1849, and it is thoroughly attractive. And the programme goes
	on from there, with item after item set to enchant the ear with pert rhythms,
	attractive (if not unduly memorable) tunes and skilful orchestration.
	
	If there is a weakness it is that the orchestral colours don't always sparkle,
	and to speak of skilful orchestration is to condemn Lumbye with faint praise,
	which isn't entirely fair. The polkas and galops are attractively lively,
	and they tend to dominate this particular programme. Therefore the slower,
	more lyrical waltz numbers make an impression which is all the stronger when
	heard in this context. The Dagmar Waltz, a later piece written in
	1865, is splendid, performed with sensitively drawn phrasing by Bellincampi
	and his Tivoli Orchestra, descendants of the musicians for whom this music
	was written.
	
	The Marco Polo recording is nicely atmospheric, with orchestral details in
	their proper perspective. A disc which is well worth considering; anyone
	who enjoys the music of the Strauss family (and who doesn't?) will enjoy
	this.
	
	Terry Barfoot