EDMUND RUBBRA CHAMBER WORKS 
	Phantasy for two violins and piano Op 16; 
	Meditazioni sopra Coeurs Desolez Op 67 [version for oboe and piano]; 
	Suite The Buddha for flute, oboe, violin, viola and cello Op 64; 
	Piano Trio No 1 in one movement Op 68; 
	Sonata in C for oboe and piano Op 100; 
	Piano Trio No 2 Op 138; 
	Duo for Cor Anglais and piano Op 156
	
	
 Endymion
	Ensemble 
	
 Dutton
	CDLX
	7106
	Crotchet 
	
	
	
	
	
	This is the second CD from Dutton of Rubbra's music. The first came out last
	Autumn and includes the three Violin
	Sonatas[CDLX 7101]. Violinist
	Krysia Osostowicz and pianist Michael Dussek feature again which is good
	because they have developed a real feel for the music. Again Dutton's
	presentation is excellent - a colourful booklet, informative and interesting
	liner notes, this time by Martin Anderson and all at mid-price. Each of these
	works is worth dealing with in turn beginning with the 'Phantasy' of 1927.
	Catherine Manson is the extra violinist in this intense performance.
	
	In 1976 to celebrate Rubbra's 75th birthday our own Lewis Foreman
	edited a collection of essays entitled 'Edmund Rubbra - Composer'. The late
	Harold Truscott wrote about this Phantasy in some considerable detail, and
	added, " I have devoted some space to this early work because I have long
	believed to be the first
 key work in Rubbra's development. And earlier
	he had remarked that "it reveals the workings of Rubbra's mind". I never
	thought that I would hear this piece, but now having done so I feel quite
	knocked over by it. It has the typical harmonic qualities which you find
	in his early works,[like for example the 1st Violin Sonata] perhaps
	a Ravellian influence, but it an astonishingly contrapuntal work, which gradually
	achieves its glorious climax. It has not been heard for decades.
	
	The 'Meditazione' has been often recorded, memorably in the early 70s by
	David Munrow. When Rubbra uses the word Meditation, which he does in several
	works, for example the Op117 'Meditations on a Byzantine Hymn' for viola,
	he is really offering a spiritual kind of variation technique in which he
	works around and views the theme from unusual angles. This is one of seven
	works which uses the recorder. It is good to hear it for oboe and piano and
	proves that the piece works beyond the confines of the original recorder
	and harpsichord.
	
	Likewise the Oboe Sonata has had several recordings. I have always enjoyed
	the LP recording from 1981 of Peter Bree and Paul Komen. It is they who also
	recorded the 'Duo' for Cor Anglais and piano having given its premiere at
	the Wigmore Hall just 6 months before. Incidentally this new recording of
	both works is considerably more leisurely which I feel is good thing in the
	'Duo', as this is an autumnal work well suited to the instrument.
	
	The Suite The Buddha was reconstructed by Adrian Cruft [1921-87] a
	pupil of Rubbra's, with his permission, from incidental music written for
	radio in 1947. This was at a time when Rubbra was very sympathetic to eastern
	religions as was his friend and ex-teacher Cyril Scott [1879-1970]. It is
	a set of attractive miniatures, which is good to have recorded, as it seems
	unlikely that a concert performance would ever materialise.
	
	The Holywell Piano Trio in an unconvincing acoustic recorded the Two Piano
	Trios on the now defunct Devorguilla label in 1993. The Hertz Trio recorded
	the first trio magnificently the previous year for CBC [MVCD 1042] now this
	new recording appears to add to our understanding of this great and original
	work. A more focused violin tone than the Holywells and a more sensitive
	pianist than the Hertz achieves a perfect combination. I had always felt
	that the 2nd trio a fine work [although not as convincing as the
	1st] and again this performance proved it, reminding me of a radio
	broadcast I cherish from 1976 when the composer I think played the piano
	part.
	
	So to recap, an excellent release in every way, well worth the investment
	and hopefully a pointer to perhaps a third CD, if so, perhaps it might include
	the beautiful Lyric Movement Op. 24 for Piano Quintet. 
	
	Gary Higginson
	
	
	
	 See also review by Peter
	Grahame Woolf