J S BACH
Sonatas for Violin and Harpsichord
CD1: No. 1 in B minor, BWV1014
No. 2 in A major, BWV1015
No. 3 in E major, BWV1016
No. 4 in C minor, BWV1017
CD2: No. 5 in F minor, BWV1018
No. 6 in G major, BWV1019
No. 6 (alternative
movements)
Lucy van Dael (violin)
Bob van Asperen
(harpsichord)
Naxos 8.554614 [61.09]
8.554783
[49.14]
Crotchet
Crotchet
Carl Philipp Emanuel Bach described these six sonatas for violin and harpsichord
as 'among the best compositions of my dear departed father'. And it is true
that they are masterly examples of Bach's art, and of the possibilities offered
by baroque chamber music.
These performances match those high expectations. Both artists have distinguished
careers, specialising in baroque style, and they bring much sane artistry
to their performances. The musical construction alternates quick movements
with slow, and this allows the personality of the composer and his interpreter
to be conveyed to maximum effect. In lively music there is always vitality
alongside clear articulation; in slow music the poetic nature of the sonatas
is heard to great effect.
At the attractive Naxos price it will be tempting for collectors to acquire
the complete set, though either disc can be recommended individually. It
is unlikely that any but the most stalwart Bach enthusiast will want to hear
all six sonatas in a row; but if a rewarding experience is required, any
of them will serve individually. Full marks to the recording engineers too.
This is not the easiest recorded balance to achieve, but it seems near ideal,
thanks also to the sympathetic acoustic of St Michael's church, at Highgate
in London.
Terry Barfoot
