This is another of Reference Recordings' 'two for the 
          price of one' bargains, offering a brisk canter through a familiar selection 
          of eighteenth-century works. It's a pity that the accompanying programme 
          booklet concentrates on the composers and provides no information about 
          either of the two ensembles or their approach to the question of authenticity 
          in regard to performance practice and choice of instruments. Thus two 
          oboists are listed as members of the Tafelmusik Baroque Orchestra, but 
          their sound is more akin to that of the oboe d'amore. On the other hand, 
          both ensembles deploy violone rather than double bass, thereby displaying 
          more than a nod in the direction of authenticity. 
        
There is not a great deal to be said about the performances, 
          which are uniformly crisp and elegant and well recorded. For me, far 
          and away the most striking piece is the Bach Double Concerto (incorrectly 
          described as Bach's only work in this form). The left and right placing 
          of the soloists is splendidly effective and the slow movement especially 
          is ravishingly beautiful, if a touch sentimental. 
        
As a representative sample of baroque music, the discs 
          are to be recommended, even if putting Vivaldi side by side with J.S. 
          Bach does the former no favours. 
        
Adrian Smith