BOCCHERINI
	String Quintets Op.25 Nos. 6, 4, and 1/ Minuet from Op.11
	No.5
	 Europa Galante
 Europa Galante
	Recorded 1999
	 EMI Virgin Veritas VC 5
	45421 2 1
	[59.57]
 EMI Virgin Veritas VC 5
	45421 2 1
	[59.57]
	Crotchet   AmazonUK
	  AmazonUS
	
	
	 
	
	
	A highly enjoyable hour of Boccherini on period instruments with excellent
	performances from Europa Galante. About six minutes into the first track
	their incredible unanimity in playing off the string, or spiccato, is literally
	striking in its percussive effect. Their playing becomes unashamedly theatrical
	in the finale to the same work and the virtuosity of the group's leader,
	the well-known violinist Fabio Biondi, deserves especial praise. The three
	quintets come from the Op.25 set written in 1778 when Boccherini was in his
	tenth year living in Spain, as part of the Court of the Infante Don Luis,
	brother of the Emperor Charles III and friend of Goya. Like Haydn, then currently
	at the Court of Esterhazy, Boccherini had rather gentle duties as a composer,
	and could develop further his predilection for the quintet with two cellos,
	much because of the presence of the string-playing Font family who were among
	his employer's retinue. The music of all three works featured on this disc
	varies between feverish virtuosity, bouncing rhythms, extraordinary effects,
	lyrical melody, and an uncanny ability to make five players sound like a
	full string orchestra (especially given the excellence of these performers
	who evidently throw themselves into this wonderful music). It's not all
	fireworks, listen for example to the intensity of the pianissimo dynamics
	in the Larghetto to Op.25 No.4.
	
	Recently removed from the Grade 4 syllabus of the Associated Board of the
	Royal Schools of Music's violin examinations, that famous Minuet (which has
	appeared in so many forms since the 1860s, nearly a century after its composition
	in 1771) by which the name of Boccherini, it must be admitted, is entirely
	known, makes an appropriate filler in a fresh interpretation with a much
	faster Trio than Minuet and with both movements ornamented at their repeats,
	but all charmingly phrased. That said, this disc should do much to widen
	the appeal of this extraordinary music.
	
	
	Christopher Fifield