This recording is a selection of works by Girolamo 
          Frescobaldi, a pivotal Italian composer, at the junction between the 
          renaissance and the baroque. The works included here are songs and instrumental 
          pieces, for a variety of instruments. There is an overall "troubadour" 
          sound in the music; the livelier songs have the dance rhythms of renaissance 
          music as heard across Europe at the time, and, while they adopt the 
          characteristics of the Italian idiom, they also sound very much like 
          the music heard in Spain and Southern France in the same period.
        
        
Anthonello is a talented group of musicians, playing 
          instruments including cornetto, recorder, viola da gamba, harpsichord, 
          harp, theorbo and baroque guitar, as well as the magnificent soprano 
          voice of Midori Suzuki. Each of the musicians has a chance to show their 
          talents, since the various pieces here are almost all scored differently 
          - there are songs where all the musicians are involved, as well as solos 
          for almost all of them. This gives this disc the agreeable feeling of 
          a recital, rather than a compendium of music.
        
        
However, the recording poses problems at times. The 
          cornetto can be too present, to the detriment of the softer instruments, 
          and, after a while, almost becomes grating. The harpsichord, on the 
          other hand, is often relegated to the background. This uneven recording 
          greatly detracts from the overall impression of this disc, especially 
          since the instrumentation changes from one track to another.
        
        
Nevertheless, there is a wide variety of music here, 
          and it is all performed with great talent. From the songs with soprano 
          Midori Suzuki, such as Se l’aura spira, with its plaintive melodies, 
          to the solo works, such as the haunting, melancholy harp solo, Toccata 
          tertii toni, or the plaintive harpsichord piece, Toccata nona, that 
          recalls the keyboard music of William Byrd, this recording shows the 
          variety of music composed by Frescobaldi. All of the musicians are excellent, 
          and the diverse instrumentation adds to the experience. 
        
        
This is a very interesting recording, featuring a wide 
          variety of works and instrumentations. With the diversity of a recital, 
          this disc will delight all those who enjoy Italian renaissance music. 
        
          Kirk McElhearn