This CD from Ambroisie bids to become one of the most popular recordings
	by Cello Octet Conjunto
	Iberico. The Octet has enjoyed a long relationship with
	Channel Classics with the
	commissioning and recording of many innovative new works. Some of these were
	heard live at
	Strasbourg
	and it is a cause for regret that, though based in Amsterdam, not so far
	away, they have not to my knowledge been heard in UK. They have demonstrated,
	again and again, that the cello is the most self sufficient of non-keyboard
	instruments, and that eight cellos can do nearly as much as a whole orchestra.
	
	All the music is given in arrangements by Elias Arizcuren and Niko Ravenstijn.
	Falla's Love the Magician was first heard in 1915 with 15
	instruments (5 strings, 4 winds, piano & percussion) and has as much
	Spanish character and punch on cellos alone as you could wish. Arrangements
	of everything for anything have been all the rage around the Millennium to
	bring novelty into the catalogues and this is a thoroughly worthy, if unexpected,
	one. The well known Granados 12 Tonadillas were first given
	(with piano) in 1913, and represent the world of ordinary people, celebrating
	love and its hazards. Jesus Guridi (1886-1961) was an important Basque
	composer, a post-romantic nationalist, anti-avant-gardist.
	
	Teresa Berganza has been associated with all this music for many decades
	and brings all her flair and authentic style, if not the bloom of youth,
	to her singing, which can be sampled at
	http://www.cello-octet.com/records.html.
	But it is this fresh recreation of El Amor Brujo which makes the CD
	well worth considering. See also my review of Cello Octet Conjunto Iberico
	's recording of
	Villa-Lobos
	& Nobre.
	
	
	Peter Grahame Woolf 
	
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