RUSSIAN ROMANCE
	Russian songs arranged for violin and orchestra by PETER
	BREINER
	 Takako Nishizaki
	(violin), Queensland Symphony Orchestra / Peter Breiner]
 Takako Nishizaki
	(violin), Queensland Symphony Orchestra / Peter Breiner]
	rec 1994, ABC Studios, Brisbane, Australia
	 NAXOS 8.555331
	[61.09]
	NAXOS 8.555331
	[61.09]
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	This disc is a feast of fun. A Japanese violinist plays Russian folksongs
	arranged by a Slovak accompanied by a leading Australian orchestra. The recipe
	could be as bland as "international cuisine", but instead we're offered a
	tasty selection of familiar Russian morsels in arrangements which delight
	the aural palate and tease the intellect.
	
	Takako Nishizaki will be a familiar name to regular Naxos listeners. Her
	recording of the Butterfly Lovers Concerto has sold more than three
	million copies in China while that of the Four Seasons has almost
	topped one million worldwide. She has more than 100 CDs to her name.
	
	Peter Breiner, who here conducts the excellent Queensland Symphony Orchestra,
	has arranged twelve Russian songs in a variety of styles. The selection opens
	with "Snow Flurries" by early nineteenth century composer Alexander Varlamov.
	Breiner starts by giving us a straightforward Russian arrangement but near
	the end it takes a wrong turning and ends up in a baroque fugue.
	
	Breiner springs a few surprises on us. "Moscow Nights" - familiar as the
	callsign of the old Radio Moscow - is given an extended treatment of over
	five minutes. "Stenka Razin" is the original of the song better known as
	in the West as "The Carnival is over". "Meadowland" is a highly dramatic
	arrangement of one of those archetypical Russian melodies that everyone knows
	and no-one can name. In this case it comes originally from Lev Knipper's
	Fourth Symphony. The "Song of the Volga Boatmen" is equally familiar,
	but did Tchaikovsky realise that it works in near-perfect counterpoint with
	the opening of his Fifth Symphony? This arrangement, at almost seven
	minutes, is Breiner's tour de force.
	
	A folksong, familiar from Stravinsky's Petrouchka, rounds off a pleasant
	hour of listening. Breiner's arrangement of "Along the Peterskaya Road" (also
	known as "Down the Petersky") is delightful, subtle in its orchestra effects,
	and beautifully played by Takako Nishizaki.
	
	Naxos's recording is both warm and clear, and well-balanced between soloist
	and orchestra.
	
	Chris Goddard