Douglas LILBURN (1915-)
	Drysdale Overture (1940)
	A Song of Islands (1946)
	Suite for Orchestra (1955)
	A Birthday Offering (1956)
	Prodigal Country (1939)
	
 David Griffiths (bar)
	Orpheus Choir of Wellington
	New Zealand SO/John Hopkins; Charles Groves (Prodigal)
	rec Wellington TH: Nov 1982-June 1987
	
 KIWI PACIFIC CD-SLD-100
	[68.15]
	Crotchet
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	This disc falls inevitably to be compared with Continuum CCD1076 which has
	the same programme except that in place of Prodigal Country there
	is the Festival Overture and the conductor is Sir William Southgate.
	The Continuum venue is Lower Hutt Town Hall, whereas Kiwi are in Wellington
	Town Hall.
	
	Drysdale is the name of the outland sheep station on the North Island of
	New Zealand where Lilburn spent his childhood. The Drysdale overture
	was written in 1937 but its first public performance only took place in 1986.
	The voice of Vaughan Williams from the Fifth Symphony is far more to the
	fore than that of Sibelius. The work yearns nostalgically suggesting lonely
	childhood among the high pastures. On top of this there is the vigour of
	activity of a busy farming community. This would go well in company with
	Maurice Johnstone's Tarn Howes. Southgate's more recent recording
	is a shade more immediate and is recent compared with the 1980s Kiwi tapes.
	Southgate also has a crisper, more galvanising approach to the quicker music
	though he misses Hopkins' way with nostalgia.
	
	A Song of Islands (originally A Song of the Antipodes) is a
	work of slow blooming majesty whose warmth is indebted, without any shadow
	of doubt, to Sibelius's Fourth Symphony. Southgate's 16.15 compares with
	Hopkins' 14.05. There is little to choose between the two but Hopkins has
	greater momentum.
	
	The five movement Suite (what a pity Lilburn did not come up with a more
	alluring title) is 14.29 on Kiwi and 16.00 on Continuum. Hopkins captures
	the Stravinskian snarl of the Allegro but Southgate is even quicker.
	The Allegretto is an Hispanic hoe-down in tribute, undeclared, to
	Ravel's Rhapsodie Espagnole. The Andante is weightier in
	Southgate's hands and benefits from this. Playing a good 1.15 longer than
	Hopkins version. in the bubbling moderato and effervescent Copland
	and Berners.
	
	A Birthday Offering, a concertante piece, was written in 1956 for
	the tenth birthday of the orchestra we now know as the NZSO. Southgate takes
	a full minute longer than Hopkins. More than a decade on from Aotearoa
	Lilburn is now more firmly under Tippett's shade but still with Stravinskian
	acerbities. This is a step onwards towards the avant-garde though softened
	by the presence of sounds that could have drifted in from a Malcolm Arnold
	symphony. Along the way we are treated to a quote (the quote, really)
	from Beethoven 5.
	
	Prodigal Country is the longest work on the disc at 17.45. It is a
	setting of words by NZ poets Allen Curnow and Robin Hyde alongside Whitman's
	'Song of Myself'. Full texts are printed in the booklet. From a few months
	after the start of the Second World War it is a return to the ambience of
	Vaughan Williams (Whitman was much favoured by VW) and Sibelius (all those
	intense high violin tremolandi). Groves and his forces plunge into
	the work with verve and fervour. Those shuddering vibratos prefigure Finzi's
	Cello Concerto.
	
	Marginally to be preferred over Continuum's CCD 1077. While the strongest
	Lilburn is to be found in the three symphonies and the piano music this is
	a meritorious collection for the Lilburn listener who wonders what lies in
	the further recesses. By no means a barrel-scraping exercise and much pleasure
	is to be had by those in sympathy with the works of Sibelius and RVW from
	Drysdale, Song of Islands, Birthday Offering  and
	Prodigal Country. Don't miss however the Aotearoa Overture on
	KIWI PACIFIC CD-SLD-99.
	
	Rob Barnett
	
	Order details
	
	Kiwi Pacific Records International Ltd
	PO Box 826
	Wellington
	NEW ZEALAND
	phone: (644) 389 6394
	fax: (644) 389 6521
	
	UK distributors will usually be happy to help with orders:-
	
	Available in the UK from Seaford Music.
	mail@seaford-music.co.uk
	phone +44 (0) 1323 732553
	fax +44 (0) 1323 417455
	24 Pevensey Road
	Eastbourne
	East Sussex BN21 3HP
	United Kingdom
	www.seaford-music.co.uk
	
	Centre for NZ Music (trading as SOUNZ)
	PO Box 10042
	Wellington, NZ
	Street address: Level 1, 39 Cambridge Terrace
	Phone: (64 4) 801 8602
	Fax: (64 4) 801 8604
	Email: sounz@actrix.gen.nz
	Website: www.sounz.org.nz
	
	
	NOTE: I see that the Kiwi Pacific's New Zealand Composer Edition, of which
	this is part, also includes single composer CDs for David Farquhar (SLD-88),
	Edwin Carr (SLD-101) and Ashley Heenan (SLD-102). Three anthology collections
	should also be noted. Music for Piano (Carr, Farquhar, Tremain, Whitehead,
	McLeod, Rimmer, Body) SLD-103; String Orchestra (Carr, Watson, J Ritchie,
	Tremain, Rimmer, Moon) SLD-104; Brass and woodwind (Farquhar, Lilburn, Wilson,
	Rimmer) SLD-105.