Wolfgang RIHM
	  Pursued Form; Hidden Forms;Chiffre 1;Silence to be
	  beaten
	   Klangforum Wien/Sylvain
	  Cambreling/ Marino Formenti
	  (piano)
 Klangforum Wien/Sylvain
	  Cambreling/ Marino Formenti
	  (piano)
	   Kairos 0012072KAI [47.47]
 Kairos 0012072KAI [47.47]
	  
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	  Four fairly short works from 1982-97 are collected here. Silence to be
	  beaten has been played in England. It is preoccupied with momentum, starting
	  with extremes of tempo, leading to a regular pulse which steadily accelerates.
	  A prominent piano is challenged by melodic fragments with contradictory rhythms
	  and syncopations, and disruptive percussion. Towards the end there are long,
	  precisely measured rests - 'silences to be beaten'. Chiffre (a cipher)
	  for piano & seven instruments is a short, abrasive piece a 'generative
	  pole that continues to generate more music'. The two more recent 'Form' pieces
	  use most of the Vienna Klangforum's 24 members.
	  
	  The music on this release is mostly rather obscure and (to my ears) not
	  listener-friendly; the notes by Rihm himself are even more obscure - totally
	  impenetrable and unhelpful.
	  
	  Wolfgang Rihm (born 1952) is unquestionably one of the most prominent and
	  important of contemporary German composers and has been recorded extensively.
	  To approach him first in a more sympathetic light, I can warmly recommend
	  Anne-Sophie Mutter's recording of his violin
	  concerto Time
	  Chant
	  [Deutsche Grammophon
	  463
	  790-2]. 
	  
	  Peter Grahame Woolf
	  
	  