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FRANZ REIZENSTEIN - Film Music for "The Mummy"   GDI Records GDICD006. Distributed by ABM Tel: (0208) 236 2310. Fax: (0208) 236 2312. (57' 45'').

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At just under an hour, this is the longest CD GDI Records have given us in their Hammer series. "The Mummy" is a wise choice for the company's first disc devoted to just one work and composer. It is a fine score (as endorsed by the sepulchral tones of Christopher Lee in a welcome brief introduction). It is a pity that Franz Reizenstein himself does not get bigger billing. His name does not appear anywhere on the cover of the CD or on the spine! Even on the back of the disc cover, his name is in far smaller print than the name of "Hammer" which is presumably what the distributors think will sell their product. Nonetheless GDI are to be congratulated for presenting all the music Reizenstein wrote for this 1959 quintessential Hammer production for there are many enjoyably atmospheric tracks on this CD. The "Opening Credits", "The Burial Procession", "John Banning and Mehemet Bey" and the "Finale and End Credits" could all stand on their own as individual mini-tone poems such is the depth to their powerful ideas. The film music itself forms a kind of extended orchestral suite with strongly characterised recurring themes, the most striking of which describes Kharis's love for Ananka and doubles as the Mummy's theme. The use of a wordless chorus here is decidedly (and gratifyingly) un-Hollywood such is the sincerity and indeed beauty of the writing. The primordial strength of the Egyptian-style music is not quite matched by the more dissonant parts of the score depicting the murderous events in England in where the Mummy is running amok. However, the imagination of the orchestration as exemplified by the skilful use of percussion to crank up the excitement impresses the listener and presages the composer's more lurid score to the Anton Diffring film "Circus of Horrors" of 1960. The sound on the "Mummy" disc is variable but never less than acceptable: indeed, it is remarkably good considering its late-1950s provenance.

Recommended to Hammer addicts (who will cherish the many splendid colour photographs in the handsomely produced booklet) and those interested in yet another émigré whose works have been unfairly neglected in recent years. I sincerely hope this will not turn out to be the only CD of the music of Franz Reizenstein to appear before the public - there are, amongst other works, two piano concertos, two piano sonatas, a cello concerto, a violin concerto, a concert overture "Cyrano de Bergerac", a radio opera "Anna Kraus" and an oratorio "Genesis" yet to receive commercial recordings.

Reviewer

Paul Conway

Reviewer

Paul Conway


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