Hakim; Henze; Matthews; Smirnov
	  Solo Violin Music 
	   Peter Sheppard
 Peter Sheppard
	   Metier CD92028
	   website
 Metier CD92028
	   website
	  
	  
	   
	  
	  Best known as leader of the Kreutzer String Quartet (before he acquired an
	  additional name which my computer can't spell properly -[but mine can - Len])
	  how fortunate are RAM and London College of Music & Media students to
	  have Peter Sheppard Skærved as teacher and head of strings.
	  One is interested by what route this totally personal and unique CD arrived?
	  He does not list his competition prizes, as do so most instrumentalists,
	  but with justified pride describes his repertoire, with over a hundred new
	  works dedicated to him. (That information is almost unreadable, minuscule
	  type and overprinted in grey!) They should help to steer students away from
	  exclusive preoccupation with the ubiquitous and over played Bach music for
	  solo strings.
	  
	  His notes discuss his personal relationship with the scores and their composers.
	  Naji Hakim (famous organ improviser) has an exciting, eclectic sonata
	  and Henze's sonata is a major work, based upon commedia dell'arte
	  characters, played here in a shortened (and, thinks Sheppard, improved) 1993
	  revision. Henze's Serenade for Menuhin's 75th birthday is also included.
	  Dmitri Smirnov is represented by two fugues in which he uses 'colour
	  separation' to clarify the part writing. David Matthews' four-part
	  Fugue relates to Bach and Ysaye. His Three Studies are 'virtuosic and evocative'
	  as Sheppard describes them in his always interesting notes, which explain
	  the genesis of this recorded collection.
	  
	  He purports to disparage the solo violin's limitations and then turns that
	  on its head with his playing! The styles are pleasantly contrasted and the
	  sequence makes for easy, absorbing listening. A solo violin as a very
	  comfortable, welcome house guest for those (few?) of us who can find listening
	  to major orchestral works at home somehow incongruous and even intrusive.
	  
	  Well recorded in two St Mary's churches in the West Country, this is a totally
	  successful recital and you won't find another like it.
	  
	  Reviewer
	  
	  Peter Grahame Woolf 
	  
	  