Hans PFITZNER (1869-1949) 
	  Violin Sonata (1918) 28.45
	  Piano Trio (1896) 41.13
	   Benjamin Schmid (violin)
 Benjamin Schmid (violin)
	  Clemens Hagen (cello)
	  Claudius Tanski (piano}
	  rec 1-4 June 1999, Wuppertal
	   
	   MDG GOLD MDG 312 0934-2
	   
	  [69.58]
 MDG GOLD MDG 312 0934-2
	   
	  [69.58]
	  Crotchet
	   Amazon
	  UK  Amazon USA
	  
	  
	   
	  
	  Pfitzner was a hyper-romantic who long outlived the heyday of romanticism.
	  Such is the fate of many composers catching the mood of the time for a decade
	  or so and then suffering neglect.
	  
	  Pfitzner has made quite a bit of headway in the recording lists through the
	  agency of CPO and MD&G.
	  
	  Here the MD&G 'regulars' turn back the dust-cloths on two thumpingly
	  confident works. The sonata shows a schooling in and predilection for Schumann's
	  capricious romance rather than the more stable virtues of Brahms. Some sense
	  of contemporary sorrow and tragedy commingled permeates the second movement
	  and there the violin part does, at its climactic moment, look full in the
	  face at the Brahms violin concerto. The finale is free of such emotional
	  complexity - Spring-like Beethovenian ebullience.
	  
	  The Trio is richly upholstered with cross-cutting ideas and textures. Defining
	  voices are Schumann and Brahms. The piano part is frequently positive and
	  declamatory. The strings are assertive and sometimes aggressive; their dialogue
	  often comparable (in the first and last movements) with the two soloists
	  in Brahms double concerto. The lento has some surprisingly dramatic gestures
	  at 05.01. The third movement chuckles and yearns in sunny mood. The finale
	  is by no means all wildness and skirling fury. A number of eerily reflective
	  moments provide contrast. Overall one wonders about the cohesion of such
	  a work although there is no doubting the imaginative resource of a composer
	  able to produce musical ideas in such memorable profusion.
	  
	  Michael Kube's fluent translation of Susan Praeder's well detailed notes
	  is characteristic of the high standards MD&G set (and attain) for themselves
	  and achieve in every sphere.
	  
	  It is typical of the MD&G that the company makes available programme
	  notes and full details in Braille and on databases.
	  
	  A recommendable disc for those wishing to open out their Pfitzner collection.
	  I hope that MD&G will do more. 
	  
	  Reviewer
	  
	  Rob Barnett
	  
	   
	  
	  www.mdg.de