I was really looking forward to hearing this disc, the music being favourites
of mine, made familiar by the recordings of Julian Bream. The debt to him
for commissioning all but one of these works is acknowledged in the
inlay notes, and given that I kept an open mind, alternative versions
should be interesting. On the whole most guitar discs usually have the luxury
of varied period (Baroque, Romantic, etc.) and/or geography (Latin America,
Germany and Spain, etc.), and lets face it that is what many music lovers
who want a little guitar music on their shelves have come to expect and quite
understandably. For the purpose of this review and considering the nature
of the recorded material, I listened to this disc firstly in small sections
(one composer per sitting) and then in its entirety from beginning to end.
A programme like this is really targeting the guitar specialist market and
before embarking on such a programme the musician has to be up to the task
not only technically but also intellectually.
Anders Miolin is a new name to me although I understand this is not his first
recording for 'BIS' and his credentials make impressive reading. For this
recording he plays a ten stringed instrument, though none of the works demand
or require it, and the general tone he produces is pleasant enough, though
not distinctive, and his technique is very capable but he seems reluctant
to explore the tonal colours that the instrument offers him, as is the case
with his dynamic range. Indeed the playing is somewhat lethargic, whereas
the variety of mood and atmosphere can be very extensive within these works,
from a dreamlike quality to outright aggression. Here there seems to be no
attempt to get to the heart of the music so the disc proceeds from one piece
to the next over 77 minutes with no apparent consideration of musical character
or even distinction between composers. A very flat, one-dimensional affair
and the use of the substituted bass notes available on the ten string guitar
(not written in the original score) becomes intrusive, even irritating.
I have avoided a piece by piece analysis as I feel it rather pointless in
this instance as at no time did the performance seem able to involved me
or hold my attention. A less than satisfying experience. So with all best
intent Anders Miolin's offerings fall far short of displacing Bream's recording,
whose intensity and committed readings of these formidable works is difficult
to equal.
Reviewer
Andy Daly