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Percy GRAINGER (1882-1961) WORKS FOR CHORUS AND ORCHESTRA Volume IV Including: Danish Folk-Song Suite; Father and Daughter; Kleine Variationen-Form To a Nordic Princess; The Merry Wedding; The Crew of the Long Serpent Pamela Helen Stephen (mezzo-soprano); Johan Reuter (baritone) Danish National Radio Choir Danish National Radio Symphony conducted by Jesper Grove Jørgensen and Richard Hickox The Chandos Grainger Edition Volume Eleven: Chandos CHAN 9721 [64:35]

 


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Percy GRAINGER (1882-1961) SONGS FOR MEZZO Including: Died for Love; The Sprig of Thyme; Willow, Willow; Colonial Song; Four settings from Songs of the North; Two settings of Rudyard Kipling Della Jones (mezzo-soprano); Penelope Thwaites (piano) With Mark Padmore (tenor); Stephen Varcoe (baritone); John Lavender (piano) The Chandos Grainger Edition Volume Twelve: Chandos CHAN 9730 [73:49]

 


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WORKS FOR CHORUS AND ORCHESTRA Volume IV

The major work in this programme (some twenty-minutes in duration), and probably the best known is Grainger's Danish Folk-song Suite for orchestra. Hickox and the Danish orchestra turn in a most captivating and exhilarating performance. The work is based on a series of narrative folk songs, themselves often taken from quite grisly fairy tales. The opening movement, 'The Power of Love' begins with solo piano, eerie harmonium and then solo trumpet proclaiming the melody over melancholy comments by the woodwinds and harp ripples plus xylophone colourings. The strings then present the melody in surging Romantic tradition. The second movement, 'Lord Peter's Stable-boy' features the organ, piano and bells strongly and is a rollicking piece with another strong melody. The ravishing third movement 'The Nightingale' and 'The Two Sisters' is quieter and more restrained. A lovely violin solo heightens the mood of romantic melancholy. Immediately afterwards, a most hauntingly beautiful horn chorale leads into heart-felt passionately intense music. The final movement is called 'Jutish Medley' it is a wild extravaganza following the pattern of the opening movement. It is an irresistible swaggering joyful celebration with sweeping romantic melodies adding an appealing touch of nostalgia.

This album includes two premier recordings and three premier recordings in the versions performed. The opening song 'Father and daughter', beginning a capella, with the orchestra creeping in after a few bars, is buoyant but rhythmically complex. Kleine Variationen-Form is a most impressive little orchestral work and is a highly Sibelius-like evocation of a magic winter journey. The chill and swirling snow stirred by gusts of wind is very palpable. An appealing warmer melody, even though threatened by darker figures, seems to promise a thaw. Grainger's lovely choral setting of the popular Swedish folk tune, the romantic melody, 'A Song of Värmeland' follows.

To A Nordic Princess was performed immediately before the wedding of Grainger to Ella Viola Ström. One can imagine the 15,000 to 20,000 audience, at the Hollywood Bowl, being bemused, enraptured or cringing with embarrassment, according to their predilections, by this extraordinary orchestral piece with its huge climactic peroration featuring bells, piano and organ in extravagant late Romantic mode. In similar vein, the lovely lilting 'The Merry Wedding' (Bridal Dance) was dedicated to Karen Holten; it is entirely original not based on folk tunes and is an exuberant celebration of a country wedding. The Danish choir's singing is particularly appealing and refined in this number.

Stalt Vesselil (Proud Vesselil) in the version here for flute, cor anglais and strings is a slighter melancholic reflective work full of regret. The uncompleted song The Rival Brothers is a sturdy sea-story of rivalry in love. 'Dalvisa' is another brief but attractive vocalise. The Crew of the Long Serpent (Seascape) is immensely enjoyable. It has an extrovert adventurous spirit as well as being vividly evocative of sea swells.

The programme is completed by 'Under a Bridge', a song originally intended as a wedding-gift for Grainger's bride-to-be, Ella. It is about a courting couple taunting each other (see review of Volume 12 below). This broader version is most exotically orchestrated with xylophone, vibraphone and bells etc. and Pamela Helen Stephen and Johan Reuter in strong voice as the determined protagonists. The joyful climax as the woman traps her suiter into matrimony is merry and jubilant indeed!

Another brilliant addition to this marvellous series

Reviewer

Ian Lace

Volume 12 - SONGS FOR MEZZO

Those who were fortunate enough to attend the Percy Grainger weekend last Autumn, in London's St John's Smith Square, will doubtless recognise not only many of these songs, but also the artists who assembled there under the enthusiastic and dedicated Grainger enthusiast Penelope Thwaites. This twelfth album in the Chandos Grainger Edition is one of the best so far - a complete joy from beginning to end - 31 memorable numbers. Of these, fifteen are premiere recordings and a further thirteen are premier recordings in the versions performed.

Della Jones is a splendid and practised interpreter of Grainger's songs. She has impressive expressive powers and her voice has a most pleasing silken timbre. Space forbids me to mention every one of the songs but I will cover those that particularly impressed me.

The opening number is Grainger's affectionate harmonisation of the popular traditional Welsh song, 'David of the White Rock'. Three lovely folk song settings follow, all hauntingly poignant: 'Died for Love', 'The Sprig of Thyme' and 'Willow, willow'. 'Near Woodstock Town' is a sentimental wordless vocalise setting of another English folksong that offers Penelope Thwaites the opportunity to contrast the predominantly serene accompaniment with some disturbing ripples. She plays a dark accompaniment too to Grainger's version of the popular 'Early One Morning' that emphasises the underlying tragedy of lost love, while Della Jones follows the more traditional and lighter vocal line. For the narrative folk song 'In Bristol Town,'

Della is accompanied by guitarist George Black, so giving a measure of historical authenticity. Della Jones then sings four settings from Songs of the North, which she relishes in sturdy interpretations in broad Scottish dialect. These include the famous 'Skye Boat Song' and 'Weaving Song'. Two more distinctive traditional Scottish folk tunes follow: 'The Bridegroom Grat' and 'The Land O the Leal.'

Della Jones is joined by Stephen Varcoe in two very amusing Danish traditional songs of sexual bickering: 'Under a Bridge' in which the two lovers taunt each other until the woman triumphs (vociferously) when the man commits himself; and 'Hubby and Wife' in which the wife gets the upper hand. How Della rubs this in!

Mark Padmore joins to form a trio in the unusual 'The Lonely Desert-Man Sees the Tents of the Happy Tribe' which forms the central section of The Warriors. Using wordless syllables, Grainger achieves an appropriate feeling of the desert - an eerie remote vastness. Padmore and Jones combine again for the lovely sentimental 'Colonial Song.' Of the two settings of Rudyard Kipling 'The Only Son' is based on the Jungle Books. 'The Love Song of Har Dyal' comes from Plain Tales from the Hills.

Of the remaining songs in the collection, I would briefly mention the captivating children's lullaby, 'Little Ole with his Umbrella'; a vocalise version of Grainger's Handel in the Strand - 'Variations on Handel's 'The Harmonius Blacksmith'; and the hauntingly sweet 'After-word' written by Grainger as an expression of love for Karen Holen.

An outstanding release.

Reviewer

Ian Lace

Reviewer

Ian Lace



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