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Reviews from other months
VAUGHAN WILLIAMS: Symphony No. 5, Valiant-for-truth, The Pilgrim Pavement, Hymn-tune Prelude on Song 13 by Orlando Gibbons, The Twenty-third Psalm, Prelude and Fugue in C minor. . Ian Watson: Organ, Richard Hickox Singers, London Symphony Orchestra Richard Hickox Chandos CHAN9666 [71] DDD.

 


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Following hot on the heels of his truly laudable complete recording of 'The Pilgrims Progress', Richard Hickox's recording of the Fifth Symphony is a breath of fresh air in a highly competitive field and if it heralds a complete cycle, then it is good news indeed. For a start this enterprising conductor chooses to pair this seminal work with a number of lesser-known pieces, most of them which have lain unrecorded and unperformed for decades.

I am extremely enthusiastic if the rest of his projected cycle would do the same. The short hymn 'Valiant-for-truth' is set to a text by John Bunyan with the haunting words extremely well portrayed by the excellent chorus. And this is a truly inspired and tautly controlled version of the Fifth Symphony. The Preludio glows with anticipation and development is remarkably controlled, aided by a superb recording that focuses on every subtle orchestral nuance.

Hickox's Scherzo is perhaps a shade too swift for comfort although the goblins and gremlins of Bunyan's imagination are led a merry dance indeed. I was reminded of Barbirolli's lovable classic 1944 premiere recording when listening to this deeply felt Romanza, only Hickox has the stupendous soundworld as a clear advantage. This movement shows the LSO strings at their brilliant best and I would hesitate to ask if any recording would better this. All is resolved in sublime beauty and tranquility with a Passacaglia of grandeur and pomposity, yet also of resignation and tranquility in the face of the Celestial City. Truly a version to treasure.

'The Pilgrim Pavement' is obviously remarkably underpowered after such great music, being written on commission for an American Cathedral in 1934. The soft pastoral sound of the strings make Helen Glatz's arrangement of the Gibbons Prelude beautifully vivid whilst the celebratory tones of the unrecorded 23rd Psalm recall the more famous 'Old One Hundredth'. The last word is left to Malcolm Hicks' brilliant virtuoso display in the Prelude and Fugue in C minor, another rarity. This 'organ concerto' of sorts makes a truly appropriate end to a disc that should remain as a standard recommendation for these works.

Reviewer

Gerald Fenech

Performance:

Sound:

See also review by Ian Lace

Reviewer

Gerald Fenech

Performance:

Sound:

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