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TREVOR BARNARD (piano) plays Bach transcriptions and modern Australian piano music. Various (see below) Divineart Ltd. 2-5005 DDD [58.04]

 BACH arr BUSONI Chaconne (Partita no 2 in D minor for violin solo BWV1004); Prelude and Fugue (in D for organ BWV532); BACH arr HESS Jesu, Joy of Man’s Desiring; BACH arr SUTHERLAND Chorale Prelude ‘Herzliebster Jesus’; Chorale Prelude ‘Jesu, Mein Freude’.
Margaret SUTHERLAND First Suite (1937); Second Suite (1937); Felix WERDER Three Pieces After Blake’s ‘Songs of Innocence and Experience’ (1985); Nigel BUTTERLY Comment on a Popular Song (1960).

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This is an enterprising disc although Bach transcriptions and modern Australian piano music make strange bedfellows. Trevor Barnard is both an accomplished and highly experienced pianist. I recall with much pleasure his performance with Sir Malcolm Sargent of the splendid Bliss Piano Concerto many years ago.

By far the most impressive pieces on this disc are the Busoni transcriptions which are further reminders of this multi-talented Italian pianist. He was instrumental in bringing many of Bach’s works to the public attention as indeed was Myra Hess with her famous transcription of the ever-popular, if hackneyed, Jesus, Joy of Man’s Desiring. I feel that this performance is too self-indulgent and I become infuriated at the unjustified slowing down at the end of the piece. It is not indicated in my score of Cantata 147 from which it comes. This rallentando device used by many pianists and orchestras in Baroque and classical music is really frustrating. It makes the music predictable and weak. It reminds me of Bryden Thompson’s remark, "If I hear another Baroque perfect cadence loving lingered over I shall retire to the golf course."

Margaret Sutherland (1897-1984) was a pupil of Bax and her transcriptions of Bach are acceptable. Her two suites are very brief and not particularly interesting merely revealing a quest for an individual style. It would have been preferable if Barnard had presented a major work of hers and not these two sets of flimsy miniatures.

Felix Werder (born 1922) was born in Germany and his style is his own but it will not suit everyone. Nonetheless his personal integrity is to be admired. His work is the most original on the disc. Nigel Butterly (born 1935) is represented by a mere 94 seconds and, again, a more substantial piece would have been both welcomed and preferable.

The sleeve notes leave much to be desired.

Reviewer

David Wright

Performance

Recording

 

Reviewer

David Wright

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