Classical Editor: Rob Barnett


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Reviews from other months
MAX REGER (1873-1916) Mozart Variations (1914) [34.00] Beethoven Variations (1904) [23.00] Bamberg SO/Horst Stein recorded 1991, Bamberg  KOCH SCHWANN 3-1141-2 [57.00]

 


Crotchet



This disc of variations belies expectations lowered by the Hiller Variations. The Mozart set uses a lullaby-like theme of considerable grace which keeps threatening to turn into 'Rock A Bye Baby'. The third variation is a whispering con moto and the fourth is notably jolly (again). No. 6 quasi presto is surprisingly light-handed and unBrahmsian and all ends with (surprise, surprise!) a Fugue of some charm. Once again the proceedings end with two very substantial movements: 8.01 and 9.17.

The Beethoven Variations on this showing (and there is never any doubting Stein and the Bambergers commitment throughout this series) the most enduring of the variations and well worth getting to know. The theme is transformed in the second variation into a striking Appassionato episode disturbed by some raucous moments. Variation 4 is a flickering vivace. The Andante Sostenuto is given the full romantic treatment and settles into a most impressive romantic melos - a glorious dawn of a piece. The poco vivace suggests Beethoven meets Brahms Third Symphony. Variation 8 plays out in sunlit contentment ending in a very attractive contentment. A pity it didn't end there because the succeeding (you've guessed it) fugue is not quite up to the same standard although as music (and that is all that matters) it is the best of the concluding fugues. The fugue has a tickling delicacy and its flashing woodwind reminded me of Prokofiev's Classical Symphony. It closes in regal grandeur.

Reviewer

Rob Barnett

Reviewer

Rob Barnett

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