Giya KANCHELI (b. 1935)
Miniatures for Violin and Piano 1-18 [50:07]
Rag-Gidon-Time [3:57]
Andrea Cortesi (violin)
Marco Venturi (piano)
rec. October 2015, Auditorium San Rocca, Senigallia (Ancona), Italy.
BRILLIANT CLASSICS 95267 [54:07]
This première recording of Kancheli’s Miniatures
is quite a coup for Brilliant Classics, revealing as it does a different side
to the Giya Kancheli who normally presents much larger musical canvasses via
the ECM label and elsewhere.
The Miniatures for Violin and Piano come to us from the worlds of
cinema and the theatre, and each piece is documented with the film or production
from which it comes. Each piece has its own identity, but there is a consistency
in the atmosphere throughout, in which Kancheli almost invariably asks for
pianissimo performance, adding an extra layer of minor-key poignancy
and nostalgia to music which already has something of a sentimental tint.
Andrea Cortesi’s booklet notes acknowledge this as a quality in the
music that needs careful treatment, and both musicians do well to avoid wallowing
in emotion, presenting each work with a sense of abstraction in which the
listener’s imagination can also find room to create its own worlds in
“music which tells stories.”
Not everything is gentle, and the jazz and dance elements that hit home in
something like Miniature No. 6 or 11 generate plenty of
contrast and a grand sense of wit and all the fun of a slightly edgy circus,
or even a Brechtian cabaret with Miniature No. 15. The violin is
explored in pizzicato and other techniques such as flageolet
tones, throwing melodic ideas into different areas of character, which is
an important consideration when tempi are often slow and ruminative. In all,
there is an aura of magic around these pieces which is quite compelling. The
final Rag-Gidon-Time is another piece derived from the theatre, a
strangely halting dance filled with silences and dynamic explosiveness, its
title also alluding to the dedication to Gidon Kremer which applies to all
these pieces.
With the musicians placed in a pleasant acoustic but balanced with plenty
of detail this is an excellent recording and worth every penny of its budget
asking price.
Dominy Clements
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