23 Vocalises-Études
From Répertoire Moderne de Vocalises-Études publiées sous la Direction
de A. L. Hettich, Professeur au Conservatoire de Paris
Harry White (alto saxophone)
Edward Rushton (piano)
rec. July 2014, SRF Radio Studio 1, Zurich, Switzerland
A co-production with Radio SRF 2 Kultur
Reviewed as a 24/96 download from eClassical
Pdf booklet included
BIS BIS-9056 [67:40]
I admit it, I’m a sax fiend. Over the years it’s
been my pleasure to review a number of discs that feature this most distinctive
instrument. Among them was The Invitation, a collection of 20th-century
saxophone quartets played by the Tetraphonics (review).
Then there was Between two worlds, a programme of music for sax and
organ (review).
I must also direct fellow fiends to American Spectrum, with Branford
Marsalis playing works by Daugherty, Rorem, Rouse and Williams (review).
As for the Raschèr Saxophone Quartet – of which the present soloist
Harry White was once a member – their contemporary album The
Eight Sounds is well worth a listen (review).
I must confess this repertoire and its origins were unknown to me until now.
In his relaxed yet informative liner-notes White, who hails from the USA,
explains that these vocalises were study pieces, commissioned by Amédée-Landély
Hettich, a voice professor at the Paris Conservatoire. Anyone familiar with,
say, Rachmaninov’s Vocalise will be familiar with the concept
of singing sans consonants. As White points out the ’flexible,
voice-like timbre’ of the saxophone makes it an ideal choice for these
pieces, many of which are available in versions for other instruments or combinations
thereof.
Here White and his British-born accompanist Edward Rushton play arrangements
of just 23 of the more than 150 vocalises from the Hettich collection. The
roster of composers reads like a Who’s Who of 20th-century
greats, although some – Jean Huré and Alexander Labinsky, for instance
– are pretty obscure. That said, every one of these melting miniatures
is a minor miracle. Even more wondrous is White’s rich, full-cream sound.
Staying true to the form he maintains a firm legato line throughout; there's
remarkable subtlety and nuance too, and he's quick to divine the mood and
manner of each and every piece. As for Rushton he offers discreet, characterful
support throughout. The recording, engineered by Michaela Wiesbeck, is full,
warm and beautifully balanced.
There’s always a danger in collections of this ilk is that the listener’s
interest tends to fade long before the last note. That it doesn’t in
this case is a tribute to judicious programming and the sheer loveliness of
this music, not to mention the soul and sensitivity with which it’s
presented. It’s not often that I’d listen to this kind of album
in one sitting, but I’m happy to make an exception here. Indeed, no
sooner had I finished my first audition than I went back for more.
A delectable programme, played and recorded with great affection and artistry;
a must for sax aficionados.
Dan Morgan
twitter.com/mahlerei
Track-listing
Paul DUKAS (1865-1935)
Vocalise-Étude ‘alla Gitana’ (1909) [4:03]
Georges AURIC (1899-1983)
Vocalise-Étude (1926) [1:51]
Francis POULENC (1899-1963)
Vocalise-Étude (1927) [3:02]
Joseph JONGEN (1873-1953)
Vocalise-Étude ‘Sérénade’, Op. 83 (1928) [2:33]
Olivier MESSIAEN (1908-1992)
Vocalise-Étude (1935) [3:40]
Arthur HONEGGER (1892-1955)
Vocalise-Étude (1929) [1:57]
Albert ROUSSEL (1869-1937)
Vocalise-Étude ‘Aria’ (1928) [2:04]
Joseph CANTELOUBE (1879-1957)
Vocalise-Étude ‘en forme de Bourrée’ (1927) [2:05]
Darius MILHAUD (1892-1974)
Vocalise-Étude ‘Air’, Op. 105 (1928) [1:13]
Pierre de BRÉVILLE (1861-1949)
Vocalise-Étude ‘Maneh’ (1907) [3:14]
Florent SCHMITT (1870-1958)
Vocalise-Étude pour Erik Satie, Op. 130 (1906) [3:28]
Maurice RAVEL (1875-1937)
Vocalise-Étude ‘en forme de Habanera’ (1907) [3:19]
Louis VIERNE (1870-1937)
Vocalise-Étude à Monsieur A. L. Hettich (1907) [4:11]
Jean HURÉ (1877-1930)
Vocalise-Étude (1922) [3:45]
Jacques IBERT (1890-1962)
Vocalise-Étude ‘Aria’ (1927) [4:25]
László LAJTHA (1892-1963)
Vocalise-Étude (1930) [1:46]
Alexander LABINSKY (1894-1963)
Vocalise-Étude ‘Ferveur’ (pub. 1931) [2:21]
Alexander GRECHANINOV (1864-1956)
Vocalise-Étude (pub. 1929) [2:53]
Nikolai TCHEREPNIN (1873-1945)
Vocalise-Étude (1927) [3:56]
Bohuslav MARTINŮ (1890-1959)
Vocalise-Étude, H. 188 (1930) [1:08]
Francesco MALIPIERO (1882-1973)
Vocalise-Étude (1928) [2:56]
Carl NIELSEN (1865-1931)
Vocalise-Étude, CNK124 (1927) [4:02]
Heitor VILLA-LOBOS (1887-1959)
Vocalise-Étude (1929) [2:02]
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