Henri Marteau (violin) - Swedish pupils and colleagues
rec. 1912-48
CAPRICE CAP21620 [4 CDs: 290:14]
This outstanding box charts the role of violinist Henri
Marteau (1874-1934) in Swedish life through his own slim recorded legacy and
those of his many and varied colleagues and pupils. The result is a comprehensive
slice of a specific musical thread in the country spread over four CDs and
documented in a comprehensive and most attractive 196-page booklet –
though book would be a better word given its length.
Firstly, however, to Marteau who is probably only recalled now by violin collectors.
He was born in Reims in 1874 to a French father and a German mother, studied
in Paris with Léonard and gradually won renown. Tchaikovsky accompanied him
in 1891, he made his American and Canadian debuts the following year and began
an association with Scandinavia in 1894. He became a professor of the violin
in Geneva in 1900, formed a quartet, and a strong musical friendship with
Reger, and gave numerous premieres (Sinding, Aulin inter alia). He
began recording just before the First World War during which, despite his
prestige in Germany, he was incarcerated as an enemy alien. Thereafter he
spent much of the remainder of his life based in Sweden.
This Franco-German musical and political dichotomy was to hound Marteau’s
later life and one can follow much detail in the book which accompanies the
CDs. Of more direct relevance is the sequence of discs, and this review can
only serve to point to some of the many felicities to be found here. Marteau’s
78s occupy the first disc. He recorded two of his own pieces which were once
issued on a Masters of the Bow LP, but neither is in this CD. Also
missing – inevitably – are the vanished Bettini cylinders he made
back in the mists of time. Marteau is principally famous discographically
for having made the first full recording of one of Bach’s solo sonatas
or partitas in sessions covering November 1912 to February 1913. His vibrato
is sparing and so can sound rather dry even when in his prime, as here, but
his rhythm is felicitous and buoyant and he employs excellent dynamics that
fortunately don’t evade the acoustic horn. Otherwise the selections
are some of the usual popular items that violinists were asked to record.
Interestingly he badgered Electrola to allow him to re-record Sarasate’s
Carmen Fantasia, as he wasn’t satisfied with the first issued
version. Less than a year later they caved in and he duly recorded it again
– though he needed a polishing session in 1930 to complete the job.
Some of his most beautiful playing can be found in Godard’s Adagio
Pathétique, one of the Morceaux from the Op.128 set. Though
tonally he must have seemed retrogressive by 1927 - when such as Kreisler,
Heifetz, Elman and Thibaud were recording prolifically - this piece shows
how beautiful phrasing and a sympathetic ear for the genre can offer much
by way of compensation.
Carl von Garaguly is best-remembered now as a quartet leader and conductor
but he can be heard in 12 tracks in the second disc as a soloist. A radio
broadcast catches him at the age of 83 playing a Polska by Goran
Olsson-Föllinger – one of the running conceits of this set is that three
of the four CDs open with the Polska. The Aquarelles of
Aulin are also disc favourites throughout and Garaguly plays them well –
even if his Brahms is erratic and his style rather old-fashioned for a player
born in 1900. Interestingly we hear the finale (only) of the Moses Pergament
Concerto live in 1950. It’s worth noting here that there are
a large number of previously unpublished and off-air items scattered throughout
the discs – a feast of things, in fact, for the collector. Otto Kyndel
is still remembered. He had a light, bright, somewhat nervous vibrato, especially
in Mozart but he plays quite charmingly. Where, I wonder, is the rest of his
live 1948 performance of Nils Eriksson’s Violin Concerto, of which we
hear just the Scherzo?
We hear from Olsson-Föllinger himself in the third disc, playing none other
than his own Polska – a wartime radio performance. He commands
the folkloric style of his fellow-composer Aulin, two of whose Aquarelles
he plays. His tone is rather undistinguished and a bit dry but he can be stylish.
There are also some very rare private discs of him dating from the 1936-44
period. Similarly, Ebba Nissen can be heard in rare private discs, as well
as a 1937 Sonora 78 – some, almost inevitably, rather scuffy. There
are no details regarding Gerhard Lundquist’s recording of the first
movement of Aulin’s Violin Concerto No. 3. No conductor, orchestra or
date, frustratingly. Axel Runnquist can hold his head high in this company.
He essays the inevitable Aulin but he’s an idiomatic performer and well
worth hearing. These 1921 HMVs were recorded in Stockholm’s Hotel Continental
but he can be heard back in 1906 adding obbligato flair to a song by Adrian
Dahl sung by soprano Zelma Wall. Sten Broman plays viola on a fine-sounding
1944 HMV of Gunnar de Frumerie’s vibrant Piano Quartet.
The last disc collects recordings made by Swedish players born before 1914.
The oldest is Lars Zetterquist (born 1860) but one of the very best is Charles
Barkel who plays – yes, again – an Aulin Aquarelle. Barkel
had a successful career and shows real elegance here. Some of the examples
reveal players as part of ensembles – of string trios, for instance,
or orchestras, as in the case of William Damme. Of archival interest is the
58 seconds of Allan Pettersson – yes, that Allan Pettersson
– playing a slice of the Canzonetta from Tchaikovsky’s
Concerto in 1939. If I’m reading things correctly this was taken from
a film track. One can’t hear too much of Tobias Wilhelmi from this Stravinsky
Soldier’s Tale extract and Einar Groth is saddled with an organ
for his soupy performance of Frans Grothe’s Illusion. Mario
Galli plays sweetly in Becce’s Legende d’amour on a 1927
Polyphon whereas Giovanni Turicchia is teamed with Jussi Björling in a 1944
performance of Gounod’s Salut. Congratulations to the programmers
at Caprice for favouring Francesco Asti’s performance of Moszkowski’s
Serenata. There’s an extract from a sonata – quite a
rarity in the context of vignette pieces and extracts from concertos –
in the shape of the Allegretto from Sjögren’s excellent Sonata
Op. 24. It’s played well by Tage Broström with Wiatcheslaw Witkowski
accompanying. The set ends with the well-known Endre Wolf and an HMV Paganini
of 1947.
There is a huge amount to read in the book. Some of the essays are in Swedish
only but there is a biographical overview of Marteau, biographies of his students
and colleagues, a chronology of Marteau’s Swedish concert engagements
with full programme details, from 1894 to 1934, and numerous fine photographs
throughout.
If you have any interest at all in Swedish string playing, then this is the
archive set to end all archive sets.
Jonathan Woolf
Full track-listing
CD 1 [74:25]
Göran OLSSON-FÖLLINGER
Polska [1:45]
Johann Sebastian BACH
Partita III, BWV 1006 [15:21]
Luigi BOCCHERINI
Quintet op. 13:5 in E: Minuett [2:51]
Friedrich HEGAR
Sechs Waltzes op. 14: Waltz No. 2 [2:38]: Waltz No. 4 [3:06]
Pablo de SARASATE
Carmen Fantasia op. 25 after Bizet [8:28]
Franz SCHUBERT
Sonata in A op. 162 “Duo” (D574), Movement 4 [3:35]
Benjamin GODARD
(Six) Morceaux op. 128: No. 3 Adagio path. [4:10]
Wolfgang Amadeus MOZART
Adagio in E, KV 261 [4:14]
Luigi BOCCHERINI
Quintet op. 13:5 in E: Minuett [3:16]
Johannes BRAHMS
Hungarian Dance No.6 [3:10]
Pablo de SARASATE
Danza española nr 2: Habanera op. 21 No 2 [4:00]
Carmen Fantasia op. 25 after Bizet [8:33]
Franz SCHUBERT
Schwanengesang No.4, Ständchen [4:11]
Johann Sebastian BACH
Suite No. 3 BWV 1068, Air [3:51]
Henri Marteau (violin) with Pancho Wladigueroff, Okänd and Clemens Schmahlstich
(piano), recorded 1912-30
CD 2 [72:45]
Göran OLSSON-FÖLLINGER
Polska [2:10]
Georg Frideric HANDEL
Sonata No. 9, Larghetto [3:06]
Jean Baptiste LULLY
Ballet du Roy, Gavotte en rondeau arr Willy Burmester [2:48]
Johannes BRAHMS
Hungarian Dance No.2 [2:43]
Ferenc von VECSEY
Valse triste [2:39]
Tor AULIN
(4) Aquarelles: No.2, Humoresque [2:47]: No.3 Vaggsång [2:57]
Elemer SZENTIRMAY
Mustalainen [3:04]
Traditional
Londonderry Air arr. Fritz Kreisler [3:53]
Carl von GARAGULY
Ungersk fantasi [4:02]
Csardas [3:18]
Moses PERGAMENT
Violin Concerto; 3rd movement [6:25]
Carl von Garaguly (violin) with Tore Wiberg, Sten Frykberg (piano); Stockholm
Philharmonic Orchestra/Stig Westerberg, recorded 1929-83
Wolfgang Amadeus MOZART
Violin Sonata no. 6 in G K301 [13:18]
Heinz PROVOST
Intermezzo “Souvenir de Vienne” [3:17]
Yngve SKÖLD
Melodi [2:45]
Pyotr Ilyich TCHAIKOVSKY
Romance in F, op. 5 [3:07]
Wilhelm STENHAMMAR
Sentimental romance No. 2 in F, op.28:2 [6:22]
Nils ERIKSSON
Violin Concerto: Scherzo [2:38]
Otto Kyndel (violin) with Sten Frykberg and Sune Waldimir (piano): Radio
Orchestra/Sten Frykberg (Stenhammar) and Radio Orchestra/Stig Rybrant (Eriksson),
recorded 1936-48
CD 3 [76:50]
Göran OLSSON-FÖLLINGER
Polska in A [2:14]
Nejlikan [2:27]
Jämtsägen [1:48]
Tor AULIN
(4) AquarellesMusic: No. 4 Polska [2:45: No 1 Idyll [3:08]
Georg Frideric HANDEL
Sonata op. 1 no. 5 in G: Minuett arr Willy Burmester [2:39]
Johann Sebastian BACH
Partita III in E BWV 1006: Preludio [3:00]: Gavotte en rondeau [2:40]
Tor AULIN
Charakterstücke, no. 2 Mazurek in E [3:49]
Göran Olsson-Föllinger (violin) with Carl Edvard Tollvik and Hjalmar Meissner
(piano), recorded 1915-44
Anonymous
Mazurka [1:28]
Zdenek FIBICH
Souvenirs IV op. 41:14, Poem arr Jan Kubelik [3:13]
Fritz KREISLER
Liebeslied [3:21]
Willy KLASEN
Berceuse op. 18 [3:13]
César CUI
Kaleidoscope op. 50:9, Orientale [3:00]
Ebba Nissen (violin) with Oscar Nissen-Salomon and Herbert Nissen (piano),
recorded 1930s-1953
Henryk WIENIAWSKI
Scherzo-Tarantelle op. 16 [4:22]
Tor AULIN
Violin Concerto No.3 in C, op.14, movement 1 Molto moderato [10:55]
Gerhard Lundquist (violin) with Berl Botschinsky (piano) and unknown orchestra
and conductor, recorded 1947
Tor AULIN
(4) Aquarelles. No. 3 Vaggsång [3:07]
Claude DEBUSSY
Petite Suite no 1: En bateau arr Gaston Choisnel [3:13]
Tor AULIN
(3) Gottländische Tänze op. 23: I Maestoso [3:09]
Algot HAQUINIUS
Svensk dans [3:16]
Adrian DAHL
Lofsång [3:03]
Axel Runnquist (violin) with Natanael Broman (piano) and Zelma Wall (soprano)
and Martha Ohlson (piano) in the Dahl, recorded 1906-21
Gunnar BOBERG
Den gamla sekretären [3:24]
Fritz Ahlberg (violin) with Olle Strandberg (tenor) and Åke-Gösta Bratt
(piano) recorded 1924
Gunnar de FRUMERIE
Piano Quartet no. 1, Intermezzo [2:00]
Sten Broman (viola) with Gunnar de Frumerie (piano): Sven Karpe (violin):
Gustav Gröndahl (cello), recorded 1944
CD 4 [76:14]
Edvard GRIEG
Brudefølget drar forbi op. 19:2 arr Emile Sauret[2:47]
Lars Zetterquist (violin) with ?Hjalmar Meissner, recorded 1915
Anonymous
Som stjärnan uppå himmelen så klar arr Herman Behrens[1:33]
Gösta Björk (violin) with Hjalmar Meissner, recorded 1916
Moses PERGAMENT
Menuett [3:09]
Ernest Törnquist (violin) with Natanael Broman (piano) recorded 1929
Tor AULIN
Aquarelles no. 2: Humoresque [2:56]
Charles Barkel (violin) with Natanael Broman (piano) recorded 1929
Jean-Marie LECLAIR
Sonata in C op. 5 no. 10, Tambourin arr Fritz Kreisler [2:59]
Lottie Andréason (violin) with ?Martin Andréason (piano) recorded 1929
Ole BULL
Säterjentens søndag arr. Johan Svendsen [2:50]
Folke Englund (piano) with Axel Flyckt (piano) recorded 1930
Rudolphe KREUTZER
Etude no. 35 arr Jenö Hubay [1:29]
Ernest Källberg (violin), recorded 1964
Erland von KOCH
Dance no. 2 in A [2:33]
Sven Karpe (violin) with Erland von Koch (piano) recorded 1939
LAPP-NILS
Polska [1:48]
Sven Kjellström (violin) with Olof Anderson (violin) and Johnny Schönning
(viola) recorded 1940
Tor AULIN
Charakerstücke no. 2, Mazurka no. 2 in E [3:55]
Julius Ruthström (violin) with Anita von Hillern-Dunbar (piano), recorded
1931
Erik EHRLING
Mellanspel 7 b ur teatermusik till Kejsaren av Portugallien [3:01]
William Damme (violin) with Carl Thelin (cello) and Stockholm Philharmonic
Orchestra/Fritz Busch, recorded 1939
Pyotr Ilyich TCHAIKOVSKY
Violin Concerto in D op. 35, Canzonetta [0:58]
Allan Pettersson (violin) with orchestra/Håkan von Eichwald, recorded
1939
Igor STRAVINSKY
Histoire du soldat: Tango (takt 43–73) & Valse [3:07]
Tobias Wilhelmi (violin) and ensemble directed by Kurt Bendix, recorded
1936
Frans GROTHE
Illusion [3:09]
Einar Groth (violin) with William Lind (Hammond organ), recorded 1944
Giuseppe BECCE
Legende d’amour op. 11 [3:08]
Mario Galli (violin) with Helge Bonnen (piano), recorded 1927
Jules MASSENET
Thaïs, Méditation (Intermezzo) [3:47]
Oluf Nielsen (violin) with Radio Orchestra/Ivar Hellmann, recorded 1935
Charles GOUNOD
Faust act 3, Salut! Demeure chaste et pure [1:55]
Giovanni Turicchia (violin) with Jussi Bjorling (tenor); Orchestra/Nils
Grevillius, recorded 1944
Carl SJÖBERG
Tonerna [2:39]
Karl Bornfors (violin) with Stig Hansson (Jules Sylvain), recorded 1923
Georg Frideric HANDEL
Xerxes: Ombra mai fu [2:43]
Harry Fritz-Crone (violin) with Inger Fritz-Crone, recorded 1925
Tor AULIN
Gottländische tänze op. 23:1 Maestoso [3:09]
Nora Duesberg-Baranowski (violin) with Easili Baranowski (piano) recorded
1930
Moriz MOSZKOWSKI
Serenata op. 15:1 [3:20]
Francesco Asti (violin) with Sten Frykberg (piano) recorded 1930
Johan SVENDSEN
Romance in G, op. 26 [3:25]
Walfred Andersen (violin) with Okänd (piano), recorded 1936
Emil SJÖGREN
Violin Sonata no. 2 in Em op. 24, movement 2 Allegretto Scherzando [6:11]
Tage Broström (violin) with Wiatcheslaw Witkowski (piano), recorded 1944
Johannes BRAHMS
Hungarian Dance No.2 in D [2:57]
Issay Mitnitzky (violin) with ?Olof Widbergh (piano) recorded 1934
Fritz KREISLER
Schön Rosmarin [2:07]
Alice Benkö-Karlander (Alice Lindblom) (violin) with ?Hjalmar Meissner
(piano), recorded 1922
Niccolo PAGANINI
Caprice op. 1:5 in A arr Roman Maciewski [2:48]
Endre Wolf (violin) with Antoinette Wolf (piano) recorded 1947
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