Yulefest!
The Choir of Trinity College, Cambridge/Stephen Layton
rec. 8, 9, 12 January 2014, Chapel of Trinity College, Cambridge
Texts included
Full track-listing at the end of this review
HYPERION CDA68087 [65:13]
A couple of themes run through this attractive Christmas
music compilation. One is the presence of a number of close harmony arrangements
of Christmas ‘standards’. The other is Christmas music from the
Nordic countries.
There’s an example of the close harmony fare right at the start in the
shape of Ben Parry’s arrangement of Jingle Bells. This was
done originally for the Swingle Singers, which is a much smaller ensemble
than the Trinity College choir. Actually, the Trinity choir is quite large
– 44 singers are listed – but it’s a tribute to their excellence
that they can deliver this arrangement with such deft lightness of touch that
one doesn’t feel that the ensemble is too unwieldy for the arrangement.
I’m afraid this arrangement isn’t really to my taste but that
doesn’t stop me admiring the arranger’s skill nor the excellence
of the choir.
The very best time of year is not one of my favourite Rutter Christmas
pieces – it is too close to kitsch; here the piece is sung very nicely
in an a capella version. The Christmas song is full of seasonal
warmth and sweetness in Peter Gritton’s skilful arrangement. Owain Park,
one of the Trinity College organ scholars, has contributed several items to
this programme. His take on Have yourself a merry little Christmas
is very sophisticated though I do wonder if the sophistication isn’t,
perhaps, a little too much for the simple sentiments expressed in this number.
Among the secular items the prize for ingenuity surely goes to Robert Rice
for his arrangement of Leroy Anderson’s Sleigh ride. You might
be puzzled, as I was, by seeing the name of Vaughan Williams there alongside
Anderson’s in the track-listing. What a clever idea it was to use material
from VW's Full fathom five to introduce Anderson’s Christmas
classic. Trust me; it works surprisingly well as the prelude to a most entertaining
arrangement.
Owain Park features again with a couple of original compositions. Shepherds'
cradle song displays the influences of Rutter and Chilcott – and
is none the worse for that – but it’s no mere pastiche. It’s
a delightful piece and I hope that if it hasn’t already found a publisher
it will be available soon so that other choirs can take it up and enjoy it.
Tomorrow shall be my dancing day is a very different matter. Where
Shepherds' cradle song is gentle and soothing Tomorrow
shall be my dancing day is all about exciting, inventive rhythms. The
booklet notes, which are excellent, are by Ted Tregear, one of the altos in
the choir. He writes of this piece that it is “much easier to listen
to than it is to perform.” Do I detect a hint of ruefulness there? Suffice
to say that the Trinity College choir seem to make light of the difficulties
posed in their colleague’s vibrant piece.
As I said, there’s a string Nordic thread running through this programme.
Ola Gjeilo is Norwegian, though he now lives in the USA. I was very taken
with his arrangement of Holst’s In the bleak mid-winter. I’m
afraid I’ve always felt Holst’s setting is rather plain compared
to the one by Harold Darke but Gjeilo’s arrangement adds interest while
being very sensitive to Holst’s original. I was also very taken with
Gunnar Eriksson’s arrangement of a Swedish folksong, The virgin
and child. This starts very simply with a solo voice delivering the rather
haunting tune. Then Eriksson weaves two Lutheran chorales into the harmony
underneath the tune, creating a luminous choral tapestry. Incidentally, this
is one of a couple of pieces for which Ted Tregear has provided English words.
The star is an arrangement of another Swedish folksong; it’s
a very beautiful piece and it’s one of several on this disc that gives
us a chance to hear soloists drawn from the choir; the two who sing here are
very expressive. Peace, peace is simple yet ravishing.
There are a couple of American pieces on the programme Paul Manz’s E'en
so, Lord Jesus, quickly come has become widely known in recent years
and rightly so. Ted Tregear comments perceptively in his notes that Manz finds
“a glimmer of expectation … even in the darkness.” It’s
a very fine piece and Layton and his choir do it very well indeed. While Manz’s
piece was very familiar to me Quem pastores laudavere by James Bassi
was one I had not previously heard. It’s a winner. The harmonies are
sophisticated but even so the music manages to sound simple. Bassi’s
tune is lovely and he cloaks it in beautiful harmonies. The present performance
is all that could be desired and when Bassi has the choir humming softly at
the end the effect is completely disarming. Ted Tregear revisits his phrase
about “a glimmer of expectation” in talking about Jonathan Rathbone’s
setting of Thomas Hardy’s poem, The oxen. This is a touching
and gentle setting. Jingle Bells, with which the programme began,
is a completely valid expression of the secular fun associated with Christmas
but Rathbone’s response to Hardy brings us to the profundity of Christmas
and, as such, is a very satisfying way to end this programme.
This is a splendid and varied disc of Christmas music. The performances by
the Choir of Trinity College are superb from start to finish. Not only is
the singing immaculate at all times but in the more extrovert numbers the
choir demonstrates a palpable sense of enjoyment. No fewer than ten members
of the choir feature as soloists, often on more than one occasion. Without
exception they deliver their solos marvellously. With excellent notes and
clear, pleasing sound this is just the sort of present you’d like to
find under the tree on Christmas morning. My advice, however, is not to wait
for Santa but to treat yourself to it now and enjoy it in the run-up to the
festive season.
John
Quinn
Track-listing
James Lord PIERPONT (1822-1893) arr. Ben PARRY (b. 1965)
Jingle bells [2:25]
Franz Xaver GRUBER (1787-1863) arr. Jonathan RATHBONE (b. 1957)
Silent night! [3:50]
Gustav HOLST (1874-1934) arr Ola GJEILO (b. 1978)
In the bleak mid-winter [4:39]
Irving BERLIN (1888-1989) arr Jeremy DAVIES (b. 1963)
White Christmas [1:59]
John RUTTER (b. 1945) arr Owain PARK (b. 1993)
The very best time of year [2:44]
Owain PARK Shepherds: cradle song [3:45]
Mel TORMÉ (1925-1999) & Robert WELLS (1922-1998) arr. Peter GRITTON
(b. 1963)
The Christmas song [2:20]
Michael PRAETORIUS (1571-1621) arr. Erling PEDERSEN (b. 1944)
A great and mighty wonder [2:54]
Hugh MARTIN (1914-2011) & Ralph BLANE (1914-1995) arr. Owain PARK
Have yourself a merry little Christmas [3:08]
Paul MANZ (1919-2009)
E:en so, Lord Jesus, quickly come [2:32]
James BASSI (b. 1961)
Quem pastores laudavere [3:53]
Owain PARK Tomorrow shall be my dancing day [3:32]
ANON (Swedish folk song) arr. Gunnar ERIKSSON (b. 1936)
The virgin and child [4:11]
ANON (French folk song) arr. Reginald JACQUES (1894-1969)
Away in a manger [2:48]
Bror SAMUELSON (1919-2008)
Ave maris stella [3:51]
ANON (English folk song) arr. Robert RICE (b. 1971)
How far is it to Bethlehem? [2:20]
Harald SVENTELIUS (1902-1996) arr. Hans-Ola ERICSSON (b. 1958)
The star [3:26]
Gustav NORDQVIST (1886-1949)
Peace, peace [2:22]
Robert RICE (after Leroy ANDERSON (1908-1975) & Ralph VAUGHAN
WILLIAMS (1872-1958)
Sleigh ride [3:18]
ANON (Danish folk song) arr. Michael BOJESEN (b. 1960)
O heavenly word [2:08]
Jonathan RATHBONE The oxen [3:03]
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