Yulefest!
The Choir of Trinity College, Cambridge/Stephen Layton
rec. 8-12 January 2014, Chapel of Trinity College, Cambridge
Texts included
HYPERION CDA68087 [65:00]
Here is one of the slickest Christmas discs I have heard
in years. Ben Parry’s arrangement of Jingle Bells, witty and
performed with a sense of ensemble that would make the Swingle Singers proud,
is quite a way to open any disc. It sets the store for a disc that encompasses
varied terrain and yet makes for an eminently satisfying whole. Arrangements
throughout are consistently imaginative. Try the slow introduction to Robert
Rice’s Sleigh Ride, (this piece is billed as “after Leroy
Anderson and Ralph Vaughan Williams”), the gentle accelerando at “giddy-up”
as the sleigh finds its rhythm and the characterful cry of “Sleigh Ride!”
that rounds it off.
My colleague John Quinn is right to identify two major strands to this disc:
close harmony “standards” and a Nordic streak. The two complement
each other, as we shall see, perfectly.
The well-known Silent Night is superb, especially the contribution
of the soloist (tenor, Hiroshi Yamako). But actually it is the entry of the
basses around two minutes in that takes it into another realm. There is so
much to admire here from the choir: the faultless soprano slurs, for example.
Soloists from the choir are excellent throughout. Ola Gjeilo’s arrangement
of Holst’s In the bleak mid-winter features a beautiful, pure
soprano solo from Faith Waddell, while Cameron Richardson’s tenor has
a reedy purity that appeals.
The inclusion of an American twang to the pronunciation of “White Christmas”
— the film is, after all, set in Beverly Hills, LA — is most effective.
A pity the arrangement is so short (just one second under two minutes); it
is almost as if it seeks to fit in maximal effects, from dynamic surges to
bell imitations, into the briefest temporal space. It encapsulates also the
feeling of many of these arrangement, that of cozy times by a real fire. That
sense of intimate moments of reflection permeates Owain Park’s The
Christmas Song.
Peter Gritton’s arrangement of The Christmas Song (“Chestnuts
roasting on an open fire” …) is terrifically imaginative, taking
the familiar and effectively taking the lines for a sinewy walk for upper
voices before the lower voices remind is of the marshmallowy feel of Christmas
about a minute in.
The less familiar E’en so, Lord Jesus, quickly come is a gem
(by Paul Manz), heartfelt yet compact; even it, though, comes close to being
eclipsed by the real gem that is James Bassi’s Quam pastores laudavere.
Ted Tregear’s booklet notes state that Owain Park’s arrangement
of Tomorrow is my Dancing Day is easier to listen to than it is to
perform, and that is eminently believable. The arrangement is a sophisticated
one, never losing touch with the theme but certainly taking it for a walk
into new contrapuntal, and harmonic, territories. Balancing this is Gunnar
Eriksson’s superb, darkly Nordic arrangement of the Swedish folksong
The Virgin and Child, its close harmonies (particularly in the middle
to lower registers) especially effective; Reginald Jacques’ arrangement
of Away in a manger seems a half-brother, such is its intimacy. Perhaps
the almost mystical bent of The Virgin and Child has seeped through.
It acts as an interlude between two dark Nordic offerings, as the next up
is the incredibly concentrated Ave maris stella by Bror Samuelson
(1919-2008), in which Jonathan Pacey is an immaculate bass identifiably from
the core English choral tradition.
The Nordic strand brings many revelations — not in any Biblical sense
though, at least not yet — perhaps Harald Sventelius’ The
Star bringing the most radiant light. Crowned by the mezzo of Anna Cavaliero
and the radiant soprano of Julia St Clair, it offers a highlight in a disc
of such high standard that it is difficult to believe that highlights are,
indeed, possible. The penultimate offering, a Danish folksong arranged by
Michael Bojesen again features the excellent Julia St. Clair before opening
out into glorious choral sound.
A magnificent Christmas offering, a real gift from Hyperion to the Festive
Season. Difficult to imagine this one being topped.
Colin Clarke
Previous review: John
Quinn
Track-listing
James Lord PIERPONT (1822-1893) arr. Ben PARRY (b. 1965)
Jingle bells [2:25]
Franz Xaver GRUBER (1787-1863) arr. Jonathan RATHBONE (b. 1957)
Silent night! [3:50]
Gustav HOLST (1874-1934) arr Ola GJEILO (b. 1978)
In the bleak mid-winter [4:39]
Irving BERLIN (1888-1989) arr Jeremy DAVIES (b. 1963)
White Christmas [1:59]
John RUTTER (b. 1945) arr Owain PARK (b. 1993)
The very best time of year [2:44]
Owain PARK Shepherds: cradle song [3:45]
Mel TORMÉ (1925-1999) & Robert WELLS (1922-1998) arr. Peter GRITTON
(b. 1963)
The Christmas song [2:20]
Michael PRAETORIUS (1571-1621) arr. Erling PEDERSEN (b. 1944)
A great and mighty wonder [2:54]
Hugh MARTIN (1914-2011) & Ralph BLANE (1914-1995) arr. Owain PARK
Have yourself a merry little Christmas [3:08]
Paul MANZ (1919-2009)
E:en so, Lord Jesus, quickly come [2:32]
James BASSI (b. 1961)
Quem pastores laudavere [3:53]
Owain PARK Tomorrow shall be my dancing day [3:32]
ANON (Swedish folk song) arr. Gunnar ERIKSSON (b. 1936)
The virgin and child [4:11]
ANON (French folk song) arr. Reginald JACQUES (1894-1969)
Away in a manger [2:48]
Bror SAMUELSON (1919-2008)
Ave maris stella [3:51]
ANON (English folk song) arr. Robert RICE (b. 1971)
How far is it to Bethlehem? [2:20]
Harald SVENTELIUS (1902-1996) arr. Hans-Ola ERICSSON (b. 1958)
The star [3:26]
Gustav NORDQVIST (1886-1949)
Peace, peace [2:22]
Robert RICE (after Leroy ANDERSON (1908-1975) & Ralph VAUGHAN
WILLIAMS (1872-1958)
Sleigh ride [3:18]
ANON (Danish folk song) arr. Michael BOJESEN (b. 1960)
O heavenly word [2:08]
Jonathan RATHBONE The oxen [3:03]
|
Support us financially by purchasing
this from
|
|
 |
 |
 |
|