Guillaume LEKEU (1870-1894)
Complete Works
rec. 1987-94
RICERCAR RIC351 [8 CDs: 9:44:00]
These recordings have all been released before. They were
made in Liège between 1987 and 1994 and released by Ricercar in a boxed set.
On the occasion of its reissue Jérôme Lejeune’s extensive booklet notes
have been revised and expanded and the text now contains a chronological analysis
of the works. The track running order doesn’t, however, reflect a chronological
survey which would be, in any case, somewhat unusual. A sensible balance has
been achieved.
A look at the track-listing will show some of the principal musicians that
were involved in this valuable project, but it doesn’t hurt to reference
the names of violinists Philippe Hirshhorn and Philippe Koch, pianists Luc
Devos and Jean-Claude Vanden Eynden, Domus, Quatuor Camerata and the Liège
Philharmonic directed by Pierre Bartholomée. There are, however, many others
and their laudable contributions to this project should not be overlooked.
The first disc contains his most famous and oft-recorded work, the Violin
Sonata in a vivid performance by Philippe Hirshhorn and Jean-Claude Vanden
Eynden. It’s worth noting that Philippe Koch, who plays the smaller
violin works, is another elite interpreter of this sonata. The incomplete
Piano Quartet is also on CD1, played by Domus. It was one of the first of
Lekeu’s works to be recorded, on Decca 78s, and makes all the more regrettable
the fact that it’s a two-movement torso, and beautifully played here
by Domus. The Camerata Quartet do the honours for the Méditation,
full of intensity but very personal harmonies, as they do in the gravely beautiful
Molto Adagio contained in the second disc. This disc offers a series
of music for solo piano (Luc Devos). Despite its name the Lento doloroso,
whilst sombre, isn’t laden with overmuch grief. The Theme and variations
for string trio is a bigger and more comprehensive statement, wittily crafted
and, in places, as near jaunty as Lekeu ever gets. The beautiful and unbuttoned
Adagio molto espressivo – Lekeu liked Adagios and Andantes
– for two violins and piano is played by Koch, Anne Leonardo and Devos,
and this third disc also contains the extensive six-movement Beethoven-modelled
String Quartet. It’s far too long for the material but has an airy quality
that proves appealing.
The fourth disc presents another Wagnerian opus, the Cello Sonata with its
20-minute first movement, a heroic undertaking from Luc Dewez and Devos. The
highlight is the slow movement, rapt and intensely expressive. Koch and Devos
play the Andante più tosto adagio with taut command. We
are also introduced to the orchestral Lekeu in the form of the Introduction
symphonique aux Burgraves, a diptych replete with Wagnerianism but also
some strong fugal development. The Première Étude symphonique mixes
nobility with Beethovenian and Franckian influence with some indigestive results
but it does have a youthfully lofty quality with brassy fugatos. The orchestral
Fantasie contrapuntique sur un cramignon liégeois offers a joke or
two – imitations of fiddles tuning up – but the Seconde Étude
symphonique is made of sterner stuff, a powerful exploration in two
sections of the characters of Hamlet and Ophelia. The latter is heard in two
versions, the second of which was intended to prepare for a third part, which
remained unwritten. Both these works were recorded a long time ago on LP,
with the same orchestra conducted by Paul Strauss, in dedicated and excellent
readings, though sonically inferior to the ones under review.
The sixth disc houses the Piano Trio which is played very well by the Arthur
Grumiaux Trio (Koch, Dewez, Devos) – though I harbour a fondness for
the performance of the Spiller Trio, which was rather more bristly. It also
contains the very Franckian Piano Sonata – it’s rather explicitly
patterned after the Prélude, choral and fugue and after the Violin
Sonata probably Lekeu’s best-known work, the wonderful and affecting
Adagio. The seventh disc is largely orchestral or orchestral-and-vocal.
His only work for organ is the Épithalame for organ and orchestra
with its imposing Franckisms but equally its moments of lyric introspection.
His first piece for large choral forces was the Chant lyrique but
Andromède is altogether a bigger test of his compositional arts –
a two-part cantata, impressively laid out, full of rousing melancholy and
quite some drama. It failed to win a prize for familiarly depressing reasons.
The performances are excellent but if you can find Jacques Houtmann’s
old LP recording in CD transfer it offers a valuable alternative insight.
I shouldn’t omit mention of several songs sung by Guy De Mey. Lekeu’s
only concertante piece heads the last disc, Larghetto for cello and
orchestra. It’s rather beautiful but it also makes one regret that unwritten
Violin Concerto for his great champion Ysaÿe. If you doubted that Lekeu could
write a piece for solo tuba and orchestra, doubt no longer. He did, and it’s
here. It’s rather similar to the cello work, but rather more teaky and
Wagnerian. The Plainte d’Andromède is the chamber version of
a scene from his cantata and very effectively reduced. The Trois pièces
for piano are salon-light charmers. The Trois Poèmes, sung by soprano
Greta de Reyghere evoke lute songs – the last of the three includes
a string quartet as well as the piano. Then there are two versions of the
evocative and fresh-faced Fantaisie sur deux airs populaires angevins,
one for orchestra and the original, for piano four-hands, played by Dirk Herten
and Daniel Blumenthal. Some may recall the bucolic recording of this made
by Armin Jordan for Erato which included a superb version of the Adagio.
Given the tragically truncated trajectory of Lekeu’s life it’s
not difficult for all his music to fit in an 8-CD set, and that includes things
such as the original and orchestral Angevins fantaisie and the chamber
version of the Andromède scene. A review like this can only draw
attention to a few details but I warmly commend this retrieval, the expanded
notes, and Ricercar’s continuing devotion to Lekeu’s music.
Jonathan Woolf
An invaluable and uniquely comprehensive survey.
Full track-listing
CD1
Violin Sonata, V64 [34:00]
Philippe Hirshhorn (violin); Jean-Calude Vanden Eynden (piano)
Piano Quartet (incomplete) V62 [23:29]
Domus
Choral for violin and piano, V44 [1:45]
Philippe Hirshhorn (violin); Luc Devos (piano)
Andantino semplice for piano, V93 [0:44]
Luc Devos (piano)
La Fenêtre de la maison paternelle, V77 [3:31]
Lucienne Van Deyck (mezzo-soprano); Luc Devos (piano)
Les Pavots, V80 [4:31]
Guy De Mey (tenor); Luc Devos (piano)
Méditation for string quartet, V48 [11:06]
Camerata Quartet
CD2
Minuet for string quartet, V49 [3:06]
Molto Adagio sempre cantata e doloroso for staring quartet, V52 [12:06]
Camerata Quartet
Adagio religioso for piano, V84 [4:24]
Tempo du Mazurka for piano, V106 [10:15]
Lento doloroso for piano, V100 [10:39]
Andante for piano, V88 [3:23]
Allegro marcato for piano, V85 [1:02]
Berceuse et Valse (pot pourri) for piano, V05 [8:06]
Andante malinconoco for piano, V91 [3:35]
Andante for piano, V86
Luc Devos (piano)
Theme and Variations for string trio, V66 [13:58]
Wlodzimierz Prominski (violin); Piotr Reichert (viola); Roman Hoffmann (cello)
Andante for piano, V87 [4:21]
Luc Devos (piano)
CD3
Adagio molto espressivo for two violins and piano, V33 [11:31]
Philippe Koch and Anne Leonardo (violins): Luc Devos (piano)
String Quartet, V60 [35:50]
Minuetto for two violins, V50 [4:17]
Philippe Koch and Anne Leonardo (violins)
CD4
Cello Sonata, V65 [42:05]
Luc Dewez (cello); Luc Devos (piano)
Andante più tosto adagio, for violin and piano, V38 [6:08]
Philippe Koch (violin); Luc Devos (piano)
Andante sostenuto for piano, four hands, V92 [7:33]
Luc Devos and Catherine Mertens (piano)
Introduction symphonique aux Burgraves, V27 21:26]
Liège Philharmonic Orchestra/Pierre Bartholomée
CD5
Moderato quasi largo, for piano V103 [8:50]
Luc Devos (piano)
Barberine; Prelude to Act II, v14
Étude symphonique No.1: Triumphal Song of Deliverance, for orchestra, V18
[9:17]
Liège Philharmonic Orchestra/Pierre Bartholomée
Quelque antique et lente danse, V81 [4:25]
Greta de Reyghere (soprano); Luc Devos (piano)
L’ombre plus dense, V79 [5:21]
Guy De Mey (tenor): Luc Devos (piano)
Fantaisie contrapuntique sur un cramignon liégeois, V23 [7:02]
Étude symphonique No.1: Part 1; Hamlet, V19 [13:19]; Ophelia, V21 [6:53];
Ophelia (2nd version), V22 [9:26]
Liège Philharmonic Orchestra/Pierre Bartholomée
CD6
Piano Trio, V70 [43:41]
Trio Arthur Grumiaux
Piano Sonata, V105 [20:45]
Luc Devos (piano)
Adagio for string orchestra, V13 [12:37]
Liège Philharmonic Orchestra/Pierre Bartholomée
CD7
Epithelium for organ and orchestra, V12 [10:56]
Bernard Foccroulle (organ), Liège Philharmonic Orchestra/Pierre Bartholomée
Chanson de Mai, V73 [5:44]
Guy De Mey (tenor) Luc Devos (piano)
Chant lyrique for choir and orchestra, V7 [6:18]
Namur Symphonic Choir/Liège Philharmonic Orchestra/Pierre Bartholomée
Andromède, V3
Dinah Bryant (soprano), Zeger Vandersteene (tenor), Philippe Huttenlocher
(baritone), Jules Bastin (bass) Namur Symphonic Choir/Liège Philharmonic Orchestra/Pierre
Bartholomée
CD8
Larghetto for cello and orchestra, V28 [9:20]
Marie Hallyneck (cello), Liège Philharmonic Orchestra/Pierre Bartholomée
Introduction and Adagio for tuba and orchestra, V26 [9:28]
Carl Delbart (tuba), Liège Philharmonic Orchestra/Pierre Bartholomée
Pleinte d’Andromède for soprano, piano and strings, V5 [7:34]
Greta de Reyghere (soprano), Luc Devos (piano), Eric Mathot (double bass),
Camerata Quartet
Three Pieces for piano, V107 [9:27]
Luc Devos (piano)
Fantasy on two popular Angevin songs, V 25 [13:03]
Liège Philharmonic Orchestra/Pierre Bartholomée
Fantasy on two popular Angevin songs, V 25, for piano, four-hands [14:41]
Dick Herten and Daniel Blumenthal (piano)
Three Poems, V82 [12:31]
Greta de Reyghere (soprano): Luc Devos (piano): Camerata Quartet
Berceuse for piano, V94 [2:38]
Luc Devos (piano)
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