Jerry Murad and his Harmonicats - Peg o’ My Heart: Their 32 finest 1947-60
    see end of review for listing
  rec. 1947-60
  RETROSPECTIVE RTR4256 [79:30]
	  Jerry Murad (born Muradian), Don Les (born Leshinski) and Al Fiore (born Fiorentino) were three regular American guys – an Armenian, a Pole and an Italian – who formed one of the weirdest instrumental combos to hit the post-war scene. Formed in 1944 this harmonica trio was one of the longest-lasting vaudeville-type acts, lasting well into the 1960s and beyond, when the band broke up. This nostalgic selection gives us 32 of their finest sides recorded between 1947 and 1960. It was the clever voicings, rich cavernous bass range and virtuosic versatility of the group – allied to a keen interest in echo-chamber effects on disc – that marked out the Harmonicats from other harmonica-toting ensembles of the time. Some readers will recall that the title track of this disc, Peg O’ My Heart, was used as the signature tune for Dennis Potter’s BBC TV series, The Singing Detective.
  
  Murad and the Harmonicats liked a big sound and they expanded the timbral range of the group by including auxiliary instrumentation, such as guitars and pianos. There are some big Hicky guitar licks from Sid Fisher on Weill’s September Song, for example, and a big piano intro courtesy of Jan August on Bewitched, Bothered and Bewildered in which, sensitively, there’s not too much ‘production’ going on. It wasn’t the most restful or tranquil of repertoire and it’s really only in 1951, with Charmaine, that we get a thoughtful interpretation with some Light Music strings thrown in for good measure. Elsewhere there are cod-Blues, and light-classical appropriations (Khachaturian, Ippolitov-Ivanov and the like) which offer colouristic shenanigans in spades. I suppose the ultimate in this respect is when the group joined Richard Hayman and his orchestra for a big-time take on Rachmaninov’s Paganini Rhapsody – or The Story of Three Loves, as it’s called here. You’ll find ersatz holler blues, waltz time, film and stage vehicles, boogie-lite and much more besides ending on their fabulous version of Mack the Knife. This shows the group at its best – virtuosic and full of communicative fun, the sound of an era.
  
  Something has gone a little awry with the proof reading as the track references in Ray Crick’s booklet notes are missing, and the font size in the dating excessively large. Otherwise, dip into this selection a few at a time to enjoy the band at its vaudeville best.
  
  Jonathan Woolf
    
Track listing
Peg O' My Heart
  Harmonica Boogie
  Peggy O'neil
  September Song
  Valse Bluette
  Hair of Gold, Eyes of Blue
  Harmonicats Blues
  It Must Be True
  Harmonicats Boogie
  Willow, Weep for Me
  The Galloping Comedians
  Bewitched, Bothered and Bewildered
  Lezghinka
  Harbour Lights
  The Sardar March
  At Sundown
  Roman Guitar
  Dynaflow Drive
  Flapperette
  Charmaine
  Sissy
  Blues
  Hootin' Blues
  Night Train
  Till I Waltz Again with You
  Malaguena
  Little Red Monkey
  The Harmonica Player
  The Story of Three Loves
  Just One More Chance
  Cherry Pink and Apple Blossom White
  Mack the Knife