It's that time of year again: classical record labels have started 
            releasing a plethora of box sets to tempt you in your Christmas shopping. 
            With sets of dozens of CDs costing what only a few discs set you back 
            ten years ago, how can you resist? It's tempting to buy some of these 
            to fill in gaps in your collection. Others may contain many items 
            that you've long wanted. It's hard to decide which to buy, with so 
            many bargain-priced sets around. 
              
            Adding to the temptation this year is Harmonia Mundi's Opéra 
            baroque: 39 CDs, 3 DVDs and one CD-ROM with sung texts. Divided 
            into groups by country, this set contains music from Italy, France, 
            England and Germany. There are seventeen complete operas ranging in 
            length from single-CD works like Dido and Aeneas to three-disc 
            operas, such as Handel's Rinaldo or Rameau's Les Indes Galantes. 
            Two are on DVD: Monteverdi's L'Orfeo and Handel's Giulio 
            Cesare. All this for roughly what I paid for one of these three-disc 
            operas ten years ago. 
              
            It's fair to say that Harmonia Mundi has one of the finest catalogues 
            of baroque opera, with an extraordinary roster of musicians and conductors. 
            This collection highlights the work of William Christie and René 
            Jacobs, the label's most prolific conductors, and has a list of soloists 
            that includes Andreas Scholl, Sandrine Piau, Mark Padmore, Lorraine 
            Hunt, Werner Gura, Simon Keenlyside, Lynne Dawson and many others. 
            
              
            Each country's selection of works is grouped with a small booklet 
            discussing the works featured. While there are some high-profile works 
            in this set - Lully's Atys, Handel's Rinaldo, Purcell's 
            Dido and Aeneas - there are also some works that may be new 
            to many listeners. These include Keiser's Croesus, Scarlatti's 
            La Griselda, Telemann's Orpheus and Campra's Idoménée. 
            
              
            I've had great pleasure dipping into this set. While I already own 
            about one third of the recordings, there are many that I wasn't familiar 
            with, making this a delightful discovery. At less than £60, 
            it's a steal; and it's a limited edition, so make up your mind quickly. 
            
              
            My only criticism relates to the packaging. Back in the early days 
            of big box sets, these packages were designed to look imposing. They 
            had big jewel cases and took up a lot of space. In recent years, most 
            labels have released big sets with simple cardboard sleeves to save 
            space. Harmonia Mundi has opted here for digipacks, which more than 
            double the amount of space these discs would have taken up had simpler 
            sleeves been used. The content could easily fit in one of those now-common 
            cube-shaped boxes. 
              
            Now that many of us own a lot of box sets, it's a bit irksome to have 
            another one that's so big. However, if you're buying it as a gift 
            for someone, it will take up a lot of space under the tree. 
              
            Harmonia Mundi should be congratulated for this set. At a bargain 
            price, it features some of the staples of baroque opera, along with 
            a number of recordings that have been long out of print. As a primer, 
            to those new to the genre, it's a perfect way to discover the richness 
            of the baroque stage. For collectors, it's a great way to fill in 
            gaps in a collection. For anyone, it's a wonderful box-full containing 
            more than 45 hours of musical surprises. Don't miss out on this one. 
            
              
            Kirk McElhearn 
            Kirk McElhearn writes about more than just music on his blog Kirkville.
              
            Full list of performers  
            Blow Venus and Adonis 
            Rosemary Joshua (Venus), Gerald Finley (Adonis), Robin Blaze (Cupid), 
            Maria Cristina Kiehr (Shepherdess), Christopher Josey (Shepherds/Huntsman) 
            
            Clare College Chapel Choir, Orchestra of the Age of Enlightenment/William 
            Christie 
              
            Campra Idoménée 
            Monique Zanetti (Ilione), Bernard Deletre (Idomenee), Sandrine Piau 
            (Electre), Jean-Paul Fouchecourt (Idamante), Marie Boyer (Venus), 
            Jerome Correas (Eole/Neptune/La Jalousie/Nemesis),Richard Dugay (Arcas), 
            Mary Saint-Palais (Une Cretoise), Anne Pichard (Premiere Bergere), 
            Anne Mopin (Une Troyenne/Deuxieme Bergere), Jean-Claude Sarragosse 
            (Arbas/Protee) 
            Les Arts Florissants/William Christie 
              
            Cavalli La Calisto 
            Marcello Lippi (Giove), Simon Keenlyside (Mercurio), Maria Bayo (Calisto), 
            Graham Pushee (Endimione), Alessandro Mantovani (Diana), Gilles Ragon 
            (Linfea), Dominique Visse (Il Satirino/Furia), Barry Banks (Pane), 
            David Pittsinger (Silvano), Sonia Theodoridou (Giunone), Judith Vindevogel 
            (Furia) 
            Concerto Vocale/René Jacobs 
              
            Charpentier, M-A  
            Médée 
            Lorraine Hunt (Médée), Mark Padmore (Jason), Bernard 
            Deletré (Créon), Monique Zanetti (Créuse) & 
            Jean-Marc Salzmann (Oronte) 
            Les Arts Florissants/William Christie 
              
            Le Malade imaginaire 
            Monique Zanetti, Noemi Rime, Claire Brua, Dominique Visse, Howard 
            Crook, Jean-Francois Gardell 
            Les Arts Florissants/William Christie 
              
            Erlebach Overture No. 4 
            Akademie für Alte Musik Berlin 
              
            Graun, C H Cleopatra e Cesare 
            Janet Williams (Cleopatra), Iris Vermillion (Cesare), Lynne Dawson 
            (Cornelia), Robert Gambill (Tolomeo), Ralf Popken (Arsace), Jeffrey 
            Francis (Lentulo), Klaus Hager (Achilla), Elisabeth Scholl (Cneo), 
            Maria Cristina Kiehr (Sesto) 
            RIAS Kammerchor, Concerto Köln/René Jacobs 
              
            Handel 
              
            Rinaldo 
            Vivica Genaux (Rinaldo), Inga Kalna (Armida/Second Siren), Miah Persson 
            (Almirena/First Siren), Christophe Dumaux (Eustazio), James Rutherford 
            (Argante), Lawrence Zazzo (Goffredo), Dominique Visse (A Christian 
            Magician) 
            Freiburger Barockorchester/René Jacobs 
              
            Flavio 
            Jeffrey Gall (Flavio), Derek Lee Ragin (Guido), Lena Lootens (Emilia), 
            Bernada Fink (Teodata), Christina Högman (Vitige), Gian Paolo 
            Fagotto (Ugone), Ulrich Messthaler (Lotario) 
            Ensemble 415/René Jacobs 
              
            Giulio Cesare in Egitto (two DVDs) 
            Andreas Scholl (Giulio Cesare), Inger Dam-Jensen (Cleopatra), Randi 
            Steene (Cornelia), Tuva Semmingsen (Sesto), Christopher Robson (Tolomeo), 
            Palle Knudsen (Achilla) & James Huw Jeffries (Nireno) 
            Concerto Copenhagen/Lars Ulrik Mortensen 
              
            Almira Suite 
            Akademie für Alte Musik Berlin 
              
            Keiser 
              
            Croesus 
            Dorothea Roschmann (Elmira), Werner Gura (Atis), Roman Trekel (Croesus), 
            Klaus Hager (Orsanes), Johannes Mannov (Cyrus), Markus Schafer (Eliates), 
            Salome Haller (Clerida), Kwangchul Youn (Solon), Graham Pushee (Halimacus), 
            Brigitte Eisenfeld (Trigesta), Kurt Azesberger (Elcius), Johanna Stojkovic 
            (Nerillus), Jorg Gottschick (Hauptmann) 
            RIAS Kammerchor, Akademie für Alte Musik Berlin, Solistes du 
            Knabenchor Hannover/René Jacobs 
              
            Le Ridicule Prince 
            Jodelet Sinfonia 
            Akademie für Alte Musik Berlin 
              
            Lully Atys 
            Guy de Mey, Guillemette Laurens, Agnès Mellon, Jean-François 
            Gardeil, Jacques Bona, Bernard Deletré, Isabelle Desrochers, 
            Jean-Paul Fouchécourt,Véronique Gens, Michel Laplénie, 
            Stephan Maciejewski, Gilles Ragon, Noémi Rime, Françoise 
            Semellaz, Arlette Steyer & Monique Zanetti 
            Les Arts Florissants/William Christie 
              
            Monteverdi  
            L'Orfeo (DVD) 
            Simon Keenlyside (Orfeo), Juanita Lascarro (Euridice, la Musica, Eco), 
            Graciela Oddone (la Messaggiera), Martina Dike (Proserpina), Stephen 
            Wallace (la Speranza, Pastore), Tomas Tòmasson (Plutone), Paul 
            Gérimon, Caronte (Pastore), Mauro Utzeri (Apollo), Anne Cambier 
            (Ninfa), Yann Beuron, John Bowen, René Linnenbank (Pastori, 
            Spiriti 
            Concerto Vocale, Collegium Vocale Gent, Trisha Brown Company/René 
            Jacobs 
              
            L'incoronazione di Poppea 
            Danielle Borst (Poppea), Guillemette Laurens (Nerone), Axel Köhler 
            (Ottone), Jennifer Larmore (Ottavia), Michael Schopper (Seneca), Lena 
            Lootens (Drusilla), Dominique Visse (Nutrice), Christoph Homberger 
            (Arnalta), Maria-Cristina Kiehr (Damigella/Virtù) 
            Concerto Vocale/René Jacobs 
              
            Il Combattimento di Tancredi e Clorinda 
            Concerto Vocale/René Jacobs 
              
            Purcell Dido and Aeneas 
            Lynne Dawson (Dido), Rosemary Joshua (Belinda), Susan Bickley (Sorceress), 
            Gerald Finley (Aeneas), Dominique Visse (First Witch), Stephen Wallace 
            (Second Witch), Maria Cristina Kiehr (Second Woman), Robin Blaze (Spirit) 
            
            Clare College Chapel Choir, Members of the Orchestra of the Age of 
            Enlightenment/René Jacobs 
              
            Rameau Les Indes Galantes 
            Claron McFadden (Hebe, Zima), Sandrine Piau (Zaire), Isabelle Poulenard 
            (L'Amour, Phani), Noemi Rime (Fatime), Miriam Ruggeri (Emilie), Howard 
            Crook (Valere/Damon), Jean-Paul Fouchecourt (Don Carlos/Tacmas), Jerome 
            Correas (Bellone/Ali), Bernard Deletre (Huascar/Don Alvar), Nicolas 
            Rivenq (Osman/Adario) 
            Les Arts Florissants/William Christie 
              
            Rore Ancor che co'l partire 
            Hilliard Ensemble/Paul Hillier 
              
            Scarlatti, A La Griselda 
            Dorothea Roschmann (Griselda), Lawrence Zazzo (Gualtiero), Veronica 
            Cangemi (Costanza), Bernard Fink (Roberto), Silvia Tro Santafe (Ottone), 
            Kobie van Rensburg (Corrado) 
            Akademie für Alte Musik Berlin/René Jacobs 
              
            Schieferdecker Premier Concert musicaux 
            Akademie für Alte Musik Berlin 
              
            Schürmann, G C Suite Ludovicus Plus 
            Akademie für Alte Musik Berlin 
              
            Telemann Orpheus 
            Dorothea Roschmann (Orasia), Roman Trekel (Orpheus), Ruth Ziesak (Eurydice), 
            Maria Cristina Kiehr (Ismene), Werner Gura (Eurimedes), Isabelle Poulenard 
            (Cephisa), Hanno Muller-Brachmann (Pluto), Axel Kohler (Ascalax) 
            RIAS Kammerchor, Akademie für Alte Musik Berlin, Solistes du 
            Knabenchor Hannover/René Jacobs 
              
            Vecchi L'Amfiparnaso 
            Ensemble Clément Janequin/Dominique Visse