EMI Classics’ ‘Collector’s Edition’ has now reached Gustav Holst. Pausing
only briefly to wonder quietly what a Collector’s Edition actually is
— does it imply a specialist or an omnivore? — a look at the track-listing
will show some of the label’s old favourites repackaged in a 6 CD box.
The first disc disinters Boult’s familiar 1978 recording of
The
Planets, his last studio traversal of the work he had premiered
privately sixty years before. What this recording may lack in galvanic
drive, it gains in harmonic pointing and inner voice detail — note especially
how he brings out the myriad voicings in
Jupiter. In fact it
possesses a breadth that’s not compromised in any way by concession
to the conductor’s age. The companion works are Previn’s
The Perfect
Fool and
Egdon Heath, taped in 1974. Some have found the
conductor less than wholly gripping in this latter work but I can’t
say that I do. In fact I find him genuinely atmospheric in much the
same way that he is vivacious and colourful in
The Perfect Fool.
Four conductors share disc space in CD2. The light charms of
A Somerset
Rhapsody and
Brook Green Suite are in the capable hands
of Norman del Mar and the Bournemouth Sinfonietta. The pastoral robustness
of the former owes much to Vaughan Williams. The recordings were made
in 1980. Yehudi Menuhin directs
A Fugal Concerto with Jonathan
Snowden, the flautist, and oboist David Theodore. They are both fine
soloists and despite its slightly forbidding title, the work is largely
genial and very short. The earliest recording comes next, Malcolm Sargent
conducting the BBC Symphony in
Beni Mora, in 1956. This is
a veritable Kingsway Hall Special, a really superb production overseen
by David Bicknell. Sargent’s
St. Paul’s Suite was recorded
nine years later and its breezy and affectionate charms are well realised
by a conductor still largely underestimated. Charles Groves was charged
with the
Ode to Death and
Hymns from the Rig Veda — 2nd
Group. The 1977 recordings stand up well. Groves sustains the
Funeral Chant from the Hymns with expert pacing and its Ravelian
clarity is excellently projected. The
Ode to Death should be
far better known. Its powerful panegyric finds a perfect conduit in
Groves and the LPO.
The third disc is largely in the hands of the composer’s daughter, Imogen.
Her famous recording of
A Choral Fantasia is rightly here,
with Janet Baker the outstanding soloist and Ralph Downes the organist.
Imogen Holst adroitly draws out the military quality embedded in the
score, its Mars-like stridency as well as its more requiem-inclining
paragraphs. She conducts the Central Band of the RAF in the
Suites
for Military Band and explores the Baroque elements of the first
and the folkloric affiliations of the second, not least Holst’s beloved
Dargason in the finale. She brings particular warmth to the
Nocturne of
A Moorside Suite, this time with the BMC
(Oxford) Band in a 1965 recording. For Holst’s impressionist masterpiece,
Hammersmith, Wing Commander J.L. Wallace conducts the Central
Band.
Psalm 86 is performed by Ian Partridge and Ralph Downes
and they bring a beautiful gravity to this lovely work, which prefigures
something of Finzi’s songs yet to come.
Choruses dominate disc four, in a long sequence of vocal and choral
music. Highlights here include the powerful Whitman setting,
A Dirge
for Two Veterans, sung by the Baccholian Singers of London, played
by the Philip Jones Brass Ensemble and conducted by Ian Humphris. The
Eight Canons are little expressive gems, medieval Latin texts
heard in the Waddell translations. Amongst the Baccholian Singers in
this recording one finds the names of Ian Partridge, Rogers Covey-Crump,
Paul Elliott and Terry Edwards. An older singer, Frederick Harvey, with
Gerald Moore, performs
Varuna from the
Vedic Hymns
and the second of the
Three Carols, the solid, no-nonsense
Christmas Song, is sung by the Bach Choir with the Jacques
Orchestra of blessed memory, directed by David Willcocks.
From small pieces and choral extracts, though by no means negligible,
disc five presents larger-scale offerings. Charles Groves’s well-remembered
1977
The Hymn of Jesus and Adrian Boult’s
Choral Symphony
(1974) are the classic focal points. Both were recommendable for many
reasons and continue to press strong claims. Groves’ chorus master was
Richard Hickox and he ensures bite and clarity with the LSO Chorus.
The rhythmic dance of the concluding
Give ye heed is especially
fine, as is the magically distant ending. Boult has Felicity Palmer
as his fine soprano soloist in an undisputed classic of the Holst discography.
The final disc explores Holst and opera.
The Wandering Scholar
was edited by Britten and Imogen Holst, with a libretto by Clifford
Bax. But for increasing illness Britten might have conducted for the
recording but in the event Steuart Bedford took the honours. The cast
of four has a rare old time with this bucolic chamber opera, with Robert
Tear’s distinctive and penetrating nasality especially notable.
At
the Boar’s Head was recorded in 1981, with David Atherton conducting
the Royal Liverpool. The cast is led by Philip Langridge as Prince Hal,
and John Tomlinson as Falstaff. The all-star singers also include Elise
Ross, Felicity Palmer, David Wilson-Johnson, Richard Suart and Michael
George. The music is enviably good humoured, and there’s sufficient
variety in the dance and folk sequences to keep ennui at bay. The orchestral
contributions are occasionally raucous - in a good and an appropriate
way.
There are no texts or libretti, and the notes are useful but functional.
Given the compactness and the price bracket, I think no self-respecting
Holst admirer should be without these recordings, especially, as here,
in a tempting, space saving box.
Jonathan Woolf
See
also Rob Barnett’s review
Track-listing
CD 1
The Planets – Suite, Op. 32/H125 48.33
London Philharmonic Orchestra/Sir Adrian Boult with Geoffrey Mitchell
Choir
The Perfect Fool, Op. 39/H150 10.42
Egdon Heath, Op. 47/H172 (Homage to Hardy) 14.45
London Symphony Orchestra/André Previn
CD 2
A Somerset Rhapsody, Op. 21 No. 2/H87 9.41
Brook Green Suite, H190 6.25
Bournemouth Sinfonietta/Norman del Mar
A Fugal Concerto, Op. 40 No. 2/H152 8.33
Jonathan Snowden, flute - David Theodore, oboe
English Chamber Orchestra/Yehudi Menuhin
Beni Mora (Oriental Suite), Op. 29 No. 1/H114 14.09
BBC Symphony Orchestra/Sir Malcolm Sargent
St. Paul’s Suite, Op. 29 No. 2/H118 12.39
Royal Philharmonic Orchestra/Sir Malcolm Sargent
Hymns from the Rig Veda – 2nd Group, Op. 26 No. 2/H98 13.52
London Symphony Chorus, women’s voices
Ode to Death, Op. 38/H144 (Whitman) 11.14
London Symphony Chorus
London Philharmonic Orchestra/Sir Charles Groves
CD 3
Psalm 86, H117 No. 1 8.00
Ian Partridge, tenor - Ralph Downes, organ
A Choral Fantasia, Op. 51/H177 17.14
Dame Janet Baker, mezzo-soprano - Ralph Downes, organ
The Purcell Singers
English Chamber Orchestra/Imogen Holst
First Suite in E flat, Op. 28 No. 1/H1059.57
Second Suite in F, Op. 28 No. 2/H106 11.36
Central Band of the Royal Air Force/Imogen Holst
A Moorside Suite, H173 13.55
BMC (Oxford) Band/Imogen Holst
Hammersmith, Op. 52/ H178 13.22
Central Band of the Royal Air Force/Wing Commander J.L. Wallace
CD 4
Hymns from the Rig Veda – 4th Group, Op. 26 No. 4/H100
III. Hymn to Manas 3.47
The Homecoming, H120 (Hardy) 6.02
Baccholian Singers of London
A Dirge for Two Veterans, H121 (Whitman) 6.15
Baccholian Singers of London
Philip Jones Brass Ensemble/Ian Humphris
Six Choral Folk-Songs (arr.), H136
Six Choruses, Op. 53/H186 (Medieval Latin, trans. Waddell)
Baccholian Singers of London
English Chamber Orchestra/Ian Humphris
Eight Canons, H187 (Medieval Latin, trans. Waddell)
3. The Fields of Sorrow 1.02
4. David’s Lament for Jonathan 1.20
6. Truth of all Truth 3.56
Baccholian Singers of London
Bring us in good ale. Op. 34 No. 4/H131 (anon) 1.00
The King’s Singers
Vedic Hymns – 1st Group, Op. 24/H90
II. Varuna 3.23
Frederick Harvey, baritone - Gerald Moore, piano
Three Festival Choruses, Op. 36a/H134
II. Turn back O Man (C. Bax) 4.19
Choir of Chichester Cathedral/Richard Seal, organ/John Birch
Lullay my liking. Op. 34 No. 2/H129 (anon) 3.43
Arranged for boys’ voices by Imogen Holst
London Boy Singers/Jonathan Steele
Three Carols/H133
II. Christmas Song: Personent Hodie (Piae Cantiones) 2.40
Bach Choir/Jacques Orchestra/Sir David Willcocks
Hymn: In the bleak mid-winter (English Hymnal, 1906)
(based on poem by Christina Rossetti) 3.57
Rodney Christian Fellowship Festival Choir
Edwin Bates, organ/Rodney Smith Bishton
CD 5
The Hymn of Jesus, Op. 37/H140
(Apocryphal Acts of St. John, trans. Holst) 22.04
Choristers of St. Paul’s Cathedral Choir - London Symphony Chorus
London Philharmonic Orchestra/Sir Charles Groves
Short Festival Te Deum, H145 4.38
London Symphony Chorus
London Philharmonic Orchestra/Sir Charles Groves
Choral Symphony, Op. 41/H155 (Keats) 49.55
Felicity Palmer, soprano - London Philharmonic Choir
London Philharmonic Orchestra/Sir Adrian Boult
CD 6
The Wandering Scholar, Op. 50/H176 24.24 Chamber Opera in one act
Louis (a farmer) Michael Rippon, baritone
Alison (his wife) Norma Burrowes, soprano
Father Philippe. Michael Langdon, bass
Pierre (a wandering scholar). Robert Tear, tenor
English Opera Group/English Chamber Orchestra/Steuart Bedford
At the Boar’s Head, Op. 42/H156 51.00 A musical interlude in one act.
Prince Hal. Philip Langridge, tenor
Falstaff. John Tomlinson, bass
Hostess (Mistress Quickly). Elise Ross, soprano
Doll Tearsheet. Felicity Palmer, mezzo-soprano
Pistol. David Wilson-Johnson, baritone
Peto. Peter Hall, tenor
Bardolph. Richard Suart, baritone
Poins. Michael George, bass
Men’s voices of the Liverpool Philharmonic Choir
Royal Liverpool Philharmonic Orchestra/David Atherton
