Tor Aulin was a Swedish violinist-composer who wrote beguiling, folksy music 
      and then died in a really horrible fashion at the age of 47. We have here 
      two sets of charming, tuneful dances and the incidental music to a play, 
      Master Olof. The Swedish Dances and Three Dances from 
      Gotland (a sizeable island in the Baltic Sea) have rustic cheer, a 
      firm rhythmic stamp, an abundance of good tunes, and much folkloric color. 
      They’re a little less concise than comparable dances by Brahms or Dvorák, 
      and consistently cheery, but a whole lot of fun. The first dance from Gotland 
      is especially harmonically spicy. Think of the dance sets by Grieg and you 
      have the right basic idea.
       
      Master Olof is a slightly different story. The orchestration is 
      still splashy, with lots of tunes for brass, cymbal crashes, and sweeping 
      melodies, but there’s more contrast, including a pretty memorable death 
      scene. Aulin allows himself more emotion and subtler ideas here, from an 
      introduction of regal restraint to a second number which ends on a note 
      of Elgarian melancholy.
       
      I’m a little worried about the sound quality. CPO’s German engineering has 
      failed me twice in a row now, between this and a recent disc of waltzes 
      by Richard Eilenberg; the sound seems over-reverberant and aggressive, with 
      sections of the orchestra fighting each other in a jumble for supremacy. 
      The timpani really rumble away. Still, the playing’s very good, and if I 
      can imagine a bit more sprightliness in the dances, Niklas Willén compensates 
      with a very sympathetic manner.
       
      The best of Aulin’s music, that I’ve heard, remains the third violin concerto, 
      which manages the neat trick of being pastoral, not especially dramatic, 
      and continuously gorgeous but somehow incredibly compelling. Master Olof 
      ranks right up there, and the Dances are delightful. Very much worth your 
      time!
       
      Brian Reinhart
       
      Tor Aulin, violinist, here conjures up the dance spirit of Grieg and even 
      a bit of Elgarian melancholy. Well worth your time.
    
       
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