Italy-based English pianist and organist Christopher Howell 
                  has been a regular feature of Sheva's releases - the 
                  booklet accompanying this new release lists thirteen separate 
                  recordings. This is only the second time, however, that he appears 
                  in his capacity as composer (see review 
                  of first), with this inspired collection of hymns and Biblical 
                  songs for the relatively rare combination of soprano and organ.
                   
                  The hymns and songs are all originally Italian settings, but 
                  for this recording Howell has used English texts for the former 
                  - all the better to reach wider audiences, presumably. The complete 
                  work is divided into two groups, separated by three gentle organ 
                  preludes. The church setting is intimate, for settings that 
                  are themselves intimate, reflective and musically connected. 
                  The final items have a wistful, almost valedictory tone. Howell's 
                  own organ accompaniment is sensitively and sensibly low-key 
                  throughout. This is unpretentious, tuneful music that should 
                  appeal to congregations far and wide - but there is no reason 
                  for atheists not to like it either.
                   
                  For purposes of authenticity, it is rarely wise to have songs 
                  with Italian texts performed by an English singer. Many well-known 
                  recordings, ignoring this precept, have been undermined by dubious 
                  pronunciation, but British-born soprano Caroline Goodwin has 
                  been living in Italy for the last two decades. Indeed, her Italian 
                  is excellent, with next to no indication of her foreign provenance. 
                  Her voice itself should have broad appeal, provided the listener 
                  has no strong aversion to breathiness or vibrato. Her enunciation 
                  is generally good in both languages, although in higher dynamics 
                  she occasionally sacrifices clarity for power. Howell's 
                  music frequently tests her breath control with very long phrases, 
                  made all the harder by plunges into lower registers.
                   
                  Technical quality is good, despite the fact that the recordings 
                  took place over three widely separated sessions. The only blot 
                  is a strange, momentary loss of stereo halfway through track 
                  12, soon followed by an editing join of some description. Booklet 
                  notes are fairly minimalist and written in a slightly odd-sounding 
                  English, although full sung texts with English/Italian translations 
                  and detailed biographies are provided.
                   
                  Byzantion
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                Christopher Howell has been a musicweb reviewer.
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