I had the highest expectations of this DVD - two of my all-time 
                  favourite Schubert interpreters recorded together at the 1991 
                  Schubertiade in one of the composer’s two masterpiece 
                  song cycles. The earlier release on TDK (TVCODSM) had 
                  earned encomia elsewhere and Fischer-Dieskau’s 3-CD recording 
                  of the three great song cycles, Die Schöne Müllerin, 
                  Die Winterreise and Schwanengesang, with Gerald 
                  Moore on DG (477 7956) is one of the great bargains of 
                  the catalogue. 
                    
                  In the event, if we had a Disappointment of the Month 
                  category, this would fit it. I can just understand why some 
                  reviewers have rated it highly - there are traces of the old, 
                  great, voice and interpretation there and it’s apparent 
                  that the two performers gelled in their enjoyment of working 
                  together. For me, however, the 66-year-old voice had simply 
                  become too wavery and lacking in dynamic range and all the facial- 
                  and body-language which Fischer-Dieskau employs not only cannot 
                  compensate but look rather pathetic. Whenever he sings war 
                  es also gemeint? - was it fated to be so? - I can’t 
                  help thinking how time and fate rob us all of our powers, even 
                  the greatest among us. 
                    
                  As Anne Ozorio writes in her review 
                  of that TDK release, it seems almost cruel to listen to this 
                  performance critically but that’s what you expect us to 
                  do. The audience react rapturously, but there’s surely 
                  an element of the Emperor’s New Clothes or a memory of 
                  better times in their response. Writing about another Arthaus 
                  DVD release of this recording with Die Winterreise, Kirk 
                  McElhearn thought that the merits of the earlier recording of 
                  Winterreise atoned for the shortcomings of Die Schöne 
                  Müllerin - review 
                  - but he seems to have been little more impressed by the latter 
                  than Anne Ozorio and myself. 
                    
                  I turned for reassurance of how well Fischer-Dieskau had once 
                  performed this work not to the DG set but to an EMI recording, 
                  again with Gerald Moore in 1961, still available as an EMI Great 
                  Recording - review 
                  - and recently reissued less expensively on EMI Masters 0852092, 
                  available to stream from Naxos Music Library if you wish to 
                  check it out. See Bargain of the Month review 
                  of an earlier EMI Masters release, with a different cover and 
                  number; it’s hard to keep up with the speed with which 
                  EMI have been reshuffling their catalogue recently. Ironically, 
                  the seeds of the destruction of the great voice are heard even 
                  at its height in the microscopically slight but attractive waveriness 
                  that made the singer so distinctive that one has only to listen 
                  to a few seconds of any of his recordings to recognise him. 
                  
                    
                  I understand that Austrian Television (ÖRF) arranged to 
                  record the occasion only at the last moment; having intended 
                  only to film just a news item, they hastily drafted in an extra 
                  camera. The result, considering the circumstances, does justice 
                  to the occasion and it would be easy to disregard the shortcomings 
                  of 21-year-old technology if the performance had warranted it. 
                  As it is, though one can adjust the 4:3 picture to 16:9 without 
                  distortion on most televisions, it’s not possible to compensate 
                  for the grainy picture, with the occasional banding that used 
                  to be common on VCR and the disconcerting impression that the 
                  lighting was changing from minute to minute. 
                    
                  Stay with one of Fischer Dieskau’s recordings of this 
                  cycle from better times with Gerald Moore. Alto have recently 
                  reissued (the 1951?) recording, plus five Lieder, on ALC1207 
                  and that 1951 version, without the fillers, is also available 
                  on Regis RRC1383 - review 
                  - both at budget price. Otherwise, the EMI Masters is available 
                  for around £8 and the 3-CD DG set costs around £16. 
                  It’s on special offer from one dealer at the moment for 
                  £10.56. Then there’s the Hyperion recording of the 
                  cycle on which Fischer Dieskau reads the prologue and epilogue 
                  (as he does on the EMI recording) while Ian Bostridge and Graham 
                  Johnson perform the music: CDA30020 or CDJ33025 
                  around £8 or download in mp3 or lossless from Hyperion 
                  - see October 2010 Download Roundup. 
                  
                    
                  Brian Wilson  
                Masterwork Index: Die 
                  Schöne Müllerin
                
                   
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