Ian Lace, in his excellent 
review 
          of this Nimbus release, considers who will buy this set of CDs. He wonders 
          if ‘this superbly crafted music, so full of vitality and romance 
          (will) appeal to audiences below the age of say, sixty.’ Well, 
          I have not yet reached that magical age, but I have loved Eric Coates 
          as long as I can recall. I first consciously heard his music at a concert 
          at the end of the pier in Llandudno with John Moravia conducting. I 
          think it was the ‘Merrymaker’s Overture’. Through 
          all the vicissitudes of Boulez, minimalism, Stockhausen and aleatory 
          music, I have remained a fan of Eric Coates. 
            
          At school, I was often ‘teased’ by more learned and intellectual 
          friends for liking such ‘persiflage’ as the 
London Suite 
          and the 
Three Elizabeth Suite. This ‘superiority’ 
          from some ‘music-lovers’ has continued down through the 
          years. Much as I care. This 50-something-year-old would swap reams of 
          Mahler, Verdi, Bruckner and Wagner (especially Wagner) to possess the 
          complete orchestral works of Eric Coates on my Desert Island. I guess 
          that somewhere in the recesses of the classical public’s collective 
          psyche there is a steady interest in so-called ‘light music’. 
          For example, I am convinced that the Guild Light Music series which 
          now exceeds a hundred CDs - is not selling only to OAPs. 
            
          This present collection of seven CDs covers the entire corpus of Eric 
          Coates’ music recorded by the composer -from 1923 until the late 
          nineteen-fifties. I have not done a detailed cross-check between the 
          track-listings and Coates’ catalogue but I guess that all the 
          well-known suites and marches are presented along with a wide variety 
          of more obscure, but equally enjoyable pieces. Naturally, there is considerable 
          duplication within these seven CDs - for example there are three full 
          versions of the fine 
London Again Suite, a similar tally for 
          ‘By the Sleepy Lagoon’ and five of the ‘Knightsbridge 
          March’. Many works have only a single performance here - for example, 
          ‘High Flight’, the ‘Holborn March’ and the delicious 
          ‘Footlights-Concert Valse’. 
            
          Some of the highlights are the lesser-known works. How often does the 
          delicious tone-poem ‘Summer Afternoon’ feature on CDs or 
          radio broadcasts? This is a work that crosses over into something that 
          Delius might have written. Two ‘Fanfares’ dating from 1943 
          are heard on the second disc. I have not encountered these extremely 
          short numbers before. The ‘Moresque’ dance is included twice 
          here - once in an early Coates performance and the other conducted by 
          Charles Williams. The 
Cinderella-Phantasy is an attractive work 
          that seems to have slipped down the crack in today’s concert scheduling. 
          It is an ideal ‘prom’ work if there was ever one. There 
          are a handful of Coates’ songs set for orchestra, including ‘Bird 
          Songs at Eventide’, ‘I heard you singing’ and the 
          Symphonic Rhapsody on ‘With a Song in my Heart’. 
          Finally, it is good to have all the marches composed for the nascent 
          commercial television companies in one place. These include the ‘Television 
          March’, the ‘Music Everywhere- Rediffusion March’, 
          the ‘Sound and Vision - the A.T.V. Television March’ and 
          the ‘South Wales and West - Television March’ (originally 
          the Seven Seas March). 
            
          There are a few works missing, for example the early ‘Ballade’, 
          the ‘Rhodesia March’ and the unpublished ‘Coquette’. 
          Virtually everything else is present and correct in one form or another. 
          In total there are some 8 hours 50 minutes of listening. 
            
          Included in the final ‘bonus’ disc are a series of rare 
          recordings of Coates’ music played by a variety of dance bands. 
          It is treasure trove, indeed. There is a very early version of ‘From 
          the Countryside’ by the Peerless Orchestra made around 1918; this 
          in a surprisingly good transfer. Other ‘outfits’ presented 
          here include Jack Hylton and his Orchestra’s splendid rendition 
          of ‘Rose of Samarkand’, Charles Williams conducting the 
          Queen’s Hall Light Orchestra and the Cedric Sharpe Sextet with 
          a ‘Palm Court’ rendition of ‘Lazy Night’. Sidney 
          Torch and his orchestra play the relatively rarely heard ‘Holborn 
          March’, whilst the RAF Central Orchestra performs the equally 
          rare ‘Over to You’ - March written in 1941 and recorded 
          the following year. The final work in this collection is the ubiquitous 
          ‘The Dam Busters March’ from the Central Band of the Royal 
          Air Force. It is a fine conclusion to an outstanding collection of music. 
          
            
          Every commercial recording that Eric Coates made is given here. However 
          it appears that two are ‘missing’. Alan Bunting has suggested 
          that ‘Covent Garden’ and ‘Westminster’ from 
          the 
London Suite which were recorded in 1933 are not present 
          in their original form. This is because they were later re-issued with 
          another catalogue number. Bunting has compared the wave analysis of 
          both recordings and has declared them to be identical, in spite of the 
          records being released fourteen years apart. 
            
          All these tracks have been re-mastered to an extremely high standard. 
          The ‘acoustic’ numbers (issued in 1923) have been placed 
          at the end of disc six: these are worthy of our attention, in spite 
          of the early technology. It amazes me just how much detail is present. 
          The ‘electrically’ recorded tracks are superb in their presentation: 
          often I found it hard to believe I was listening to something ‘laid 
          down’ more than sixty or seventy years ago. 
            
          Alan Bunting has written that he considered ordering the tracks in strict 
          chronological order, however he decided to present the material in a 
          way that is varied and enjoyable. It was a wise decision, as each disc 
          can be approached as a ‘concert’ in its own right. It would 
          have meant that the opening discs of the boxed set would have had the 
          least technically impressive tracks. Furthermore, repetition of pieces 
          on the same CD, even on adjacent tracks, would have been inevitable. 
          
            
          I listened to these seven discs on my music-room ‘hi-fi’ 
          system which is far removed from the gramophones of the pre and post 
          war years. I did want to upload them to my iPod for future listening. 
          Alas, the track names are not yet recognized by the ‘Gracenotes’ 
          media database. As there are 130+ tracks, it would take a long time 
          to fill in manually. I hope that Nimbus will submit the track details 
          PDQ as this will be essential listening for me during my travels. 
            
          Anyone interested in Eric Coates will own the precious few books by 
          or about him. The primary text is the composer’s own 
Suite 
          in Four Movements, most recently republished by Thames in 1986. 
          In the same year Geoffrey Self’s book 
In Town Tonight - 
          a Centenary Study of Eric Coates was published. This book is now 
          hard to find. The most recent addition to this short list is the important 
          study by Michael Payne - 
The Life and Music of Eric Coates which 
          was published by Ashgate Press in 2012. It was based on his University 
          of Durham thesis (2007) ‘The Man Who Writes the Tunes’. 
          Payne has contributed to the present Nimbus set a major essay which 
          is included in the liner-notes. It runs to some 27 pages and is essential 
          reading for all enthusiasts of Eric Coates’ music. The main thrust 
          of this is the composer’s work in the recording studio but he 
          adds a wealth of subsidiary information and anecdotes. 
            
          Another insert provides a detailed track-listing. This includes the 
          date of recording, the record and matrix number, the performers (which 
          are not always the same as noted on the original record label) and the 
          place or recording when known. Additional information includes the date 
          of composition and the duration. For anyone with a subscription to 
The 
          Gramophone journal archive, it is possible to track the critical 
          reviews of many of these records as and when they were released. 
            
          This is an essential purchase for all enthusiasts of Eric Coates in 
          particular and British Light Music in general. It offers virtually a 
          complete compendium of his orchestral music. The ‘recommended 
          retail price’ is £29.99 (£21 if ordered from MWI) 
          which makes it about £4.00 a disc. This makes for unbelievably 
          good value for money. There is nothing about this release that I can 
          fault. It is one of the recording highlights of my classical music-listening 
          life. What I would have given for this back in the early ’seventies 
          when I first discovered Coates’ music. 
            
          
John France
          
          See also review by 
Ian 
          Lace
          
          Track-Listing - Overview 
          CD 1 - 1931-1937 [78.08] 
          1. The Merrymakers - Overture 4:21 2. From Meadow to Mayfair - Suite 
          11.35 3. Summer Afternoon - Idyll 3:28 4. Cinderella - Phantasy 12:46 
          5. By The Sleepy Lagoon - Valse Serenade 4:36 6. The Jester At The Wedding 
          : No.1 The Princess Arrives - March 3:00 7. By The Tamarisk - Intermezzo 
          4:13 8. Saxo-Rhapsody 8:46 9. Summer Days - Suite 8.07 10. Springtime 
          - Suite 12.20 11. For Your Delight - Serenade 4:00 
            
          
CD 2 - 1940-1948 [77.57] 
          1. Footlights - Concert Valse 4:17 2 . Last Love - Romance 3:54 3 . 
          The Seven Seas - March 3:14 4. I Sing To You (A Souvenir) 3:17 5. Calling 
          All Workers - March 2:59 6. Fanfare Number 1 0:18 7. Salute the Soldier 
          - March 3:22 8. Fanfare Number 2 0:26 9. The Eighth Army March 2:37 
          10. The Four Centuries - Suite 17.24 11. The Three Elizabeths - Suite 
          18.06 12. Dancing Nights - Concert Valse 6:48 13. London Calling - March 
          2:55 14. London Bridge - March 4:05 15. London Suite - Knightsbridge 
          March 2:56 
            
          
CD 3 - 1948-1955 [78.33] 
          1. A Song Of Loyalty 3:19 2. By The Sleepy Lagoon - Valse Serenade 3:15 
          3. Bird Songs At Eventide 3:08 4 . Television March 3:19 5. Wood Nymphs 
          - Valsette 3:09 6. London - Suite 13.27 7. London Again - Suite 12.51 
          8. The Three Men - Suite 13.28 9. The Jester At The Wedding : No.4 - 
          Dance Of The Orange Blossoms 3:45 10. Music Everywhere - Rediffusion 
          March 2:57 11. The Dam Busters - March 2:56 12. Sound And Vision The 
          A.T.V. Television March 3:00 
            
          
CD 4 - 1952-1957 [78.29] 
          1. High Flight - March 2:49 2. Impression of a Princess - Intermezzo 
          2:58 3. Wood Nymphs - Valsette 2:46 4. South Wales and West - Television 
          March 2:47 5. London - Suite 13.18 6. London Again - Suite 12.00 7. 
          The Three Elizabeths - Suite 19.09 8. The Four Centuries - Suite 20.25 
            
          
CD 5 - Early records [72.05] 
          1. Summer Days - Suite 0.00 2. Wood Nymphs - Valsette 3:01 3. With A 
          Song In My Heart. Symphonic Rhapsody after Richard Rodgers 7:47 4. Bird 
          Songs at Eventide 4:01 5. I Pitch My Lonely Caravan At Night 4:11 6. 
          I Heard You Singing & Bird Songs At Eventide - Symphonic Rhapsody 
          4:03 7. London - Suite 8.08 8. London Bridge - March 3:07 9. The Jester 
          At The Wedding : No.1 - The Princess Arrives - March 3:21 10. The Jester 
          At The Wedding : No.4 The Dance Of The Orange Blossoms 3.03 11. The 
          Three Men - Suite 12.12 12. Wood Nymphs - Valsette 3:18 13. Song Of 
          Loyalty (The Prayer Within Our Hearts) 4:16 
            
          
CD 6 - Early and Acoustic records [70.25] 
          1. Meadow To Mayfair Suite : No.2 4:03 2. London Again - Suite 11.28 
          3. By The Sleepy Lagoon - Valse Serenade 3:20 4. The Three Bears - A 
          Phantasy 8:52 5. London Suite - Knightsbridge March 4:01 6. Television 
          March 3:20 7. Valse From The Phantasy “The Three Bears” 
          3:07 8. The Merrymakers - Overture 4:06 9. Moresque Dance - Interlude 
          3:37 10. Joyous Youth - Suite 11.33 11. Summer Days Suite : At The Dance 
          3:59 12. The Selfish Giant - A Phantasy (arr. Lucas) 8:06 
            
          
Bonus CD 7 - 1918-1955 [74.33] 
          Performances of works which Coates did not record himself alongside 
          alternative and famous performances by other conductors. Including The 
          Peerless Orchestra, Clarence Raybould, Charles Williams, Jack Hylton, 
          Joseph Lewis, RAF Central Orchestra, Sidney Torch, Robert Farnon, and 
          the Central Band of the Royal Air Force.   
          
          
Track-Listing - Detail   
          CD 1 - 78.08 (1923-1937) 
          1)  
The Merrymakers Overture (1923) [4.21] rec. 
          1931+ 
          
From Meadow to Mayfair Suite (1931) [11.35] rec. 
          1931+
:- 
          2)  
In the Country - Rustic Dance [3.12] 
          3)  
A Song By the Way - Romance [4.03] 
          4
) Evening in Town - Valse [4.20] 
          5
) Summer Afternoon - Idyll (1931) [3.28] rec. 1934 
          * 
          6
) Cinderella - Phantasy (1929) [12.46] ** 
          7)  
By the Sleepy Lagoon - Valse Serenade extended 
          version (1930) [4.36] rec. 1935 ** 
          8)  
The Jester at the Wedding (‘The Princess 
          Arrives’) - March (1932) [3.00] rec. 1934 * 
          9)  
By the Tamarisk - Intermezzo (1927) [4.13] 
          rec. 1936 ** 
          10)  
Saxo-Rhapsody (1936) [8.46] with Sigurd 
          Rascher (alto saxophone) rec. 1937 *** 
          
Summer Days Suite (1937) [8.17] rec. 1937 *** 
          11)  
In a Country Lane [2.06] 
          12)  
On the Edge of a Lake [2.19] 
          13)  
At the Dance [3.42] 
          
Springtime Suite (1937) [12.20] rec 1937 # 
          14)  
Fresh Morning - Pastorale [4.01] 
          15)  
Noonday Song - Romance [4.17]  
          16)  
Dance in the Twilight - Valse [4.02] 
          17)  
For Your Delight - Serenade (1937) [4.00] 
          rec. 1937 # 
          + London Symphony Orchestra 
          * Symphony Orchestra (unidentified) ** Symphony Orchestra (actually 
          London Philharmonic Orchestra) *** Symphony Orchestra (actually London 
          Symphony Orchestra) 
          + London Symphony Orchestra; # Light Symphony Orchestra   
          
CD 2 -77.57 
          1
) Footlights - Concert Waltz (1939) [4.17] rec. 
          1940 # 
          2)  
Last Love - Romance (1939) [3.54] rec. 1940 
          # 
          3)  
The Seven Seas March (later retitled ‘South 
          Wales & West) (1937) [3.14] rec. 1940 # 
          4)  
I Sing to You (A Souvenir) (1940) [3.17] 
          rec. 1940 # 
          5)  
Calling All Workers March (1940) [2.59] 
          rec. 1940 * 
          6)  
Fanfare No. 1 (1943) [0.18] rec. 1944 + 
          7)  
Salute the Soldier - March (1944) [3.22] 
          rec. 1944 + 
          8)  
Fanfare No. 2 (1943) [0.26] rec. 1944 + 
          9)  
The Eighth Army March (1942) [2.37] rec. 
          1944 + 
          
The Four Centuries Suite (1941) [18.04] rec. 1944 
          ♪ 
          10)  
Prelude & Hornpipe - 17thCentury [4.21] 
          11)  
Pavane & Tambourin - 18thCentury [4.46] 
          12)  
Valse - 19thCentury [4.41] 
          13)  
Rhythm - 20thCentury [4.16] 
          
The Three Elizabeths Suite (1944) [17.49] rec.1944 
          ♪ 
          14)  
Halcyon Days - Elizabeth Tudor [6.35] 
          15)  
Springtime in Angus -Elizabeth of Glamis, The Queen Mother [6.37] 
          16)  
Youth of Britain (March) - The Princess Elizabeth [4.34] 
          17)  
Dancing Nights - Concert Valse (1931) [6.48] 
          rec. 1945 + 
          18)  
London Calling -March (1941) [2.55] rec. 
          1946 + 
          19)  
London Bridge - March (1934) [4.05] rec. 
          1946 + 
          20)  
London Suite - Knightsbridge March (Abridged 
          Version) (1932) [2.56] rec. 1948 
          + London Symphony Orchestra; # Light Symphony Orchestra * Symphony Orchestra 
          (unidentified) ♪ The National Symphony Orchestra   
          
CD 3 - 78.33 
          1)  
A Song of Loyalty (Orchestral Version) (1935) 
          [3.19] rec. 1948 
          2)  
By the Sleepy Lagoon - Valse Serenade (1930) 
          [3.15] rec. 1948 
          3)  
Bird Songs at Eventide (arranged by H. M. 
          Higgs) [3.08] rec. 1948 
          4)  
Television March (1946) [3.19] rec. 1948 
          5)  
Wood Nymphs - Valsette (1917) [3.09] rec. 
          1948 
          
London Suite (1932) [13.27] 
          6)  
Covent Garden - Tarantelle [4.43] 
          7)  
Westminster - Meditation [4.29] 
          8)  
Knightsbridge - March [4.15] 
          
London Again Suite (1936) [12.51] 
          9)  
Oxford Street (March) [3.31] 
          10)  
Langham Place - Elegy [5.04] 
          11)  
Mayfair - Valse [4.16] 
          
The Three Men Suite (1935) [13.08] rec. 1949 
          12)  
The Man From the Country [4.09] 
          13)  
The Man About Town [4.37] 
          14)  
The Man From the Sea [4.22] 
          15)  
The Jester at the Wedding  No. 4 Dance 
          of the Orange Blossoms (1932) [3.45] rec. 1949 
          16)  
The Three Bears - A Phantasy (1926) [9.14] 
          rec. 1949 
          17)  
Music Everywhere - Redifussion March (1948) 
          [2.57] rec. 1949 
          18)  
The Dam Busters March (1954) [2.56] rec. 
          1955 
          19)  
Sound And Vision - The A.T.V. Television 
          March (1955) [3.00] rec. 1955 
          All recordings on CD3 made with The New Symphony Orchestra except  
          
Music Everywhere with Queen’s Hall Light Orchestra; 
          and  
The Dam Busters and the  
Sound and Vision March 
          with a Concert Orchestra 
            
          
CD 4 - 78.29 
          1)  
High Flight  - March (1957) 
          [2.49] rec. 1957 * 
          2)  
Impression of a Princess - Intermezzo (1956) 
          [2.58] rec. 1957 * 
          3)  
Wood Nymphs - Valsette (1917) [2.46] rec. 
          1957 * 
          4)  
South Wales & West - Television March 
          (1937 [2.47] rec,. 1957 * 
          
London Suite (1932) [13.18] rec. 1952 ♪ 
          5)  
Covent Garden - Tarantelle [4.41] 
          6)  
Westminster - Meditation [4.25] 
          7)  
Knightsbridge - March [4.12] 
          
London Again Suite (1936) [12.40] rec. 1952 ♪ 
          8)  
Oxford Street - March [3.29] 
          9)  
Langham Place - Elegy [4.59] 
          10)  
Mayfair - Valse [4.12] 
          
The Three Elizabeths Suite (1944) [18.49] rec. 1953 
          + 
          11) Halcyon Days - Elizabeth Tudor [7.23] 
          12) Springtime in Angus - Elizabeth of Glamis [7.05] 
          13) Youth of Britain - March - The Princess Elizabeth [4.41] 
          
The Four Centuries - Suite (1941) [21.05] rec. 1953 
          + 
          14)  
Prelude & Hornpipe - 17
th Century 
          [6.19] 
          15)  
Pavane & Tambourin - 18
th Century 
          [5.53] 
          16)  
Valse - 19
th Century [4.38] 
          17)  
Rhythm - 20
th Century [4.15] 
          * Eric Coates and His Orchestra ♪ Philharmonic Promenade Orchestra 
          (actually a section of the London Philharmonic) + New Symphony Orchestra 
          of London   
          
CD 5 [72.05] 
          Summer Days  - Suite (1919) [9.53] rec. 
          1926 + 
          1)  
In A Country Lane [2.43] 
          2)  
On the Edge of the Lake (Isle of the Waters) [3.26] 
          3)  
At the Dance [3.44] 
          4)  
Wood Nymphs [3.01] + 
          5)  
With A Song In My Heart (Symphonic Rhapsody 
          after Richard Rogers) (1930) [7.47] rec. 1930. ♪ 
          6)  
Bird Songs at Eventide (1926) with vocalist 
          Billy Scott-Coomber and Jack Payne and his Band [4.01] rec. 1932 
          7)  
I Pitch My Lonely Caravan at Night - Symphonic 
          Rhapsody (1932) [4.11] rec.1933 * 
          8)  
I Heard You Singing & Bird Songs At Eventide - 
          Symphonic Rhapsody (1932) [4.03] rec. 1933 * 
          
London Suite (1932) [13.18] rec. 1933 * 
          9)  
Covent Garden - Tarantelle [4.41] 
          10)  
Westminster - Meditation [4.25] 
          11)  
Knightsbridge - March [4.12] 
          12)  
London Bridge - March (1934) [3.07] ** 
          13)  
The Jester at the Wedding:  
No. 1 The 
          Princess Arrives (1932) [3.21] rec. 1935 * 
          14)  
The Jester at the Wedding:  
No. 4 The 
          Dance of the Orange Blossoms - Valse (1932) [3.03] rec. 1934] 
          ** 
          
The Three Men - Suite (1935) [12.52] rec. 1935 ♫ 
          15)  
The Man From the Country [3.55] 
          16)  
The Man About Town [4.20] 
          17)  
The Man From the Sea [4.37] 
          18)  
Wood Nymphs - Valsette (1917) [3.18] rec. 
          1935 ♫ 
          19
) Song of Loyalty (The Prayer Within Our Hearts) 
          (1935) [4.16] rec. 1935 
          * Symphony Orchestra (actually London Philharmonic Orchestra); ** Symphony 
          Orchestra # New Queen’s Hall Light Orchestra; + New Queen’s 
          Hall Light Orchestra; ♪ The Court Symphony Orchestra; ♫ 
          Light Symphony Orchestra (actually London Philharmonic Orchestra 
            
          
CD 6 70.25 
          1
) Meadow to Mayfair Suite: No. 2 - ‘A Song 
          By the Way’ (1931) [4.03] rec. 1935 * 
          
London Again Suite (1936) [12.40] rec. 1936 ** 
          2)  
Oxford Street - March [3.12] 
          3)  
Langham Place - Elegy [4.20] 
          4)  
Mayfair - Valse [3.56] 
          5)  
By the Sleepy Lagoon - Valse Serenade (1930) 
          [3.20] rec. rec. 1940 * 
          6)  
The Three Bears - A Phantasy (1926) [8.52] 
          rec. 1945 + 
          7)  
London Suite - ‘Knightsbridge March’ 
          (1932) [4.01] rec. 1946 + 
          8)  
Televison March (1946) [3.20] + 
          9) ‘Valse’ from The Phantasy  
The Three Bears (1949) 
          [3.07] rec. 1949 ♪ 
          10)  
The Merrymakers - Overture (1923) [4.06] 
          rec. 1923 (acoustic recording) ♪ 
          11)  
Moresque - Interlude (1921) [3.37] rec. 
          1923 (acoustic recording) ♪ 
          
Joyous Youth - Suite (1921) [11.33] rec. 1923 (acoustic 
          recordings) # 
          12)  
Introduction [4.04] 
          13)  
Serenade [3.59] 
          14)  
Valse [3.30] 
          15)  
Summer Days Suite:  
At the Dance (1919) 
          [3.59] rec. 1926 # 
          16)  
The Selfish Giant - A Phantasy (arr. Leighton 
          Lucas) (1925) [8.06] rec. 1926 
          * Symphony Orchestra; ** Symphony Orchestra (actually London Philharmonic); 
          + London Symphony Orchestra; ♪ New Queen’s Hall Light Orchestra; 
          # The Aeolian Orchestra   
          
BONUS CD 7 [74.33] 
          
From The Countryside - Suite (1914) [6.59] rec. circa 
          1918 
          The Peerless Orchestra 
          1)  
Early Morning - In the Meadows [1.36] 
          2)  
Afternoon - Among the Poppies [2.05] 
          3)  
Evening - At the Fair [3.18] 
          
Miniature Suite (1911) [8.42] rec. 1931 
          Clarence Raybould conducting Light Symphony Orchestra 
          4)  
Children’s Dance [2.16] 
          5)  
Intermezzo [2.15] 
          6)  
Scene du Bal [4.11] 
          
Joyous Youth - Suite (1921) [8.19] rec. 1942 
          Charles Williams conducting the Queen’s Hall Light Orchestra 
          12)  
Introduction [2.34] 
          13)  
Serenade [2.49] 
          14)  
Valse [2.56] 
          10)  
Moresque - Dance Interlude (1921) [2.45] 
          rec. 1944 
          Charles Williams conducting the Queen’s Hall Light Orchestra 
          
Two Light Syncopated Pieces (1924-25) [5.17] 
          11)  
Moon Magic [2.13] 
          Charles Williams conducting the Queen’s Hall Light Orchestra rec. 
          1946 
          12)  
Rose Of Samarkand [3.04] 
          Jack Hylton and His Orchestra rec. 1926 
          13)  
The Selfish Giant - A Phantasy (1925) [8.08] 
          rec.1945 
          The New Concert Orchestra conducted by John Leon 
          
Four Ways Suite (1927) [12.17] rec. 1934 
          Joseph Lewis conducting the New Light Symphony Orchestra 
          14)  
Northwards - March [4.12] 
          15)  
Southwards - Valse (1.17] 
          16)  
Eastwards - Eastern Dance [2.47] 
          17)  
Westwards - Rhythm [4.01] 
          18)  
Mirage - Romance (1928) [2.43] rec. 1942 
          Charles Williams conducting the Queen’s Hall Light Orchestra 
          19)  
Under the Stars (1928) [3.07] rec. 1946 
          Charles Williams conducting the Queen’s Hall Light Orchestra 
          20)  
Lazy Night - Valse Romantique (1931) [2.47] 
          rec. 1932 
          Cedric Sharpe Sextet 
          21)  
Over to You - March (1941) [3.09] rec. 
          1942 
          RAF Central Orchestra conducted by Wing Commander O. P. O’Donnell 
          MVO 
          22)  
Holborn - March (1950) [3.20] rec. 1950 
          Sidney Torch and his Orchestra
          23)  
Sweet Seventeen - Concert Waltz (1954) 
          [2.44] rec. 1955 
          The Melodi Light Orchestra conducted by Ole Jensen 
          24)  
The Dam Busters March (1954) [3.00] rec. 
          1955 
          Central Band of The Royal Air Force conducted by Wing Commander A.E. 
          Sims OBE