This disc proffers more than two hours of “post-Cageian” 
                  music; that is, music composed after the death of John Cage. 
                  Interestingly, much of it seems to have no link to Cage’s 
                  style, but these are all “new music” works by a 
                  wide variety of composers. 
                    
                  As with any such compilation, each listener will find works 
                  they like and others they prefer skipping over. I found a number 
                  to be simply annoying - one for what seemed to be household 
                  appliances in particular - but many are moving and merit repeated 
                  listens. Unfortunately, as I have written in the past, the DVD-A 
                  format makes it harder to listen to selected tracks. It’s 
                  impossible to rip the music to a computer, so you need to either 
                  program the playback on a DVD drive, or manually skip over the 
                  tracks you don’t care for. It’s worth noting that 
                  this disc is also available by download in MP3 format. 
                    
                  So, given the eclectic nature of this disc, I’ve chosen 
                  to discuss a handful of works that I found especially notable. 
                  
                    
                  Maria de Alvear's Fuerzas is an attractive, occasionally 
                  tonal work for solo violin, with a Bartókian sound. Seemingly 
                  amorphous, this long work - more than 17 minutes - merits hearing 
                  more than once. This is certainly one of the best works on the 
                  disc. 
                    
                  Dionysis Boukouvalas's Meditation for piano is an odd 
                  work, with much silence - a Cageian idea. Listening to this 
                  work, one is constantly drawn outward to the sounds around the 
                  listener, yet brought back to the music occasionally when notes 
                  are played. This is not just piano played on the keys, but also 
                  a variety of other noises are created with the piano. We also 
                  get some humming, tapping and other sounds, such as speaking 
                  (in Tibetan?). There is more silence than music in these 14 
                  minutes. This is an intriguing piece, but ultimately one that 
                  just fades away after listening; it has little structure. 
                    
                  Walter Horn's Five Decadal Studies for Dick and Clyde 
                  are perhaps the most Cageian works here. The piano parts of 
                  these brief pieces recall Cage's early piano works. The overall 
                  tone is interesting. 
                    
                  David Kotlowy's Under Stars is soft and subtle. It is 
                  laid out for two violins and piano. Harold Budd's atmospheric 
                  works are recalled especially in the sparse piano arpeggios 
                  that ground the violins. The violins sound a bit harsh, perhaps 
                  too present, but the music is very moving. 
                    
                  John Prokop's work for 1 or 7 pianists, in a version for 7 pianists, 
                  is a cryptic piece that sounds like seven pianists each playing 
                  a score from a Morton Feldman work, but all together. It's hard 
                  to distinguish the different pianos, but the way they fit together 
                  is very engaging. Listening to this work several times reveals 
                  an intriguing yet subtle tonal progression. 
                    
                  The final work, David Toub's dharmachakramudra, is an 
                  attractive Feldmanesque piece where the strings seem to breathe, 
                  as the vibraphone punctuates their breaths. In only eight minutes, 
                  and with just vibraphone, viola and cello, this work provides 
                  a complex sound-world. 
                    
                  All in all, fans of new music will find this disc interesting. 
                  As I said, it’s a bit of a grab bag, and many listeners 
                  will prefer other works than I did.   
                  
                  Kirk McElhearn 
                  Kirk writes about more than just music on his blog Kirkville.
                Track-List 
                  1. Maria de Alvear: Fuerzas (1994) for violin [17:26] 
                  2. Arved Ashby: For Morton Feldman (1992) for violin, piano 
                  and glockenspiel [5:16] 
                  3. David Beardsley: November Test Pattern, the ecstasy of electric 
                  trees weeping in the twilight including recumbent bright insects 
                  and relevant footnotes (2009) for just intonation sine tones 
                  [10:00] 
                  4. Dionysis Boukouvalas: Meditation (2010) for piano 14:29 
                  5. Marc Chan: I Sail'd Out To Sea (2009) for 3 voices and instruments 
                  [11:00] 
                  6. J.R. Dooley: for violin and piano (2010) [3:45] 
                  7. Jürg Frey: Viola, Klavier (1997) [5:33] 
                  8. Walter Horn: Five Decadal Studies for Dick and Clyde (1972/2010) 
                  for piano, viola and vibraphone: I. [2:00] 
                  9. Walter Horn: Five Decadal Studies for Dick and Clyde (1972/2010) 
                  for piano, viola and vibraphone: II. [0:54] 
                  10. Walter Horn: Five Decadal Studies for Dick and Clyde (1972/2010) 
                  for piano, viola and vibraphone: III. [1:46 ] 
                  11. Walter Horn: Five Decadal Studies for Dick and Clyde (1972/2010) 
                  for piano, viola and vibraphone: IV. [0:45] 
                  12. Walter Horn: Five Decadal Studies for Dick and Clyde (1972/2010) 
                  for piano, viola and vibraphone: V. [2:32] 
                  13. David Kotlowy: Under Stars (2006) for 2 violins and piano 
                  [12:05] 
                  14. Sergio Luque: My Idea of Fun (2010) for clarinet, percussion 
                  and viola [6:44] 
                  15. Robert Moran, Philip Glass: Modern Love Waltz (1977/2010) 
                  version for 8 keyboards minus piano [4:21] 
                  16. John Prokop: for 1 or 7 pianists (1997) for 7 pianists [6:48 
                  ] 
                  17. Sebastián Jatz Rawicz: 4 Recipes from Antimusical 
                  Book of Recipes (2010) IV. Electronic Antimusic [2:29] 
                  18. Sebastián Jatz Rawicz: 4 Recipes from Antimusical 
                  Book of Recipes (2010) XIV. Antimusic of the Spheres [2:29] 
                  
                  19. Sebastián Jatz Rawicz: 4 Recipes from Antimusical 
                  Book of Recipes (2010) XXI. Disco Antimusic [2:29] 
                  20. Sebastián Jatz Rawicz: 4 Recipes from Antimusical 
                  Book of Recipes (2010) XXIX. Merengue Antimusic [2:29] 
                  21. David Toub: dharmachakramudra (2010) for vibraphone, viola 
                  and cello [8:00]