Camille SAINT-SAËNS (1835-1931)
Sonata No. 1 for Violin and Piano in D minor Op. 75 (1885) [22:39]
César FRANCK (1822-1890)
Sonata for Violin and Piano in A Major (1886) [27:24]
Maurice RAVEL (1875-1937)
Sonata for Violin and Piano (1927) [17:05]
Joshua Bell (violin); Jeremy Denk (piano)
rec. 26-29 November 2010, Musical Instrument Museum, Phoenix, Arizona, USA
SONY CLASSICAL 88697891882 [67:19]
This recording from Joshua Bell and Jeremy Denk is entitled ‘French
Impressions’ and was released at the beginning of 2012. Franck was
a Belgian rather than a French composer but, as the programme notes make clear,
he made his career as a teacher and composer at the Paris Conservatoire. He
became a French citizen. Bell was a student of Josef Gingold at Indiana University
who was in turn taught by Eugene Ysaÿe for whom Franck wrote his violin sonata
and who gave the first performance of the work.
Saint-Saëns wrote the first of his two violin sonatas at the same time as
Carnival of the Animals in 1885 when he was a mature composer at
the height of his compositional powers. It is believed to have inspired Marcel
Proust to have imagined the Venteuil sonata which became
a recurring love theme in the first volume of Remembrance of
Things Past. The dark opening Allegro agitato from
Bell and Denk is full or drama and foreboding with excellent balance and co-ordination.
Bell plays the second movement Adagio with a gorgeous sensuous poetry
while Denk shows excellent tonal and textural control. Both players relish
the dance elements in the jaunty third movement and again show superb mastery
of texture and dynamic. The finale is a finger-twisting perpetuum mobile
which Bell takes at full throttle - a bravura piece of violin playing guaranteed
to bring the house down in concert.
The Franck Violin Sonata was written around the same time as the Saint-Saëns
and was published the year after in 1886. It is one of the most famous sonatas
ever written and uses cyclical recurrence of themes and a rich harmonic language.
The incremental build-up in tone and intensity in the opening movement is
superbly judged with both players taking time to reflect on Franck’s exquisite
harmonies and musical details. The turbulent second movement Allegro
moves at a brisk pace with both players completely on top of the considerable
technical demands. Texture, tone and dynamics are well handled although I
was not convinced that Bell and Denk quite achieve the searing passion and
intensity which one hears in the greatest performances - try Chung and Lupu.
The rapt slow movement was by turns probing, meditative, passionate and lyrical
with Bell drawing well shaped musical lines. There was a fine rapport and
shared musical understanding between the two players in the famous last movement
canon with Bell soaring the heights at the climaxes.
The last piece is Ravel’s Violin Sonata written a number of decades after
the other two works on this disc. Ravel used blues and jazz themes on a number
of occasions: the G major piano concerto. It is deployed very effectively
in the slow movement of this work, while the last movement is another perpetuum
mobile. In the opening Allegretto, both players successfully
convey a range of textures and vivid tone colours. This gives eloquent voice
to the impressionistic nature of the piece while keeping the passage work
clean and clear. Bell’s pizzicato effects were particularly good in the slow
movement although it was a little too clean - I would have preferred a slightly
smokier and freer blues feel. The finale was another finger-twisting tour
de force from Bell with Denk providing a rich palette in support.
All three performances are uniformly admirable.
Robert Beattie
All three performances are uniformly admirable.