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            Johann Sebastian BACH 
              (1685-1750)  
              Bach for Japan  
              Sinfonia (from: Ich steh mit einem Fuß im Grabe, BWV156) [2:46] 
               
              Aria and Chorale (from: Ich steh mit einem Fuß im Grabe, BWV156) 
              [6:14]  
              Sonatina (from: Gottes Zeit ist die allerbeste Zeit, BWV106) [3:09] 
               
              Aria (from: Die Seele ruht in Jesu Händen, BWV127) [7:57]  
              Organ chorale (from: Herzlich tut mich verlangen, BWV727) [2:28] 
               
              Heute wirst du mit mir im Paradies sein - Arioso and chorale (from: 
              In deine Hände befehl ich meinen Geist, BWV106) [5:54]  
              Air (from: Orchestral Suite no.3 in D, BWV1068) [4:40]  
              Aria (from: Bete aber auch dabei, BWV115) [7:09]  
              Organ chorale (from: Wenn wir in höchsten Nöten sein, 
              BWV641) [2:24]  
              Aria (from: Vergnügte Ruh, beliebte Seelenlust, BWV170) [6:37] 
               
              Aria (from: Süßer Trost, mein Jesus kömmt, BWV151) 
              [8:30]  
              Organ chorale (from: Ich ruf zu Dir, Herr Jesu Christ, BWV639) [2:23] 
               
              Aria (from: Wie zittern und wanken, BWV105) [6:06]  
              Aria (from: Es ist vollbracht, BWV159) [5:52]  
              Komm, Jesu, komm, BWV229 [8:15]  
                
              Carolyn Sampson (soprano); Hana Blažíková (soprano); 
              Miah Persson (soprano); Susanne Rydén (soprano); Yoshikazu 
              Mera (counter-tenor); Robin Blaze (counter-tenor); Gerd Türk 
              (tenor); Peter Kooij (bass)  
              Bach Collegium Japan/Masaaki Suzuki (organ)  
              rec. Kobe Shoin Women’s University Chapel, Japan, November 
              2011 (organ chorales); 1995-2010 (others); St Crucis Church, Erfurt, 
              Germany, August 2005 (BWV 170). DDD  
                
              BIS BIS-CD-2011 [82:20]  
             
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                  Johann Sebastian Bach is very big in Japan, thanks in no small 
                  part to Masaaki Suzuki and the singers and instrumentalists 
                  of his Bach Collegium Japan (BCJ), founded in 1990. This almost 
                  miraculously lengthy CD - over 82 minutes! - is a compilation 
                  of items from the huge BIS discography of the BCJ under Suzuki, 
                  part of a project initiated by him to raise funds for victims 
                  of the natural and man-made disasters that occurred in Japan 
                  in March 2011, when an earthquake, tsunami and nuclear meltdown 
                  devastated the country's Tohoku region. Suzuki and the BCJ are 
                  donating their royalties from sales of this CD, with BIS matching 
                  their figure. The disc has been released a year to the day the 
                  earthquake struck, with a commemorative catalogue number.  
                     
                  The order of pieces makes for a thoroughly seamless, always 
                  engaging programme. The three organ chorales have in fact been 
                  specially recorded for this album, but otherwise most of the 
                  music comes specifically from the BCJ's ongoing cycle of the 
                  complete sacred cantatas of Bach, currently standing, after 
                  an amazing seventeen years, at volume 50 (BIS-SACD-1941).  
                     
                  The performances here are pretty much top-notch, as previous 
                  critical acclaim has attested, with impressive attention to 
                  Bach's scores and historical performance practice from the instrumentalists 
                  and singers of the BCJ under Suzuki's masterly guidance. German 
                  pronunciation is generally convincing; counter-tenors Robin 
                  Blaze and Yoshikazu Mera slip momentarily, the former giving 
                  the non-German 'die schwacke Brust' for 'die schwache Brust', 
                  the latter singing the illiterate 'In deine Hande' for 'In deine 
                  Hände'.  
                     
                  Yet for all the quality of the musicianship on display, there 
                  remains something unsettling about the extent to which this 
                  CD runs the risk of coming across almost as Christian propaganda. 
                  This is not because of Bach's music, which transcends the religious 
                  belief that inspired it, but through Suzuki himself, a Christian 
                  by upbringing, who by his own admission has been using Bach's 
                  powerful music in his BCJ concerts and recordings to try convert 
                  the Japanese to Christianity. He believes tens of thousands 
                  have already done so. Suzuki even gives Bible lessons to the 
                  BCJ! In the notes he writes that arias for this programme were 
                  selected according to the "following concepts as our guiding 
                  lights:    
                  - The weak and the fearful human being in the face of death 
                   
                  - Hope for heaven  
                  - Peace and consolation for the soul  
                  - Prayer and meditation despite hardship  
                  - The longing for Jesus Christ and the fulfilment of God's providence"  
                   
                   
                  All aspects to be found in Bach's cantata music yet Suzuki seems 
                  convinced that only the religious - or indeed only Christians 
                  - can truly appreciate Bach's work, and that to listen to the 
                  musical incarnation of Bach's piety is to ultimately embrace 
                  his god. Atheists know that to be utter nonsense.  
                     
                  Nevertheless, proceeds from the sale of this CD will go to Tohoku 
                  Help, which is a local Christian Alliance Disaster Relief Network. 
                  Christian missionaries undeniably do a lot of good where nature 
                  and human ignorance or mindlessness cause carnage, but they 
                  also preach Christianity, and for those not wishing to directly 
                  support Suzuki's spreading the Word, there are other ways to 
                  help Japan's needy. Christians need not hesitate!  
                     
                  Recording dates range from 1995 to 2011, yet sound quality is 
                  almost uniformly superb, with the same venue used in all items 
                  but one providing a strong sense of acoustic continuity. The 
                  quadrilingual CD booklet has a detailed tracklisting, and a 
                  brief note on the purpose of the recording by Suzuki with Robert 
                  von Bahr of BIS Records. Sung texts are supplied in their original 
                  German with English and Japanese parallel translations.  
                     
                  Byzantion  
                  Collected reviews and contact at reviews.gramma.co.uk 
                   
                     
                  Bach 
                  Collegium Japan review page 
                 
                                                                                                                                                                                                                                                                                                                                                                                  
               
             
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