Carson COOMAN (b. 1982)
Piano Works
Preludes (9), Op. 722 (2007) [28:20].
La Tricotea, concert piece, (2006) Op. 699 [4:36]
Madrigal, Op. 771 (2008) [4:22]
Lullaby, Op. 806 (after Rameau) (2009) [3:52]
Bear Mountain Fragments, Op. 754 (2008) [5:53]
Summer Solstice, Op. 720 (2007) [7:48]
Madaket Dreaming, (2008) [6:13]
Mountain Toccata Op. 760 (2008) [3:10].
Donna Amato (piano)
rec. Futura Productions, Roslindale, Massachusetts, USA, May 2010.
ALTARUS AIR-CD-9015 [62:40] 
We have heard much about the prodigiously productive Cooman: have a look at
the list of reviews below. Here the ever-tonal Cooman basks in the inspired
pianistic advocacy of Donna Amato – and for the second time on disc. First
we have the nine (not twelve) Preludes. The most economical and expressive
way of presenting my impressions of the Preludes is a series of notes against
each:-
1 insistent but not incessant, obstinate with continuous cell repetition and
microscopic variation.
2 centred and tonal - fast and nimble with jazzy dodging left, right and centre
3 Funereal – charting deep realms with and middle-range gestural line emerging
4 More itchy insectiform repetitive chittering – an undercurrent suggestive
of hysteria
5 distant echoing and an angular upward-striking ascent
6 moderate signature with what I at first took to be humour
7 slow and very lyrical – halting progress and meandered thoughts
8 military, Prokofiev-style march with fault lines and spalling surfaces
9 a very slow envoi – a voice from afar – parallels the mood of Holst’s Betelgueuse
in the Humbert Wolfe Songs.
Cooman is a tonalist and melody evidently matters to him. La Tricotea
is a sprint-pulsed Hispanic concert piece. Madrigal affects a deliberate
gawkiness. Lullaby (after Rameau) is oddly enough, disjointed yet placid.
Bear Mountain Fragments is frankly lyrical. The composer had the Appalachians
in mind. The piece is dedicated to fellow composer William Bland recorded
on the Bridge
label. It is the most Debussian and lyrical of all pieces here. Summer
Solstice is a fragmentary whittering piece. Madaket Dreaming was
written for pianist, composer and conductor Max Lifchitz. It is one of a series
called Nantucket Dreaming: Madaket is on the western side of
Nantucket. It is dreamy and calmingly reflective of mirrored waters. Mountain
Toccata is in an exhilarating and jazzy idiom inspired by Appalachian
music. It is dynamically exciting but evolves into a great upwelling sunrise.
Like several of these pieces it is dedicated to pianist Jeffrey Grossmann.
A most sensitively put across collection of pieces written between 2006 and
2009. It’s from a label that espouses the highest standards yet disdains publicity.
You have to seek them out. They’re worth the labour.
Rob Barnett
A most sensitively put across collection.
Carson Cooman - MusicWeb International reviews:-
Piano Music - Amato Naxos
http://www.musicweb-international.com/classrev/2008/Mar08/Cooman_8559350.htm
http://www.musicweb-international.com/classrev/2008/Jan08/cooman_8559350.htm
Symphonies 2 and 3 Naxos
http://www.musicweb-international.com/classrev/2007/June07/Cooman_8559329.htm
http://www.musicweb-international.com/classrev/2008/Feb08/Cooman_8559329.htm
Sacred Choral Music - Naxos
http://www.musicweb-international.com/classrev/2009/Feb09/Cooman_Sacred_8559361.htm
Chamber Music - Zimbel
http://www.musicweb-international.com/classrev/2008/Oct08/Cooman_zr117.htm
Threads - Zimbel
http://www.musicweb-international.com/classrev/2004/July04/Cooman.htm
Songs - Albany
http://www.musicweb-international.com/classrev/2009/Jan09/COOMAN_Troy1053.htm
Enchanted Tracings - Artek
http://www.musicweb-international.com/classrev/2009/Aug09/Cooman_Enhanted_ar00472.htm
A Trip to the Sky - MSR
http://www.musicweb-international.com/classrev/2011/May11/Cooman_sky_ms1387.htm
Revolutionary earthworks
http://www.musicweb-international.com/classrev/2010/Jan10/Cooman_earthworks_zr120.htm