The late Ann Southam was a Canadian composer, whose early works 
                  were written in a Romantic style, and who later explored 12-tone 
                  composition and electro-acoustic works, before finally developing 
                  a minimalistic style, influenced by such composers as Philip 
                  Glass, Terry Riley and Steve Reich. This album is a selection 
                  of pieces from her Glass Houses cycle, a series of piano 
                  pieces that combine repetitive elements of minimalism with lyrical 
                  melodic structures. 
                    
                  Glass Houses was originally composed in 1981, and later 
                  revised in 2009. Pianist Christina Petrowska Quilico, a long-time 
                  friend and collaborator of the composer, revised and edited 
                  them in 2010, shortly before the Southam’s death. This 
                  disc is a selection of the composer’s and the pianist’s 
                  favourite pieces from the series. 
                    
                  Before receiving this disc, I was familiar with another recording 
                  (Centrediscs CMCCD 14609) of her piano music: Simple Lines 
                  of Enquiry, played by Eve Egoyan, which is a Feldmanesque 
                  series of slow, gradual pieces for piano. Glass Houses Revisited 
                  is, in some ways, the flip side to that recording; these pieces 
                  are anything but slow, with fast, repeated melodic fragments 
                  embroidered into broader melodic structures. 
                    
                  The liner-notes, written by the pianist, say that these pieces 
                  are “fiendishly difficult ‘etudes’ for pianists”. 
                  Yet they lack the somewhat academic type of repetitive minimalism 
                  present in many of Philip Glass’s works, and are more 
                  static than Steve Reich’s works involving phase changes. 
                  They have a more melodic character than many minimalist-inspired 
                  works, with a jazzy element at times (Glass Houses #9), 
                  that turns them into foot-tapping, head-nodding tunes. 
                    
                  Enjoyable and easy to listen to, this is minimalist-inspired 
                  music that goes beyond that simple ‘moniker’. The 
                  music is excellently played. This is an attractive album that 
                  will interest fans of minimalism, as well as those interested 
                  in attractive piano music. Starkly different from Simple 
                  Lines of Enquiry, which may interest those who like Morton 
                  Feldman or ambient music, Glass Houses Revisited is a 
                  uniquely personal group of works. 
                    
                  Kirk McElhearn 
                  Kirk writes about more than just music on his blog Kirkville