Ottorino RESPIGHI (1879-1936)
Trittico Botticelliano (1927) [19:43]
Three Chorales of J.S. Bach (1931) [12:38]
The Pines of Rome (1924) [23:37]
Beethoven Orchester Bonn/Stefan Blunier
rec. live, 12-14 March and 10-11 June 2010, Bonn. SACD
MUSIKPRODUKTION DABRINGHAUS UND GRIMM MDG 937 1677-6 [56:00]
Respighi is famous both as a composer and as an arranger. On this disc he
appears in both capacities. There are two of his best-known orchestral works
and his orchestration of three chorales from the cantatas of Bach. He was
very fond of Bach though this is not always evident in his own creations.
The Trittico Botticelliano consists of three movements inspired by
three of the painter’s most famous paintings, all of which are in the
Uffizi Gallery in Florence. Unlike Respighi’s Roman cycle or Church
Windows, this work is scored for a small orchestra of strings and a few winds,
plus percussion, celesta and piano. In Spring (La Primavera), the Bonn strings
play extremely well, although the same cannot be said of the winds. Blunier’s
conducting is especially genial, but he sometimes tends to plod rather than
imparting any excitement. This criticism can also be made of his work in the
other two movements, although he gets some wonderful colors from the orchestra
in The Birth of Venus.
In 1931 Respighi orchestrated thee chorales taken from Bach cantatas. These
demonstrate a lighter touch than one might expect from the composer. “Nun
komm der Heiden Heiland” is not especially notable in his version, but
the other two chorales are quite impressively done. Blunier here is less stolid
and does a fine job with “Wachet auf...”.
The Pines of Rome is such an old warhorse as to be almost impossible
to defeat and Blunier does creditably here. The first section is played with
vigor and the children’s games are especially well brought out. The
strings again play magnificently. The catacombs section with its alternation
of chant and other material goes well, though it is sluggish at first. In
the Janiculum section the woodwinds excel and the orchestra as a whole achieves
a wonderfully dreamy effect-this is probably Blunier’s best work on
the disc. The Appian Way section is appropriately exciting and the coda does
not disappoint. Special credit should be given to the timpanist.
The Beethoven Orchester Bonn has a century-old reputation that is well-deserved
and they mostly acquit themselves well, especially, as already mentioned,
the strings. As I have indicated above, Stefan Blunier’s leadership
on this disc is highly variable, though I know he has done better elsewhere.
Though there is no mention of venue, I assume that because this is a live
recording that it was recorded in the Beethovenhalle in Bonn; the sound is
good, if not exceptional.
William Kreindler
Variable performances of three Respighi works, two well-known and one a rarity.