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              CD: MDT 
              AmazonUK 
              AmazonUS 
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            Johann Sebastian BACH 
              (1685-1750)  
              András Schiff Plays Bach  
              French Suites Nos. 1-6, BWV 812-817  
              Overture (Partita) in the French Style in B minor, BWV 831  
              Concerto in the Italian Style in F major, BWV 971, "Italian 
              Concerto"  
              Bonus: András Schiff Explains Bach  
                
              András Schiff, piano  
              Rec: Protestant Church of Leipzig, 11 June 2010.  
              Picture format 16:9, 1080p; Sound format LPCM stereo, DTS-HD Master 
              Audio 5.1; Subtitles (bonus) EN, DE, FR; Region Code 0 (Worldwide). 
               
                
              EUROARTS   
              Blu-ray 2058134 [134 min. + 34 min.]   
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                  Among Bach’s collections of keyboard works, the French Suites 
                  may be the most easily accessible to those unfamiliar with this 
                  style of music. They were the first of Bach’s sets of works 
                  that I really understood, and I listen to them with great pleasure 
                  over and over in a variety of interpretations, both on harpsichord 
                  and piano. Less technically demanding than other such works, 
                  like the Partitas, the French Suites nevertheless contain some 
                  of Bach’s most attractive music for keyboard.  
                     
                  This disc features eminent Bach interpreter András Schiff playing 
                  all six French suites live, and also playing the French Overture 
                  (technically a partita) and the Italian Concerto. Recorded in 
                  the intimate Protestant Church of Liepzig, on a Steinway grand 
                  piano. The piano sounds silky and reverberant, and the camera 
                  angles are generally tight, with close-ups on Schiff’s hands 
                  and face as he plays. Interestingly, all of the cameras are 
                  on the “stage”, and there are no shots from the point of view 
                  of the audience. This church holds only a couple hundred people, 
                  and this approach to filming the concert adds to the intimate 
                  nature of the work.  
                     
                  Schiff’s performances are, as expected, profound, masterful, 
                  and not flashy at all. While he ornaments the works creatively, 
                  he doesn’t exaggerate. He is sometimes serious, sometimes playful, 
                  yet it’s clear just how much he understands and appreciates 
                  this music. (In the accompanying interview, he says he starts 
                  each day playing Bach for an hour.) Interestingly, there is 
                  no applause after each of the suites, but only after the end 
                  of the series of the French Suites, then again after the French 
                  Overture, and at the end of the concert. It is interesting to 
                  watch Schiff perform all six of the French Suites without the 
                  disturbance of applause; this reinforces the fact that they 
                  are a series of related works, as opposed to six separate works. 
                   
                     
                  The bonus is a half-hour interview with Schiff sitting in the 
                  church leisurely discussing Bach’s life, and the French Suites 
                  in particular. It’s certainly an interesting interview to listen 
                  to, if you don’t know much about Bach or these works, and Schiff 
                  shows his knowledge of Bach’s works and his love for this music. 
                   
                     
                  This is a wonderful performance of the French Suites, well filmed, 
                  with excellent sound, in a small, attractive setting. Any lover 
                  of these works simply must get this disc to be able to see and 
                  hear András Schiff, one of today’s finest Bach interpreters 
                  on the piano, play these works that he seems to love so well. 
                   
                     
                     
                     
                  Kirk McElhearn writes about more than just music on his 
                  blog Kirkville (http://www.mcelhearn.com). 
                   
                     
                   
                   
                   
                 
                
                
                  
                  
                
                 
                   
                 
                 
             
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