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             Henry PURCELL (1659-1695)  
              The Purcell Edition 2 - Theatre Music  
              Track-listing at end of review 
                
              Monteverdi Choir, Monteverdi Orchestra, English Baroque Soloists/John 
              Eliot Gardiner Lynne Dawson, Rosemary Hardy, Gillian Fisher, Dinah 
              Harris, Jennifer Smith, Dawn Upshaw (sopranos) 
              Carol Hall (mezzo)  
              Ashley Stafford (counter-tenor) 
              Rogers Covey-Crump, Paul Elliott, Martyn Hill, John Elwes (tenors) 
              Stephen Varcoe (baritone) 
              David Thomas, Roderick Earle, Michael George (basses)  
              rec. Henry Wood Hall, London, February 1979 (The Indian Queen, The 
              Tempest), Rosslyn Chapel, London, December 1987 (Timon of Athens, 
              Dioclesian), Air Studios, London, January 1995 (The Married beau, 
              Abdelazer), American Academy of Arts and Letters, New York, April 
              2000 (Music for a while, Ah! How sweet it is to love, If music 
              be the food of love). DDD  
                
              WARNER CLASSICS & JAZZ 2564 691990 [4 CDs: 62.41 + 61.53 
              + 52.47 + 70.08]   
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                The first CD on this four-disc set of Purcell’s music for theatre 
                  features The Indian Queen – of which John Eliot Gardiner produces 
                  a good sprightly performance – bright, purposeful and spirited 
                  – a promising start. The Tempest, however, on the next disc, 
                  is less impressive. Rather on the heavy side, the orchestral 
                  playing here is too measured, deliberate and dull – lacking 
                  in subtlety. The lack of fluidity in the performance is exemplified 
                  by the ponderous quality and laboured feel of movements such 
                  as Halcyon Days, now wars are ending, you shall find wheree’er 
                  you sail. In fact, we only really get some light and shade in 
                  an otherwise monochrome performance at the very final movement, 
                  No stars again shall hurt you from above, which is beautifully 
                  characterful. Mezzo-soprano Carol Hall’s Ariel is very pedestrian 
                  – not at all ethereal or sprightly, and it sounds as if she 
                  were sight-reading the part rather than performing and communicating 
                  it – mechanical and studied, emotionless and rather lacklustre, 
                  with no characterization. David Thomas and Roderick Earle are 
                  far more believable as the Devils – excellent performances from 
                  these two basses. The second disc ends with two fillers, the 
                  Overture from the comedy The Married Beau and the Rondeau from 
                  Abdelazer, or the Moor's Revenge (best known from Benjamin Britten’s 
                  Young Person’s Guide to the Orchestra). It is rather disappointing 
                  that these two movements alone from these works are included 
                  here.  
                   
                  Disc 3 presents a lively performance of Timon of Athens, with 
                  all soloists on top form - although I found Gillian Fisher a 
                  little light-weight in her roles here. The first three Acts 
                  of Dioclesian complete disc 3 and fill most of disc 4. 
                  The opening I found rather on the slow side – the First Music 
                  too measured and plodding, although the Second Music 
                  and Third Music are brisker. The soloists are again on 
                  typically good form, although Stephen Varcoe occasionally comes 
                  across as a little reserved and distant. Rogers Covey-Crump 
                  is superbly expressive as a Follower of Cupid – although sometimes 
                  (as in Still I’m wishing, still desiring) his performance 
                  is a little on the fussy side, and the trio in Act II (Michael 
                  George, Stephen Varcoe and Paul Elliott) is outstanding – beautifully 
                  articulated. Lynne Dawson is also excellent – wonderfully flexible 
                  and bright, and whilst Gillian Fisher is more measured (sometimes 
                  a little too much so), these two sopranos together are exceptional 
                  – perfectly phrased and beautifully blended (as in the Act V 
                  Masque Ah! The Sweet delights of love). Some of the purely 
                  orchestral sections are also very good – such as the Act Five 
                  Passepied and later Dance. Tempi seem appropriate 
                  and sensible, and I especially liked the subtle rhythm changes 
                  in Make Room, make room for the great God of Wine. This 
                  final disc concludes with three familiar and much-loved songs 
                  as fillers - Music for a while, Ah! How sweet it is to love 
                  and If music be the food of love. Dawn Upshaw is the 
                  excellent soprano here, accompanied by sensitive Arthur Haas 
                  on harpsichord and Myron Lutzke on cello.  
                   
                  As a general rule, Gardiner does not achieve the same heights 
                  of tension, intensity and passion that others - such as Alfred 
                  Deller and Consentus Musicus - do, and he doesn’t seem to bring 
                  out the best in his soloists; even such top singers as Stephen 
                  Varcoe and Rogers Covey-Crump are slightly disappointing. The 
                  booklet notes also leave something to be desired – they are 
                  neither terribly full nor particularly clear. All in all, therefore, 
                  a rather mixed set – with some superb moments, but some others 
                  that are slightly below par, prevent me from whole-heartedly 
                  endorsing this set.  
                   
                  Em Marshall  
                 
                Track-listing 
                   
                  CD 1  
                  The Indian Queen [62.41]  
                  CD 2  
                  The Tempest [57.37]  
                  The Married Beau: Overture [2.42]  
                  Abdelazer, or the Moor's Revenge: Rondeau [1.34]  
                  CD 3  
                  Timon of Athens [22.10]  
                  Dioclesian Acts I-III [31.39]  
                  CD 4  
                  Dioclesian Acts III-V [60.09]  
                  Music for a while [3.20]  
                  Ah! How sweet it is to love [2.51]  
                  If music be the food of love [3.51] 
                   
                   
                 
                
                  
                  
                  
                  
                  
                
                 
                 
                 
                 
                 
             
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