Not much is known about Pieter Bustijn - not even for sure where 
                  his family came from or what language he spoke. The CD booklet 
                  reproduces the original frontispiece from the first publication 
                  in 1712 of this volume of Suittes, his only known works, 
                  which gives his name as 'Pierre Bustin'. 
                  
                  What is certain is that this is a disc that no lover of Baroque 
                  or harpsichord music in general should be without: nearly eighty 
                  minutes of enormously appealing, high-octane invention superbly 
                  rendered by Alessandro Simonetto on a magnificent reproduction 
                  Ruckers instrument, brilliantly captured by the sound engineer 
                  - all that at Brilliant's bargain price! 
                  
                  Five of the Suittes are in five movements, one in six, two in 
                  seven and one in eight. The basic pattern is Preludio - Allemanda 
                  - Corrente - Sarabanda - Giga, sometimes with a Variatio tagged 
                  onto the end, with or without an inserted Aria, and a Gavotta 
                  occasionally replacing the Giga. Listening to eighty minutes 
                  of solo harpsichord is not always recommendable, but many will 
                  surely find themselves unwilling to press the Stop button - 
                  either that, or time will fly past unnoticed. Only one movement 
                  of the 53 in total is three minutes long, and many come in at 
                  well under a minute - there is no time to lose interest! Instead 
                  the listener is swept along on the tide of Bustijn's imagination. 
                  
                  
                  According to the notes, these Suittes were well known in northern 
                  Europe in the 18th century, and Johann Sebastian Bach may have 
                  been familiar with them. There are similarities here and there 
                  with Bach's keyboard music, but Bustijn is a generation older 
                  than Bach, and his style is in any case original and distinctive. 
                  Simonetto's tempi are almost universally on the fast side, which 
                  only adds to the thrill of Bustijn's ravishing music. 
                  
                  As well as being an accomplished harpsichordist, Simonetto is 
                  also a sound engineer - this disc was recorded and mastered 
                  by him - and he is founder of OnClassical.com, KunstderFuge.com 
                  and ClassicaLand.com, all worthy online art music projects. 
                  
                  
                  Apart from the recording details, which had to be mechanically 
                  recovered from OnClassical.com, where a download-only version 
                  of the disc is available, the booklet is as informative as it 
                  can be about the Suittes and their elusive composer, given the 
                  dearth of reliable historical data. The harpsichord is a 2008 
                  model by William Horn based on a mid-17th century Johannes Ruckers 
                  instrument made in Antwerp - the booklet says in 1638, the website 
                  1643. Two of these Suittes have been recorded previously: no.5 
                  by Bob van Asperen (Sony Classical Vivarte 46349, 1991), and 
                  no.6 by Jacques Ogg (Globe 5101, 1993) - but this superlative 
                  recording by Simonetto is the one to get. 
                  
                  Byzantion
                  
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