Luise Adolpha LE BEAU (1850-1927)
3 Klavierstücke, op.1 [6:13]
Original-Thema mit Variationen, op.3 [6:11]
Sonata, op.8 [14:07]
8 Präludien, op.12 [9:44]
Improvisata, op.30 [4:38]
Gavotte, op.32 [3:42]
Ballade, op.47 [7:46]
3 Danze antiche, op.48 [5:55]
Deutscher Reigen, op.49 [4:47]
Trauermarsch, op.53 [4:07]
3 Klavierstücke op.57 no.1 & no.2 [4:47]
Barcarole, op.59 [3:58]
Abendklänge, op.64 [3:37]
Free download bonuses:
Concert-Etüde op.2 [2:55]
Im Walde op.63 [3:56]
3 Klavierstücke Op. 57 no.3 [3:09]
Ana-Marija Markovina (piano)
Rudolf-Oetker-Halle, Bielefeld, Germany, May 2010. DDD
GENUIN GEN 10177 [79:48]
The disc is nearly German composer Luise Le Beau's complete works for
piano: three pieces did not fit on this very generously stuffed release but
can be downloaded for free from Genuin's website. The three downloads come
as MP3s encoded at an impressive-sounding 256kbps, and can be accessed using
a username and password included in the CD booklet. The downloads are not
discussed in the liner-notes, but then neither, unfortunately, are any of
the other works - instead, the listener must make do with a short, rather
starchy essay entitled "Is composing a male domain?", by one Professor
Helmut Reuter of Bremen University, followed by a paean to Croatian pianist
Ana-Marija Markovina.
Markovina's name also features far more prominently on the front cover, so
perhaps this CD is really primarily a showcase for her musicianship. She certainly
plays all the notes in the right order, but Le Beau's piano works stop well
short of the level of profundity the best pianists thrive on. Not that Le
Beau's music is unappealing. The early works are very reminiscent of Chopin
- the Three Pieces op.1 or the 8 Preludes op.12, for example
- and Robert Schumann: the Piano Sonata in A minor op.8; even Clara
Schumann - Original-Thema mit Variationen, op.3. But the point is that
Le Beau was still only a small child when Robert Schumann died, and had not
even been born when Chopin died. In other words, her music is conservative
- and wears that fact proudly on its sleeve.
Consequently there is nothing new in it all, though she clearly had a passion
for forte and fortissimo markings, which crop up with far more
frequency than softer passages. The longest work is the Piano Sonata,
which is still less than 15 minutes; the rest is generally of salon piece
length, though it may be a little harsh to label it as such. The works are
conveniently arranged on the disc in order of opus number, from which it will
soon become evident to the listener that Le Beau's music did not change very
much over time - the later works still sound like Chopin and the Schumanns!
The sound quality on this recording is generally pretty good, although the
tone of the piano, a Steinway D, does sound, rather surprisingly, slightly
harsh in places. The glossy booklet is attractive in some ways, trying in
others, one of which - the complete lack of information about the pieces,
and next to nothing about Le Beau - has already been mentioned. There are
also six separate photos of Markovina - surely overkill, even if she does
have long dark wavy hair? The track listing is also disappointing: individual
movements are listed either in mid grey on light grey or mid grey on black,
unnecessarily reducing legibility to an eye-straining degree.
Two minor points relating to the New Grove Dictionary: regarding the
'complete' piano music label, New Grove also lists a set of 6 Fugues
(Studies) op.21, published undated in Leipzig - why was that omitted?
And NG gives Abendklänge as Le Beau's op.63, not 64 as stated on the
disc, which is a Sanctus for women's chorus.
It may not be fair to judge Le Beau solely by her piano music. She also wrote
much vocal and choral music, as well as chamber music, orchestral works and
two operas, which it would be nice to be able to hear. But her piano music
is pleasant enough, in an undemanding sort of way, as this CD testifies.
Byzantion
Le Beau’s piano music is pleasant enough in an undemanding sort of way.