Antonín DVOŘÁK (1841–1904)
Symphony No.7 in D minor, op.70 (1884/1885) [37:04]
Symphony No.8 in G, op.88 (1889) [37:17]
Baltimore Symphony Orchestra/Marin Alsop
rec. live, 10–13 January 2008 (8); 19–22 March 2009 (7), Joseph Meyerhoff
Symphony Hall, Baltimore, USA. DDD
NAXOS 8.572112 [74:21]
After Alsop and her Baltimore Orchestra’s magnificent performance of the New
World Symphony (Naxos
8.570714) this was an issue which I eagerly anticipated, perhaps with
a little too much expectation.
The Seventh is Dvořák’s ‘Tragic Symphony’, a dark and brooding work,
created in the minor key and filled with catastrophe and foreboding. Even
the dance–like scherzo isn’t the light-hearted piece it should be. I have
written elsewhere that one of the most exciting things about Marin Alsop is
that she is inspirational, and in concert creates the most electrifying performances.
At the same time, this kind of inspiration isn’t always conveyed from a disk,
when you can hear the performance repeatedly. I feel this very strongly in
this performance of the Seventh Symphony, which is exciting, colourful
and very good, but as an interpretation lacks drive and drama. Even the opening
is totally lacking in mystery. Overall, it is all too charming – Dvořák’s
smiling face is in every bar, but this isn’t what is wanted. Here is a very
serious work which is full of some of this composer’s deepest symphonic thoughts
and the final Tierce de Picardie, far from bringing about a state of satisfaction
and well-being, merely serves to create even greater tension and despair.
Alsop seems to see the work as another of Dvořák’s good natured peasants–dancing–and–frolicking–in–the–fields
pieces, rather than the catastrophic, and indeed dangerous, work it is.
The Eighth Symphony is the smiling, gambling and frolicking
Dvořák we know and love. After the too light touch she brought to the
Seventh I fully expected Alsop to be more at home here, but again I
was disappointed. She sometimes brings too much weight to music which neither
needs, nor demands, it, whilst at other times she can be bland. Added to which
it is far too lightweight, not that any real weight is required in this work,
but it needs more than it is given here.
As concert performances these would probably be most acceptable, but they
are not for repeated listening for they do not carry the full authority of
performance which is essential to a CD for home consumption. For passion and
a real sense of balance and style, go either to Barbirolli, with his beloved
Hallé (No.7 is coupled with No.9 on Phoenixa 63774 and No.8 is coupled with
the Scherzo Capriccioso and three Legends on Phoenixa 64193) or, if you want
both Symphonies together, the Philharmonia under Kubelik (Testament SBT 1079)
or the Royal Liverpool Philharmonic, under Libor Pesek (Virgin Classics 90756).
These are great Dvořák interpretations.
The sound is excellent, you’d never believe that these were live performances
for there isn’t a murmur from the audience! The notes are good, but I cannot
say that this is worth having for the interpretations simply aren’t up to
the music. A rare failure for this wonderful conductor.
Bob Briggs