Cellist Yuli Turovsky founded I musici de Montreal in
                1983. Since that time he has turned the fifteen member chamber
                orchestra
                into the Canadian version of Britain’s Academy of St. Martin
                in the Fields, racking up more than forty recordings and presenting
                more than one hundred concerts each season throughout the world.
                In this collection of sedate slow movements, the orchestra has
                compiled more than three hours of down-tempo excerpts sure to
                be a hit in doctors’ offices all over the globe. 
                
                There is a great deal in these discs to enjoy. In particular,
                Turovsky’s amber-toned cello playing, featured in a number
                of concerto movements is worth the price of admission. There
                is quite a lot of Baroque music, some of it adapted for modern
                forces by various skilled arrangers. I musici de Montreal is
                a modern instrument band, and although they perform with great
                sensitivity and taste, there is a good deal more vibrato in the
                string playing than is allowed by the period folk. Frankly, this
                richness of sound is rather refreshing to these ears and I am
                reminded of the great body of recordings made by Sir Neville
                Marriner and the ASMF, Jean-François Paillard and his
                chamber orchestra, and the Italian ensemble, also known as I
                musici. 
                
                Other fine solos are delivered by Timothy Hutchins, particularly
                in the gorgeous Largo from Vivaldi’s Concerto in C for
                Sopranino recorder. Theodore Baskin also turns in some luscious
                playing in another Vivaldi work, this one an Oboe concerto, also
                in C. We get a goodly chunk of van Wassenaer’s Concerti
                armonico, works that for years were attributed to Italian
                boy genius Giovanni Battista Pergolesi, whose brilliant reputation
                led to all kinds of misleading publications after his tragic
                death at the tender age of twenty-six. These are lovely concertos,
                brimming with melody and rich harmonic suspensions, and the slow
                movements presented here are lovingly phrased. 
                
                Disc two is an interesting hodgepodge of old and new(er) music
                with items from the baroque sharing the stage with classical
                period, romantic and even a piece or two by more or less contemporary
                composers. Each selection, however is geared toward the theme
                of tranquillity, and after a couple of hours of straight listening,
                I found myself going a bit numb from all the pretty slowness.
                With many of the excerpts coming in at under two minutes, I found
                that I barely had time to enjoy the music before it was over.
                Perhaps fewer works of somewhat more substantial length would
                have been a bit more engaging, but then again, that is a rather
                minor quibble. 
                
                Other highlights include a beautiful rendition of the Andante
                from Josef Suk’s E-flat serenade for strings. Suk is a
                composer that deserves to be heard more often in the concert
                hall, and this lovely excerpt is proof of that assertion. Borodin’s
                gorgeous Notturno from his second string quartet, here arranged
                by Lucas Drew for string orchestra receives a fine reading as
                does Samuel Barber’s ubiquitous Adagio, in a performance
                that spares us the gushy hyper-emotionalism of Leonard Bernstein’s
                lugubrious old recording. 
                
                Serious music buffs will likely thumb their noses at this compilation
                as it’s obviously designed to appeal to the “pretty
                music” set. But, for a long evening of peace and quiet,
                an elegant dinner party or a romantic encounter with one’s
                significant other, this attractively packaged set contains a
                lifetime’s worth of mood music, performed by a superb ensemble
                in top form. One can hope, however that the buyer will be inspired
                to explore the complete works from which these excerpts are taken.
                Slow and pretty is all fine and good, but the composers put forth
                complete sets of ideas in the works represented, and they are
                deserving of a full hearing. 
                
                Kevin Sutton 
                Details
                CD 1 
                Johann Christian BACH (1735-1782) Concerto in c minor
                for cello and orchestra (Adagio molto espressivo) [7:04] 
                  Count Unico Wilhelm van WASSENAER (1692-1766) (formerly
                  attributed to Pergolesi) Concerto armonico No. 3 in A (Largo,
                  andante) [3:55]; Concerto armonico No. 4 in f (Largo) [4:19];
                  Concerto armonico No. 1 in G (Grave, staccato) [4:57]; Concerto
                  armonico No. 5 in B flat (Largo, andante) [4:25]; Concerto armonico
                  No. 4 in f (Adagio) [2:50]; Concerto armonico No. 2 in G (Largo
                  affetuoso) [4:35] 
                  Antonio VIVALDI (1678-1741) Concerto in C for Recorder
                  and Orchestra, RV444 (Largo) [4:14]; Concerto in C for Oboe and
                  Orchestra, RV449 (Largo) [2:44]; Concerto in A for Strings, RV158
                  (Largo) [3:24]; Concerto in g for Two Cellos and Orchestra RV531
                  (Largo) [3:31]; Concerto in F for Flute and Orchestra RV433 (Largo)
                  [2:14] 
                  Igor STRAVINSKY (1882-1971) Concerto in D for strings
                  (Arioso) [2:35] 
                  Dmitri SHOSTAKOVICH (1906-1975) Concerto No. 2
                  in F for Piano and Orchestra, Op. 102 (Andante) [6:01] 
                  Luigi BOCCHERINI (1743-1805) Concerto in B-flat
                  for Cello and Orchestra, G482 (Adagio non troppo) [6:34] 
                  CD 2 
                  Giuseppi TARTINI (1692-1770) Concerto in D for
                  Cello and Strings (arr. Louis Delune) (Grave espressivo) [6:17] 
                  Antonio VIVALDI (1678-1741) Concerto in F for Violin,
                  Organ and Strings RV542 (Adagio) [3:39]; Concerto in D for Two
                  Violins, Cello and Strings, RV565 (Largo e spiccato) [4:11];
                  Concerto in G for Two Violins, Two Cellos and Strings, RV575
                  (Largo) [2:56] 
                  Wolfgang Amadeus MOZART (1756-1791) Divertimento
                  in B flat, KV 137 (Andante) [4:09]; Church Sonata in F, KV224
                  [4:24]; Divertimento in F, KV 138 (Andante) [5:56] 
                  Franz SCHUBERT (1797-1828) Minuet No. 3 in d, D89
                  [5:40] 
                  Benjamin BRITTEN (1913-1976) Variations on a Theme
                  of Frank Bridge, Op. 10 (Romance) [1:37] 
                  Georg Frideric HANDEL (1685-1759) Concerto grosso
                  in a, Op. 6, No. 3 (Larghetto affetuoso) [2:33]; Concerto grosso
                  in e, Op. 6, No. 3 (Larghetto) [1:31]; Concerto grosso in B flat,
                  Op. 6, No. 7 (Largo e piano) [2:43]; Concerto grosso in c, Op.
                  6, No. 8 (Adagio) [1:27]; Concerto grosso in b, Op. 6, No. 12
                  (Largo) [1:12] 
                  Rodion Konstantinovich SHCHEDRIN (b. 1932) Carmen
                  Suite (Second Intermezzo) [1:59] 
                  Josef SUK (1874-1935) Serenade in E-flat for Strings,
                  Op. 6 (Andante con moto) [6:10] 
                  Camille SAINT- SAËNS (1835-1921) Carnival
                  of the Animals (The Swan) [3:31] 
                  Pyotr Ilyich TCHAIKOVSKY (1840-1893) Album for
                  the Young (The Old Nanny’s Tale) [2:54] 
                  Franz Josef HAYDN (1732-1809) Divertimento in D
                  for Cello and Strings (arr. Gregor Piatigorski) (Adagio) [5:23] 
                  CD 3 
                  Antonin DVORAK (1841-1904) Serenade in E for Strings,
                  Op. 22 (Moderato) [4:54]; Waltz No. 1 in A, Op. 54 [4:46] 
                  Wolfgang Amadeus MOZART (1756-1791) Serenade in
                  G for Strings RV525 (Eine kleine Nachtmusik) (Romanze, Andante)
                  [5:44] 
                  Marc-Olivier DUPIN (b. 1954) Fantasia on Arias
                  from La Traviata (Allegretto, Andantino, Allegro Brillante) [11:22] 
                  Franz Josef HAYDN (1732-1809) Twelve German Dances,
                  H. IX: 12 [8:32] 
                  Johannes BRAHMS (1833-1897) Liebeslieder Waltzer,
                  Op. 52 (Arranged for strings by Friedrich Hermann) (No. 6, No.
                  1 and No. 9) [4:43] 
                  Alexander Porfir’yevich BORODIN (1833-1887) String
                  Quartet No. 2 in D (Notturno, Andante) (arranged for String Orchestra
                  by Lucas Drew) [9:09] 
                  Samuel BARBER (1910-1981) Adagio for Strings [10:17] 
                  Yuli Turovsky (cello); Timothy Hutchins (sopranino recorder,
                  flute); Theodore Baskin (oboe); Alain Aubut (cello); Dmitri
                  Shostakovich, Jr. (piano); Elenora
  Turovsky (violin); Geneviève Soly (organ); Edvard Skerjanc (violin); Christian
  Prèvost (violin); Lucia Hall (violin); Benoit Hurtuboise (cello); David
  Owen Norris (piano); Gregory Shaverdian (piano); Alexander Trostiansky (violin);
  Ensemble Repercussion; I musici de Montreal; Yuli Turovsky/Maxim Shostakovich 
  rec. locations and dates not given.