The reissue contains five wonderful masses
by Flemish Masters of the late 15th and
early 16th centuries in splendid performances. As always, The
Tallis Scholars give the music a little more time to breathe than most
performers without
the listener ever feeling that the music is too slow. As with the recordings
of Gothic Voices in music of a slightly earlier period on Hyperion, I long
ago ran out of epithets to describe the work of Peter Phillips and his
team.
As always, the booklet of notes is available to download; these are brief
but to the point. The recordings never fall short of a high standard. At £7.99
for mps 3 and £9.99 for CD-quality sound, the price is competitive.
My only reservations about the reissue concern the loss of the shorter
works which accompanied these masses in their original incarnations - a
small price
to pay for most listeners, when the playing time of the new set is so generous,
the price so tempting, and a couple of them have already appeared on another
twofer, The Essential Tallis Scholars (CDGIM201 - see review),
but specialists will feel the loss, for example of the Brumel Lamentations and Magnificat
secundi toni which complete CDGIM026. And, though the lossless download
is excellent - I cannot imagine the physical CDs sounding any better -
there are
no 24-bit options for the new set, as there are for the Ockeghem in its
full-price format on CDGIM035.
El Canto de la Sibilla I (Song of the Sibyl)
Sibilla Latine (Barcelona X & XIth Centuries) [18:41]
Sibilla Provençale (Montpellier, Lectionarium XII-XIIIth Centuries)
[13:10]
Sibilla Catalane (Seu D’Urgele, XVth Century) [22:53]
Montserrat Figueras/Jordi Savall
rec. 1988. DDD.
ALIA VOX/ASTRÉE DIGITAL EDITION No. not given [54:44]
This is hauntingly beautiful music, excellently performed and recorded
and available on just three tracks, making the download potentially
available for less than £1.
The other two albums of later settings of the Song of the Sibyll are
also available from emusic but, since they are divided over multiple
tracks, they are much more
expensive. These reissues of music originally issued by Astrée seem
to be available as downloads only in the UK, from eMusic and Amazon.
The lack of texts is a problem, though you will find various online versions
of the chapters of St Augustine which summarise the prophecies of the Sibyll;
these relate to the Last Judgment, hence the reference to her in the Requiem
Mass sequence Dies iræ - teste David cum Sibylla, as
David and the Sibyl prophesied. Once sung all over southern Europe on Christmas
Eve,
the practice is now limited to the island of Mallorca. (There’s a clip
of a rough-and ready performance on YouTube.)
Flying Horse: Music from the ML Lutebook
John DOWLAND The Battle Galliard [3:01]; Antony HOLBORNE Mr
Holborn’s
Last Will and Testament [4:40]; ANONYMOUS Tom of Bedlam [2:09];
John come kiss me now [4:03]; Robert JOHNSON A Pavin [6:56]; ANONYMOUS Corant
[1:39]; Julien PERRICHON Corant (Le Testament) [3:16]; ANONYMOUS The
Battle [8:02]; Robert JOHNSON A Pavin [6:19]; Daniel BACHELER A
Gallyard by Mr Dan Bacheler [1:40]; John DOWLAND A Gallyard upon
the Gallyard before [2:01]; Anonymous Corant [1:42]; Corant (de
la Durette) [1:16]; ? Robert BALLARD La Courante Sarabande [2:00] ; Anonymous Corant
[1:31] ; Mercure D’ORLÉANS A Volte [1:12]; John STURT A
Volte [1:09]; Robert JOHNSON A Pavin [4:46]; Allmayne (The Prince’s
Almain) [1:08]; The Noble Man [1:58]; Allmayne (Hit it and take it) [1:29]; Anonymous Allmayne
and Corant [3:04]; Gray’s Inn Maske [1:21]; The Flying Horse [3:47]
Elizabeth Kenny (lute)
rec. no details given
HYPERION CDA67776 [70:50] - from hyperion-records.co.uk (mp3
and lossless)
The ‘ML’ Lutebook is unusual in that the music which it contains
the ornamentation which would normally have been left to the performer’s
discretion. It’s fascinating to hear these highly decorated versions
of the familiar items, such as the Dowland pieces, in the company of much less
well-known
music.
With excellent performances, well recorded and offered in good mp3 sound,
and the usual wealth of documentation in the pdf booklet, this was one
of the runners-up
for Download of the Month.
George Frideric HANDEL (1685-1759) DOWNLOADS
This month and in coming Roundups I want to conclude the Handel anniversary
year by looking at some of the available downloads of Handel’s vocal
music, with the assistance of a friend and ex-colleague who knows a great deal
more
about the oratorios and operas than I do. What follows is really a collaborative
effort but, where appropriate, I designate my co-writer as MT (Maurice Thunder)
and myself as BW. We plan to include two or three oratorios, two or three operas
and a number of recital recordings in each Roundup.
BW has already referred to a number of Handel downloads, but we don’t
preclude the possibility of returning to some of these:
Organ Concertos, Op.4/2; Op7/3-5, 13; Cuckoo and Nightingale: DG
Archiv - Preston (May 09 Roundup)
Fireworks Music; Water Music: Glossa - Niquet; Pinnock (April 09
Roundup)
Recorder Sonatas: Linn - Thorby/Egarr (April 09 Roundup)
Aci, Galatea e Polifemo: Virgin - Haïm (April 09 Roundup)
Acis and Galatea: Linn - Butt (January 09 Roundup)
Alexander’s Feast: Coro - The Sixteen (September 09 Roundup)
Chandos Anthems (1): Chandos - The Sixteen (January 09) (April 09
Roundup)
Coronation Anthems, etc.: Coro - The Sixteen; Cleobury (April 09
Roundup)
Coronation Anthems; Concerti a due cori: DG Archiv - Preston (August
09 Roundup)
Dixit Dominus, Nisi Dominus, Silete venti: Chandos - The
Sixteen (April 09 Roundup)
Italian Cantatas (1-4): Glossa - la Risonanaza (March 09 Roundup)
Jephtha: Philips - Gardiner (May 09 Roundup)
Messiah: Coro - The Sixteen (November 08) (December
08 Roundup)
Solomon: Philips/Decca - Gardiner (September 09 Roundup)
Tobit: Naxos - Martini (April 09 Roundup)
See also BW’s reviews of:
Faramondo (Virgin
Classics 2166112). The Faramondo recording is also available as
a download from passionato.com but, as the CDs are offered at budget price
and the download
costs more, I recommend staying with the physical product on this occasion.
Parnasso
in Festa (Hyperion CDA67701/2: Recording of the Month) - now
also available as a download from Hyperion.
Oratorio and Sacred Music:
Alexander Balus (1747)
Catherine Denley (mezzo) - Alexander Balus; Michael George (bass) - Ptolomee;
Charles Daniels (tenor) - Jonathan; Lynne Dawson (soprano) - Cleopatra;
Claron Mcfadden (soprano) - Aspasia; Tom Raskin (tenor); Simon Birchall
(bass) -
Messengers; Charles Pott (bass) - Courtier; The Choir of New College, Oxford
(Edward Higginbottom,
director); The Choir of The King’s Consort; The King’s Consort/Robert
King
rec. April 11-19 1997. DDD. Notes and texts available.
HYPERION CDA67241/2 [77:21 + 78:31] - from hyperion-records.co.uk
(mp3 and lossless)
I have to admit that, until MT urged me to think again, I hadn’t even
thought of listening to Alexander Balus, so poor is its general
reputation. How wrong can general reputation be? This is the third of the
four oratorios
which
Handel wrote at the time of the Jacobite threat and the last to be performed,
the others being Judas Maccabæus, the Occasional Oratorio and Joshua.
Last year I reviewed a recording of Joshua on CD (KuK07/LC11277
- see review),
a recording which increased my appreciation of that work, and, of course,
I have a high regard for Judas Maccabæus, but I now think
that Alexander
Balus is not far from being their equal - perhaps even a better work
than Joshua.
Invidious as it is to select just one member of such a fine cast, Michael
George really makes the villainous Ptolomee his own. For BW his contribution
sets the
seal on the version of Alexander’s Feast with The Sixteen
and Harry Christophers (Coro COR16028 - see September
2009 Download Roundup) and it is so again here. Otherwise, the
performance is everything that one would expect of Robert King and
his Consort.
The mp3 version of the recording is very good, though perfectionists may
prefer to wait for the promised flac version or purchase the CDs. Played
via Squeezebox,
there are none of the hiatuses between tracks which sometimes mar downloads
of continuous music. With excellent notes, available as a pdf document,
along with
the text, this is a strong recommendation in any format.
The Dettingen Te Deum [40:02]
The Dettingen Anthem [14:21]
Christopher Tipping (alto); Harry Christophers (tenor), Stephen Varcoe
(baritone), Michael. Pearce (bass), Westminster Abbey Choir; English Concert/Simon
Preston
with Trevor Pinnock (continuo)
DG ARCHIV 410 6472 [54:23] - from passionato.com (mp3)
The Te Deum in particular, composed in haste to celebrate George
II’s
victory, is a fine work - much better than the Utrecht Te Deum.
The Dettingen Anthem is smaller beer, but well worth hearing. Performance
and
recording are
excellent and the mp3 download is very good. No texts, of course, but the
words of the Te Deum are readily available in the Book of Common
Prayer and online; whoever prepared the metadata might have consulted them
before
confusing thou and though.
Opera:
Handel is listed as having written 42 operas of which the first four are
lost. MT writes: I have been fortunate in being able to attend live performances
of 25 of these works, some fully-staged, others in semi-staged or concert
performances.
One’s appreciation of works on CD is naturally coloured by being able
to visualise productions whilst listening. I have complete recordings of 23
of them,
an excerpt disc of one other and a number of recital discs of Handel arias.
Recommendation of recordings in this area is a minefield; in many cases,
only one is available. Many older discs do not correspond to modern ‘authentic’ performing
practice, but I believe those which contain singing of the quality of Dame
Janet Baker, for example, are still very enjoyable. We hope to include her
Chandos
recording of Julius Cæsar in English - BW
In selecting my recommendations of operas on record, I have picked those
which seem to me to be of the highest quality of composition throughout
- select
almost any aria in these and it’ll prove to be a winner. On this criterion,
my top choice is Rinaldo, Handel’s first opera for London. He
sustains the highest quality throughout, but even amongst these gems the wonderful
aria “Cara sposa, amante cara” stands out. My next selection is Agrippina,
written in Italy by a youthful and exuberant composer.
These are the two with which we have dealt first, below, together with Alcina,
also on MT’s list.
Alcina, HWV34 (1735)
Joyce DiDonato (soprano - (Alcina); Maite Beaumont (soprano)
- Ruggiero; Sonia Prina (mezzo) - Bradamante; Karina Gauvin
(soprano) - Morgana; Kobie
van Rensburg
(tenor) - Oronte; Vito Priante (bass) - Melisso; Laura Cherici (soprano)
- Oberto
Il Complesso Barocco/Alan Curtis
rec. Chiesa di Sant’Agostino, Viterbo, Italy, September 2007
ARCHIV PRODUKTION 477 7374 [3 CDs: 76:24 + 72:16 + 54:36] -
from passionato.com (mp3)
Until
recently, we’ve both been happy with the classic Joan Sutherland/Teresa
Berganza/Mirella Freni/Richard Bonynge version of Alcina on
mid-price Decca, despite some typically consonant-free singing from
Sutherland, and
this remains recommendable on CD for those unwilling to pay full price
(433 723-2).
It is also available as a download from passionato.com,
but there the price advantage disappears, since it costs exactly the
same as the new Archiv recording. You do get some extracts from Giulio Cesare as
a bonus, though.
Simon Thompson made the new recording his Recording of the Month: ‘This
new recording jumps straight to the top of the Alcina pile.
In fact I would go even further and say that if you have never heard
a Handel opera
before
or are a little nervous about where to start then this is the best
introduction to that world that I can think of.’ - see review.
BW agrees - this is in many ways Handel’s most approachable opera and the
performance does it full justice - and adds that the mp3 recording sounds very
acceptable. The only disadvantage that downloading brings is the absence of the
libretto; buying the download from the dgwebshop for €22.99 (mp3) or €27.99
(flac) also brings a pdf version of the booklet. You may also find that you
have to do some dragging and dropping in Windows Explorer in order to separate
the
tracks into their relevant CDs - three track 01s, etc. If all this sounds too
onerous, do pay that little extra for the parent CDs.
Alcina - excerpts
Renée
Fleming, Natalie Dessay, Susan Graham, Kathleen Kuhlmann; Les Arts
Florissants/
William Christie
WARNER ERATO 8573853562 [72:44] - from amazon.co.uk (mp3)
or warner.freshdigital.co.uk (mp3)
If you have the older Sutherland/Bonynge version and would
just like a ‘highlights’ CD
of a more authentic recording, or even if you wish to supplement the
new Archiv recording, this ‘live’ Erato recording
could be just what you’re
looking for. Well filled, well sung and ably directed, it sounds well
in Amazon’s
256k mp3 download version - and it comes for a mere £2.79 (£3.00
from Warner), so it won’t break the bank. I wouldn’t recommend
this as your only version of Alcina - it won’t give you
the full drama of the work - but BW very much enjoyed hearing it as
a supplement to
the complete
Decca and Archiv recordings. The CDs of the complete version of this
recording are currently available as part of a 6-CD set.
Rinaldo (Original 1711 Version) HWV7a
David Daniels (counter-tenor) - Rinaldo; Cecilia Bartoli (mezzo)
- Almirena; Gerald Finley (baritone) - Argante; Luba Orgonasova
(soprano)
- Armida;
Bejun Mehta (counter-tenor) - Christian Sorcerer; Mark Padmore (tenor)
- Herald;
Daniel Taylor (counter-tenor) - Eustazio; Bernarda Fink (alto) - Goffredo;
Catherine
Bott (soprano) - Siren; The Academy of Ancient Music/Christopher Hogwood
DECCA OISEAU-LYRE 467 0872 [3 CDs: 76:54 + 51:38 + 45:11] -
from passionato.com (mp3)
This
is MT’s favourite among the Handel operas. In his first opera
for London, Handel sustains the highest quality throughout, but even
among the
other gems the wonderful aria Cara sposa, amante cara stands
out.
BW had not heard it until recently, apart from individual arias,
but willingly concurs that, though the opera is little known, it
ranks
with the very
best and this recording does it full justice. To have a singer of
Catherine Bott’s
quality singing the minor role of one of the sirens is an indication of the excellence
of the singing - almost as extravagant a piece of casting as the three famous
singers who take the parts of the Three Ladies in Klemperer’s
recording of Die Zauberflöte.
Apart from one or two very minor dropouts between tracks, the mp3
sound is good.
Agrippina, HWV6 (1709)
Véronique Gens (soprano) - Agrippina, Philippe Jaroussky (counter-tenor)
- Nerone; Ingrid Perruche (soprano) - Poppea; Nigel Smith (baritone) - Claudio;
Thierry Grégoire (counter-tenor) - Otho; Bernard Deletré (bass)
- Pallante; Fabrice Di Falco (soprano) - Narciso; Alain Buet (bass)
- Lesbo; La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire
rec. live, Théâtre Municpal, Tourcoiung, 21, 23 March
2003. DDD
DYNAMIC CDS431 [3 CDs: 51:23 + 59:32 + 55:03] - from classicsonline.com (mp3)
Also available on DVD: Dynamic 33431 (2 DVDs
Agrippina dates from near the end of Handel’s highly successful
Italian tour. The plot involves the machinations of Agrippina, wife of the Emperor
Claudius, to get her son Nero installed as the next claimant for the throne.
Don’t worry too much about the intricacies of Cardinal Grimani’s
libretto; just enjoy the music.
The performance is a little uneven - one reviewer described it as ‘scrappy’,
which seems a little harsh - but the singing is mostly good and Malgoire’s
direction maintains the pace. MT agrees, but prefers the Gardiner recording,
which is available in mp3 from passionato.com (475
8285 or 438
0092).
There’s no libretto, of course, but you can obtain a good synopsis from
the web. The mp3 recording is good. The classicsonline price of £23.97
represents a worthwhile saving of about a third over the purchase of the CDs.
Oddly enough, however, one dealer is offering the DVD version for £22.51,
as against £36.70 for the CDs, at the time of writing.
MT proposes that we deal in future months with:
Ottone, Giustino, Giulio Cesare, Silla and Semele.
The most obscure of these must be Silla; if performed
in Handel’s
lifetime, which is open to doubt, it was in private, so the London Handel Festival’s
concert performance in 2000 was probably its public world premiere. The plot
is pretty ludicrous but the music is of the highest standard throughout, and
can be heard on LHF’s recording.
Semele is not included in the generally accepted list
of his operas, presumably because of its English libretto. It is
a work of
the highest
quality,
including the gems “Endless Pleasure”, “Where’erYou Walk” (a
rare outing for a tenor) and “Myself I Shall Adore”
BW adds to this list one or other of the two current recordings of Orlando.
Recitals:
Arias from Giulio Cesare Act 3 ; Rinaldo Act
2; Alcina Act
1; Teseo Act 2; Apollo e Dafne (La terra è liberata); Ariodante Act
2; Rinaldo Act 2; Amadigi di Gaula Act 1; Semele Act
1 and Act 3
Danielle de Niese (soprano); Les Arts Florissants/William Christie
rec. 2007? DDD
DECCA 475 8746 [71:52] - from passionato.com (mp3)
“What
most endeared this disc to me, besides Handel’s music which
always has so much to offer, was the fact that the performances
are so very much alive.
There isn’t a dull moment during these 70+ minutes. The honour
for that has to be shared between Danielle de Niese and William Christie,
whom I have
always admired as one of the very best baroque conductors.” (see review by
Göran Forsling). We concur; this is one of our favourite recital
discs and the mp3 sound is more than acceptable.
Arias from Scipione
Rolli, Act II; Orlando, Act II; Giulio
Cesare in Egitto, Act II; Partenope, Act I; Amadigi
di Gaula,
Act I; Alessandro, Act III; Rodelinda, Act I; Faramondo,
Act II; Tamerlano, Act III; Act III; Arianna in Creta,
Act II.
Sandrine Piau (soprano); Les Talens Lyriques/Christophe Rousset
NAÏVE 8894 [67:10] - from classicsonline.com (mp3)
This is another shared strong favourite.
There’s also a new recording of Handel arias and duets, on which Sandrine
Piau is joined by Sara Mingardo, with Rinaldo Alessandrini conducting (OP30483).
We haven’t yet heard this and it doesn’t yet seem to be available
for downloading, but John-Pierre Joyce thought it “a very enjoyable and
desirable package” - see review.
Amarilli vezzosa, HWV 82, ‘Il duello amoroso’; Nel dolce
tempo, HWV 135b; Vedendo amor, HWV 175; Trio Sonata
in B minor, Op. 2, No. 1, HWV 386b; Mi palpita il cor,
HWV 132c
Andreas Scholl (counter-tenor); Hélène Guilmette (soprano);
Accademia Bizantina/Ottavio Dantone
HARMONIA MUNDI HMC901957 [71:50] - from classicsonline.com (mp3)
Admeto (excerpts); Serse (Xerxes) (excerpts); Giulio Cesare
in Egitto (excerpts); Radamisto (excerpts); Rodelinda (excerpts); Alcina, Act
II: Aria: Verdi Prati; Concerto Grosso in C major, HWV
318, ‘Alexander’s
Feast’
Andreas Scholl (counter-tenor); Academy for Ancient Music Berlin
HARMONIA MUNDI HMC901685 [75:59] - from classicsonline.com (mp3)
Two more shared favourites. There are some singers who never
seem to put a foot (or a note) wrong; Janet Baker is one such
and Andreas
Scholl
is
another. There
are other fine versions of the Duello amoroso, but this
is the one to have and the other items are also well performed.
The
inclusion
of the
Trio Sonata
will not be to all tastes, but it makes a pleasant interval
before the final piece. The mp3 sound is good.
The second recording is equally recommendable, especially as Ombra mai fu from Serse is
here sung by the kind of voice for which it was intended. (MT
is intolerant of hearing this aria transposed for voice types
from
bass to soprano).
The inclusion of music from Giulio Cesare on the second
CD reminds us that Scholl also makes a fine contribution to the
Harmonia
Mundi
DVD of this
opera which BW made Recording of the Month last year (HMD990
9008.09 - see review.)
He now recommends the Glyndebourne version alongside that Harmonia
Mundi set. (Opus Arte OA 0950 D - see review by
Kirk McElhearn.)
MT’s favourites also include Ruth Ann Swenson, Jochen
Kowalski and David Daniels. More of these next month.
To MT’s list, I’d add:
Arias from Amadigi; Deidamia; Giulio Cesare; Lotario; Rodelinda; Scipione;
Ariodante; Rinaldo; Radamisto)
Emma Bell (soprano); Scottish Chamber Orchestra/Richard Egarr
rec. 8-10 September 2004, Usher Hall, Edinburgh
LINN CKD 252 [51.24] - from linnrecords.com (mp3,
lossless and studio quality)
“A record of a fine singer at her wonderful peak
at a particular point
in her career” - see review by
Robert Hugill.
RH had some reservations about the recording quality, with
the solo voice recorded a little too closely. I see what he
means,
but the
effect didn’t really
bother me. The lossless download is fine and it comes with
the pdf version of the booklet, with excellent notes, texts
and translations.
MT has some reservations: I’ve now listened to this recital
again and it’s
better than I remembered; she certainly gets the notes well
enough but I find her voice a bit shrill at the top, and many
of the tracks are under-characterised
in my opinion - it seems as if she’s just singing the
notes without reference to the meaning or dramatic situation.
The last few tracks,
however, seem much
better in this respect.
Arias and recits from Theodora; La
Lucrezia; Arias
from Serse
Lorraine Hunt Lieberson (mezzo); Stephen Stubbs (lute and baroque
guitar);
Phoebe Carrai (cello); Margriet Tindemans (viola da gamba);
Orchestra of the Age of Enlightenment/Harry Bickett (harpsichord
and chamber
organ)
rec. 24-26 August 2003, Blackheath Halls, London, UK (arias);
18-21 March 2004, King Center, Denver, Colorado, USA (cantata).
DSD.
AVIE AV0030 [66:50] - from classicsonline.com (mp3)
and emusic.com (mp3)
This
is a fine memorial to the voice of an excellent singer who
is, sadly, no longer with us. With equally fine accompaniment
and good
mp3 sound,
the download
may be recommended alongside the CD which was enthusiastically reviewed by
Paul Shoemaker (Recording of the Month: “one of the finest
vocal recordings in any voice I’ve ever heard”)
and slightly less enthusiastically reviewed by
Christopher Webber. I’m with PS on this one. The mp3
transfer is good.
TOCCATA CLASSICS
The Toccata Classics label was founded as a labour of love
to record unjustly under-recorded or unrecorded music from
all periods.
Their
CDs are available
direct from MusicWeb-International and their downloads from
classicsonline.com. Go to their own website, however, and you
can join their Discovery
Club: a £20
annual membership entitles you to purchase Toccata downloads for £5.99
instead of £7.99. At present they offer mp3 only; all the recordings listed
below sound fine in that format, but a new website is planned, together with
lossless downloads. I’ve included hyperlinks to the £7.99
versions of these recordings; members of the Discovery Club
will be able to find their
own way to the discounted pages.
Georg Philipp TELEMANN (1681-1767)
Harmonischer Gottes-Dienst (1725-6) - Vol. 1: Six Cantatas
Fourth Sunday of Advent - Lauter Wonne, lauter Freude
First Sunday after Epiphany - In gering- und rauhen Schalen
Fourth Sunday after Epiphany - Hemmet den Eifer, berbannet die Rache
Last Sunday before Lent - Seele, lerne dich erkennen
Fourth Sunday of Lent - Du bist verflucht, o Schreckensstime
First Sunday after Easter - Auf ehernen Mauern
Mona Julsrud (soprano); Frode Thorsen (recorder); Hans Knut
Sveen (harpsichord); Markku Luolajan-Mikkola (baroque cello);
Bergen
Barokk
TOCCATA TOCC0037 [66:54] - from toccataclassics.com (mp3)
Harmonischer Gottes-Dienst, Vol. 2
First Sunday of Advent - Erwachet zum Kriegen [7:45]
First Sunday of Christmas - Erquickendes Wunder der ewigen Gnade [9:58]
Second Sunday of Christmas - Jauchzet, frolocket, der Himmel ist offen [9:46]
First Sunday of New Year - Halt ein mit deinem Wetterstrahle [8:06]
Second Sunday after Epiphany - Ist Widerwärtigkeit
den Frommen eigen [11:16]
Fifth Sunday after Epiphany - Liebe, die vom Himmel stammet [8:35]
Franz Vitzthum (counter-tenor); Bjarte Eike (Baroque violin);
Hans Knut Sveen (harpsichord and organ); Markku Luolajan-Mikkola
(Baroque
cello);
Bergen
Barokk
TOCCATA TOCC0057 [55:26] - from toccataclassics.com (mp3)
The first of these recordings has been available for some time;
the second was released this year. Don’t expect cantatas of the kind which Bach produced;
these are three- and four-section works on a much smaller, more intimate scale,
ideal for performance in smaller churches - and for late-night listening. The
performances, too, are suitably small-scale. With very good singing and accompaniment
and an mp3 transfer which does justice to the music, these recordings are a real
delight and provide a welcome introduction to an under-represented aspect of
Telemann’s music.
The diction is good enough for those with reasonable command
of German not to need access to the texts; otherwise, you may
prefer
to purchase
the CDs,
which
provide these.
The website promises access to the sleeve-notes, but these
were not available when I tried the link.
Some of the music on Volume 1 appeared on a Carus recording
of Telemann’s
music for Advent and Christmas: Lauter Wonne (TWV1:1040)
features on a recording which Johan van Veen welcomed (Carus
83.180 - see review).
As far as I am aware, there is only one other current recording
of excerpts from the Harmonsicher Gottes-dienst, on
a budget-price 4-CD Capriccio set (CAP49498).
Charles-Valentin ALKAN (1813-1888)
Organ Works: Volume 1
Benedictus Op. 54 (1859) [8:53]
Douze Études pour les pieds seulement (Nos. 1-6) (1869)
[18:09]
Onze Grandes Préludes et une Transcription du Messie
de Handel Op.66 (1867) [49:51]
Kevin Bowyer (organ)
rec. Blackburn Cathedral, May 2005. DDD
TOCCATA CLASSICS TOCC 0030 [76:20] - from toccataclassics.com (mp3)
Patrick Waller welcomed this recording, but had some reservations
about the recording - see review.
Those reservations were not enough to give a strong recommendation
and I am entirely in agreement. I’m not a great fan of Alkan’s piano music, but his
organ works are a different matter, especially when played as well as they are
here. The Blackburn Cathedral organ is a fine and versatile instrument and Kevin
Bowyer is a fine advocate for this neglected music. I was born in Blackburn;
my old school grew out of a chantry at the former parish church; my music teacher
was organist at the cathedral and I regularly attended services there until I
went to university, so there’s an element of nostalgia in hearing this
recording. I don’t think that any of this has unduly
coloured my appreciation of the recording.
I didn’t share PW’s problems with the recording; mp3 inevitably ‘sheds’ some
information - perhaps this time it’s shed the slight
background hum which he noted.
There’s a second volume, which I haven’t yet had
time to hear.
Georges BIZET (1838-1875)
L’Arlésienne Suite No.1 [18:01]
L’Arlésienne Suite No.2 [18:14]
Carmen Suite No.1 [12:22]
Carmen Suite No.2 [23:54]
Orchestre Symphonique de Montréal/Charles Dutoit
CLASSIC FM THE FULL WORKS 476 6597 [72:40] - from passionato.com (mp3)
This is one of the highlights of the Classic FM Full Works
series of CDs, all derived from the Universal catalogues (DG,
Decca
and Philips)
and available
from HMV shops. If you don’t live near to an HMV shop, passionato.com has the
whole series available to download. At £7.99 they’re
a little more expensive than the physical CDs, but you might
well spend
the difference in
travelling costs to get to your nearest HMV.
These performances have justifiably been compared with those
of Beecham and the splendid recording sounds well in 320k mp3
format.
Most other
recordings of these
Suites offer rather less music than this well-filled version.
Claude DEBUSSY (1862-1918)
Images, First Series (1901-05) [14:29]
Images, Second Series (1907) [13:00]
É
tudes, Book 1 A la mémoire de Frédéric Chopin - Eté 1915
- (1915) [20:03]
É tudes, Book 2 (1915) [28:58]
Jean-Efflam Bavouzet piano
rec. Potton Hall, Suffolk, 10-12 July 2008. DDD.
CHANDOS CHAN10497 [76:30] - from theclassicalshop.net (mp3
or lossless) or passionato.com (mp3
or lossless)
This award-winning recording rounds off Bavouzet’s complete series of Debussy’s
piano music. The first three volumes have been reviewed on
MusicWeb (Volume 1 here;
Volume 2 here;
Volume 3 here),
but we seem to have missed out on this, probably the best of
the series. I have to admit that Debussy’s piano music is not normally my ‘thing’ -
in a vast CD collection, I have just two discs of it - but I thoroughly enjoyed
this volume of what Bavouzet describes as the composer’s most virtuoso
music so, if, like me, you have yet to immerse yourself in this repertoire, this
would seem to be the ideal starting point. Both download sources offer good 320k
mp3 sound for £7.99 and even better lossless for £9.99.
There are excellent notes for the uninitiated, downloadable
from the Chandos site, from
Roger Nichols and Bavouzet himself.
Sir Donald TOVEY (1875-1940)
Toccata have made several recordings of Tovey’s music, listed below with
links to MusicWeb reviews. Now that Stanford’s music
is being re-valued, Tovey seems a logical next step. These
recordings certainly
made me think of
him in a much better light; the Piano Trios in particular were
a revelation.
Cello Concerto, Op. 40 (1935) [54:16] *
Air for strings** (arr. Peter Shore) [2:15]
Elegiac Variations, op. 25, for cello and piano
(1909) [10:11]
Alice Neary (cello); Ulster Orchestra/George Vass
Gretel Dowdeswell (piano)
rec. Ulster Hall, Belfast, 29-30 May 2006.
*First modern recording; **First recording
TOCCATA TOCC0038 [67:04] - from toccataclassics.com (mp3)
“The Tovey Cello Concerto needs to be heard by all enthusiasts of the late-romantic
orchestral world. That it was written in an idiom that was
old-fashioned in 1935 matters not a jot. It is fresh, keenly imagined, emotionally
engaging and the
performance, recording, documentation and presentation adroitly
complement this major work.” (Rob Barnett - see full review)
Chamber Music - Volume 1
Piano Trio in B minor op.1 (1900) [37:40]
Piano Trio in C minor op.8 Style Tragique (1908) [27:26]
London Piano Trio
rec. 27-29 August 2007, Potton Hall Studio, Westleton, Suffolk.
DDD
first recordings
TOCCATA TOCC 0068 [65:06] - from toccataclassics.com (mp3)
“This is a composer you need to discover ... Tovey brings a mature originality
of ideas which the Brahmsian manner does nothing to blunt.
It is a pleasure to report that there is already talk about successors to this
disc to include the
two string quartets.” (Rob Barnett - see full review)
“The performances by the London Piano Trio are thoroughly
convincing in every way and the recording in Potton Hall is
pretty good, though not perhaps
quite
as well balanced as some other performances from the same venue
that I’ve
heard. In any case, this is self-recommending for the new generation
of Tovey admirers.” (Jonathan Woolf - see full review)
Bohuslav MARTINŮ (1890-1959)
Piano Quartet, H 287 (1942) [23:57]; Quartet, H 315, for oboe,
violin, cello and piano (1947)* [11:55]; Duo No. 2 in D, H
371, for violin
and cello (1958)
[11:20]; Piano Trio No. 3 in C, H 332 (1951) [19:48]
George Caird oboe*; Schubert Ensemble (Simon Blendis, violin;
Douglas Paterson, viola;
Jane Salmon, cello; William Howard, piano)
rec. Potton Hall, Dunwich, Suffolk, UK; 19-21 January 2009.
DDD.
CHANDOS CHAN10551 [67:10] - from theclassicalshop.net (mp3
and lossless)
Chandos have done more than their fair
share to celebrate the 50th anniversary
of Martinu’s death, with new issues and reissues, several
of which I have mentioned in these roundups. Only Supraphon
have, perhaps, done more. This recording
of three chamber works may be a little less essential than,
say, the Chandos reissue of the Cello Concertos which I recommended
last month, but it’s
still well worth investigating. The performances are sympathetic
and the lossless download sounds very well; from experience,
I expect the
320k mp3 to sound
fine, too.
Benjamin BRITTEN (1913-1976)
Saint Nicolas - A cantata for tenor solo, mixed chorus, piano
duet, organ, strings & percussion,
Op 42 [50:04]
Hymn to Saint Cecilia for five-part unaccompanied chorus, Op
27 [9:56]
Anthony Rolfe Johnson (tenor); Harry Briggs (treble); Corydon
Singers; English Chamber Orchestra/Matthew Best
rec. All Hallows, Gospel Oak, London, 7-8 October, 1988. DDD.
HYPERION HELIOS CDH55378 [59:27] - from hyperion-records.co.uk
(mp3 and lossless)
I
understand that St Nicolas is great
fun to sing but, much as I love Britten’s music, as a
listener I didn’t
find it as absorbing an experience as the War Requiem or Peter
Grimes at
the serious extreme of Britten’s
output or Noyes Fludde at the other. That’s a
purely personal response and, for the many who think differently,
this Helios reissue should be the ideal
version; an excellent performance offered at a reasonable price.
iTunes, hitherto the only source of Hyperion downloads, have
been charging the same price for
Helios and full-price Hyperions, thereby making the download
more costly than the CD. I’m pleased to see that Hyperion
plan to operate a price differential for Helios and the 2-for-1
Dyad series.
The mp3 sound
is of good quality. The inclusion of St Cecilia and
the excellent booklet, offered as a pdf document to print out,
set the seal on a fine
reissue.
Sir Malcolm ARNOLD (1921-2006)
Ballet Music
Suite from ‘Homage to the Queen’, Op. 42 (Prepared
by the composer) (1953) [19:43]
Rinaldo and Armida, Op. 49: Dance-drama in one Act (1954) [20:57]
Concert Suite from ‘Sweeney Todd’, Op. 68a (1959)
(Prepared 1984 by David Ellis in association with the composer)
[20:16]
Electra, Op. 79: Ballet in One Act (1963) (premiere recording)
[14:49]
BBC Philharmonic/Rumon Gamba
rec. Studio 7, New Broadcasting House, Manchester, UK;
9-10 December 2008. DDD.
CHANDOS CHAN10550 [76:14] - from theclassicalshop.net (mp3
and lossless)
It would be idle to pretend that the music here is vintage
Arnold, but it is all enjoyable - and you could hardly mistake
most of
it for the work
of
anyone
else. Though the opening of Homage to the Queen does
sound a little like a pastiche of Walton in his state-celebration
manner
and
parts of Sweeney could
have been written by Ketèlbey or Eric Coates, the Dance of the Insects
on track 2 soon brings something more recognisably quirkily Arnoldian while the
Pas de deux (tr.5) shows the composer in one of his most beautiful moods. Don’t
expect the intensity of the symphonies, but if you enjoy Arnold’s
film music, these ballets should appeal.
With sympathetic performances, very well recorded and transferred
in very good sound, especially the lossless versions, and comprehensive
notes,
this is another
recommendable co-operation between Chandos and the BBC Philharmonic
under Rumon Gamba.
In Brief:
Lamentations
Tomás Luis de VICTORIA (c. 1548-1611)
Lectio III, Sabbato Sancto. Incipit oratio Jeremiæ Prophetæ [6:33]
Lectio III, Feria VI in Passione Domini. Aleph - Ego vir videns
paupertatem meam [4:16]
Lectio I, Sabbato Sancto. Heth - Misericordiæ Domini
[4:02]
Lectio III, Feria V in Cœna Domini. Iod - Manum suam misit
hostis [6:44]
Don Carlos GESUALDO (c. 1561-1613)
Responsorium II, Feria V in Cœna Domini. Tristis est anima mea [5 :49]
Robert WHITE (c. 1538-1574)
Lectio I and II, Feria V in Cœna Domini. Heth - Peccatum
peccavit Jerusalem [17:54]
Giovanni Pierluigi da PALESTRINA (1525/26-1594)
Lectio III, Feria V in Cœna Domini. Iod - Manum suam misit
hostis [8:33]
Lectio III, Sabbato Sancto. Incipit oratio Jeremiæ Prophetæ [8:20]
Don Carlos GESUALDO
Responsorium V, Feria VI in Passione Domini. Tenebræ factæ sunt
[5:29]
Nordic Voices
rec. 28 February, 1 March, 4 and 18-20 May 2009, Ringsaker
Church, Hedmark, Norway
Texts and translations in pdf format.
CHANDOS CHACONNE CHAN0763 [68:30] - from theclassicalshop.net (mp3
and lossless)
See review by
Dominy Clements: Recording of the Month. The lossless download
is excellent. Strongly recommended along with Nordic Voices’ recording
of music from the time of Charles V (Reges Terræ:
Chandos CHSA5050) on which I commented in detail as an appendix
to a
review of Morales Magnificat,
etc (CDA67694 - see review).
For those who wish to listen to more of Palestrina’s Lamentations,
Chandos have three discs of the complete settings (April,
2009, Roundup).
Jean-Marie LECLAIR (1697-1764)
Concertos for Violin and Strings Volume 1
Op.7 No.2 in D [15:50]; Op.7 No.5 in a minor [15:06]; Op.10
No.1 in B flat [13:58];
Op.10 No.5 in e minor [16:44]
Collegium Musicum 90/Simon Standage (violin)
rec. St Jude’s Church, London NW11, 20, 22-23 February
1993. DDD.
CHANDOS CHACONNE CHAN0551 (62:09) - from theclassicalshop.net (mp3
and lossless)
I concluded a recent review of two Naxos CDs of Leclair’s Violin Sonatas,
Op.1 (8.570888 and 8.570889, also available as downloads from classicsonline.com)
by recommending Chandos’s three CDs of Leclair’s Violin Concertos
as a follow-up, commencing with this first volume. Here the model is Vivaldi,
rather than Corelli as in the Sonatas, but these are more than mere imitations
- and the pupil’s work proves almost as great as the master’s. If
anything, the music is even more attractive than the Violin Sonatas and it receives
first-rate performances from Simon Standage, soloist and director of Collegium
Musicum 90. With excellent recording and presentation, you really ought to try
this after the Sonatas, thereby extending by a further hour the two hours of
pleasure which you’ll derive from the new Naxos CDs. The lossless download
is excellent but many will be happy with the mp3 version, which is offered at £7.99
as against £9.99.
Anton BRUCKNER (1824-1896)
Symphony No.5, WAB105
BBC Symphony Orchestra/Jascha Horenstein
BBC LEGENDS BBCL 4033-2 [74:44] - from passionato.com (mp3)
“
I find Horenstein’s version of the Fifth a mightily convincing example
of “head over heart”. For those anxious to hear every aspect of this
composer’s art, and for admirers of Horenstein, I recommend it enthusiastically.” Tony
Duggan (MusicWeb, 2000) [****(*)/****(*)] - see review.
Lodewijk MORTELMANS (1868-1952)
Homerische symfonie (1898) [45:13]
Morgenstemming ‘Morning Mood’ (1922) [12:42]
Mythe der lente ‘Myth of Spring’ (1895)
[10:47]
Royal Flemish Philharmonic/Martyn Brabbins
rec. September 2008, Koningin Elisabethzaal, Antwerp, Belgium.
DDD.
HYPERION CDA67766 [66:41] - from hyperion-records.co.uk
(mp3 and lossless)
“
If you have a warm place in your heart for Glazunov then this new name should
be right up your street. This to me completely unfamiliar music is presented
with real style by Hyperion, by Brabbins and his orchestra and by the liner-note
writer Tom Janssens.” - see Rob Barnett’s appreciative review.
I need only add that the mp3 download is of good quality.
Alexander von ZEMLINSKY (1871-1942)
Sinfonietta (1934) [22:01]
Symphonic Fantasy: Die Seejungfrau (The Mermaid) (1903)
[41:06]
New Zealand Symphony Orchestra/James Judd
rec. Michael Fowler Centre, Wellington, New Zealand, 6-8 June
2006. DDD.
NAXOS 8.570240 [63:26] - from classicsonline.com (mp3)
I was a little less impressed than Ian Lace, who made this
Recording of the Month - see review;
I marginally prefer Riccardo Chailly’s way with some of Zemlinsky’s
other music (Lyrische Symphonie, Eine Florentinische
Tragödie,
etc., Double Decca 473 7342), but the Naxos provides a very
good bargain alternative. The mp3 download is of good quality.
Havergal BRIAN (1876-1972)
Symphony No. 6 Sinfonia Tragica (1948) [19:43]; Symphony
No. 16 (1960) [17:41]
Arnold COOKE (1906-2005)
Symphony No. 3 in D (1967) [22:59]
London PO/Myer Fredman (Brian); Nicholas Braithwaite (Cooke)
rec. Walthamstow Assembly Hall, London, 10 April 1973 (Brian);
7 January 1974 (Cooke). ADD
originally issued on LP as SRCS67 (Brian); SRCS78 (Cooke)
LYRITA RECORDED EDITION SRCD.295 [60:26] - from emusic.com
(5 tracks, mp3)
“With this disc Lyrita have made available two of the most fascinating
of Brian symphonies ... Three intrinsically pleasing tonal-melodic symphonies
of real
creative fibre.” (See review by
Rob Barnett: Recording of the Month.)
The variable bit-rate transfer is good and you can download
the cover, but, of course, you won’t get the notes on Brian’s
music by Calum Macdonald which RB praised.
Howard FERGUSON (1908-1999) Concerto for piano
and string orchestra, Op. 12 (1951) [24:10]
Roberto GERHARD (1896-1970) Concerto for piano and
strings (1961) [22:17]
Alec ROWLEY (1892-1958) Concerto in D major for
piano, strings and percussion, Op. 49 (1938) [15:10]
Christian DARNTON (1905-1981) Concerto in
C major for piano and string orchestra (1948) [16:35]
Peter Donohoe (piano and conductor); Northern Sinfonia
rec. Jubilee Hall, Gosforth, UK, 25-27 November 2003. DDD.
British Piano Concertos series
NAXOS 8.557290 [78:12] - from classicsonline.com (mp3)
or passionato.com (mp3
or lossless)
For my comparison of this recording and the newer Somm version
of the Ferguson Piano Concerto, see my recent review on
the main Musicweb pages.
You can also find a comparative review of the Beethoven Septet (Decca
421 093 2, Vienna Octet with Mendelssohn Octet - from passionato.com)
with the Berlin Soloists (Warner Apex) and Ensemble 360 (Nimbus
Alliance) versions. I compare (and prefer) Clifford Curzon’s
version of Schubert’s
last Piano Sonata, D960, from the 4-CD collection, now
available only online from passionato.com,
with a Virgin Classics Virgo recording of D959 and D960 in
the main CD reviews.
My review of a recent recording on the Maya label by Malcolm
Proud of Bach’s
Clavier-übung, Book III, contains a detailed comparison
with two Helmut Walcha Bach recordings, both available from
passionato.com, and
a review of the
recent Nimbus recording of CPE
Bach’s Cello Concertos contains a comparison of that
recording with Tim Hugh’s Naxos version, available from
classicsonline.com and passionato.com.
Brian Wilson