If you’re looking
for an economical way to obtain six concertos by Rodrigo,
one each for the major solo instruments for which he wrote,
plus an example of his non-concertante music, look no further
than this reissue. Here are two well-filled CDs with not
a dud performance between them. The set is currently on offer
for less than £7 from one dealer – a special offer, but you
should be able to obtain it for around £8 even when that
offer concludes.
There’s only one
better Rodrigo bargain on the market, in the form of a Brilliant
Classics 4-CD set (7562), licensed from EMI and containing
these same seven Bátiz-directed performances plus the
Concierto
madrigal,
Concierto andaluz and the
Fantasia
para un gentilhombre, major works not contained here.
Rob Barnett wrote of the Brilliant box: ‘If you want an unbeatably
inexpensive Rodrigo splurge then this set is an extremely
pleasing choice in good clear sound’ – see
review – and
it works out even less per disc than the EMI reissue, cheap
as that is.
The omission from
the EMI reissue of the
Fantasia para un Gentilhombre is
the only major flaw, since it has some claims to be a more
attractive work even than the famous
Aranjuez concerto.
In fact, for me, it equals its better-known rival; I know
that Rob Barnett thinks otherwise, but I’m a real sucker
for 20
th-century re-workings of baroque music
such as Stravinsky’s
Pulcinella, Respighi’s
Ancient
Airs and Dances and Rodrigo’s
Fantasia.
Bátiz’s recordings
of James Galway’s flute arrangement of the
Fantasia and
several of the other works not included on this 2-CD set
used to be available on a budget-price EMI Encore CD (5 87030-2).
If you want a classic guitar version of the
Fantasia and
don’t mind a less than ideal recording, try Segovia on DG
474 425 2. Neither is currently available but remainders
and second-hand copies may be. Alternatively you can download
the Segovia from passionato.com. Passionato.com also have
Pepe Romero’s
Aranjuez and
Fantasia, coupled
with
Invocación y danza, for a mere £4.99 (Decca Originals
475 8248, with Neville Marriner and the ASMF). Even when
the current 10% discount ends, this will still be cheaper
than the equivalent CD even though, at mid-price, that won’t
break the bank either.
The Brilliant
box also includes the beautiful
Per la flor del lliri
blau and
Alla busca del más allá, both very worthwhile
pieces regarded by some as finer even than the concertos.
Unfortunately, each is too long to have been included as
a replacement, say, for the one non-concertante piece,
Zarabanda
lejana y villancico; in any case, that is also an attractive
work. Why do Spanish composers do dances in the distance
so well, as in the
danza lejana section of Falla’s
Nights
in the Gardens of Spain?
Otherwise, unless
you must have a particular soloist – Julian Bream, say, or
one of the Romeros, in the
Concierto de Aranjuez – and
don’t mind the omission of the
Fantasia, you can hardly
go wrong with this new 2-CD distillation. If you must have
Julian Bream, his
Aranjuez may be had on a choice
of mid-price RCA recordings, both coupling the
Fantasia
para un gentilhombre and
Invocacion y danza, 09026
61611 2 or 82876 60870 2. Sundry members of the Romero family
perform couplings including
Aranjuez and
Fantasia on
various CFP, Decca Originals and Philips-
Mercury recordings.
This EMI reissue
offers a wide variety of solo instruments – guitar, violin,
cello, harp, flute and piano – and a range of styles. None
of Rodrigo’s other works are mere clones of
Aranjuez;
the somewhat angular
Concierto Heroico for piano,
in particular, is very different, though you might spot the
dreamier moments of the slow movement as the work of Rodrigo.
In four movements and running to over 30 minutes, it’s the
longest piece here and the powerful finale in particular
makes a fitting conclusion to the second CD and to the set
as a whole. I’d only ever heard it once or twice before and
it hadn’t made a great impression. This Osorio/Bátiz performance
has changed my mind and I expect to be listening to it quite
frequently in future.
There’s very little
of value that I can add to Rob Barnett’s review of the relevant
items in the Brilliant box; if you follow the hyperlink above,
I agree with every word of what he says, except for our slightly
differing estimates of the value of the
Fantasia para
un gentilhombre. This EMI reissue would be my ideal Rodrigo
recording were it not for the omission of the
Fantasia and,
perhaps,
Concierto madrigal. Its main rival at around
the same price on DG does include them (2 CDs, 469 190 2,
Narciso Yepes, the Romeros), an older recording but one that
has worn well. Better still, go for the Brilliant box while
it is still to be had. More recently, EMI may have ended
up doing something similar by licensing a number of their
vintage opera recordings, including Furtwängler’s
Tristan
und Isolde, to Brilliant. Watch out for my review of
that set.
The presentation,
in EMI’s Twentieth Century Classics house style, is attractive.
The booklet contains a minimal set of notes. I’m sure that
Rodrigo novices could have done with a good deal more. The
cover under-sells the contents by including just four named
works. Were the
Concierto de estío and
Concierto
en modo galante not thought worth naming?
Brian Wilson